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Waking the Dead

EMAILPRINTUSA Films

Waking the Dead reviews
59
9.3 User Score:

Mixed or average reviews

Based on 27 critic reviews
How did we calculate this?

Based on 9 votes
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Movie Info

Genre(s): Suspense/Thriller

Written by: Robert Dillon
Keith Gordon
Scott Spencer (novel)

Directed by: Keith Gordon

Release Date:
Theatrical: March 24, 2000
DVD: September 26, 2000

Running Time: 105 minutes, Color

Origin: USA

Summary

RATING: R for sexuality and language

Starring Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer, Paul Hipp, Sandra Oh, Hal Holbrook, and Ed Harris

A lawyer (Crudup) running for Congress starts seeing visions of his dead girlfriend (Connelly) and believes he might be losing his mind.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

San Francisco Chronicle Mick LaSalle

One of the most powerful romances of recent years, it is as generous as they come.

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100

TNT RoughCut Bilge Ebiri

Gordon directs with a graceful precision and shorthand that makes the story seem simple, though it's anything but. Indeed, it's fascinatingly complex, juggling time periods and political, mystical, and psychological themes without ever losing touch with the core message: Love conquers all.

90

Los Angeles Times Kevin Thomas

It is a film of uncommon intelligence and rigor that illuminates a complex era, and the romance at its center is also one of exceptional passion and honesty.

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75

Seattle Post-Intelligencer William Arnold

A film with a real depth, resonance and texture, and room for an ensemble of supporting characters.

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75

Miami Herald Rene Rodriguez

It's almost startling to see a film that believes in itself and its characters so deeply.

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75

New York Post Jonathan Foreman

Structurally flawed, occasionally shlocky, but written with unusual intelligence and subtlety.

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75

Baltimore Sun Milton Kent

Gordon deserves credit for at least attempting to deal with political themes, and the tension isn't bad either.

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75

Christian Science Monitor David Sterritt

Offbeat tale, which tackles weighty themes. But sentimentality overtakes intelligence.

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75

New York Daily News Jami Bernard

It's a romantic weepie.

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70

Dallas Observer Gregory Weinkauf

A pensive, reflective movie, more or less equal in tone to Ang Lee's "The Ice Storm," yet, because of its temporal breadth and tight emotional focus, it packs a more intimate punch.

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70

LA Weekly F. X. Feeney

Catches the volatile beauty of what it was to be alive and politically aware in the early '70s with a rare accuracy and depth.

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70

Washington Post Rita Kempley

This wonderfully acted romance brings the touching fantasy "Truly, Madly, Deeply" to mind.

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63

Chicago Sun-Times Roger Ebert

Has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally.

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63

San Francisco Examiner Wesley Morris

As involved as Crudup and Connelly beseech you to be with this story, their very youthfulness, their nagging lack of adulthood, keeps the film from being anything more credible than a tight grad-school tryst.

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60

Chicago Reader Jonathan Rosenbaum

Its virtues are still genuine and durable enough to resist the blandishments of hype.

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58

Mr. Showbiz Michael Atkinson

The movie is a shambles, a rambling, disjointed love tragedy with a story that amounts to little more than a mess of fade-outs, sloppy montages, and dramatic sketches.

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50

Film.com Elizabeth Weitzman

Crudup tends to take average parts in standard genre films and turn them into something special.

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50

TV Guide Ken Fox

A tale of conscience lost and found becomes little more than a smart but tepid ghost story for idealists and '60s survivors, and not a terribly spooky one at that.

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50

Chicago Tribune Marc Caro

By the time of Fielding's and Sarah's final, gooey encounter, she's not the only one who needs waking.

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50

Austin Chronicle Marc Savlov

The film is one of the more adult offerings out there in a spring movie season peppered with martial arts and superheroes. It may be just what you're looking for.

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50

Film.com Peter Brunette

Its evocation of the politics and Zeitgeist of the late '60s is so right on, as we used to say, that it left me stunned.

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50

Boston Globe Jay Carr

It's too fragmented and diffuse to ever bring its parts together in any really satisfying manner.

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50

Entertainment Weekly Lisa Schwarzbaum

Enough to anesthetize the living.

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50

The New York Times Stephen Holden

Forever stumbling over itself and breaking its own spell.

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50

Rolling Stone Peter Travers

Gorden teases out some affecting scenes, but not enough to carry a film that promises more than it delivers.

33

Portland Oregonian Bob Campbell

As so often happens, politics and religion add up to a double dose of self-righteousness.

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25

USA Today Staff [Not Credited]

Spanning the counterculture '70s to the more career-oriented '80s and doing justice to neither decade, this event-heavy adaptation of Scott Spencer's novel may give viewers whiplash.

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What Our Users Said

The average user rating for this movie is 9.3 (out of 10) based on 9 User Votes

Note: User votes are NOT included in the Metascore calculation.

Megan R. gave it a10:
this movie is so great!ever since i seen it, i can't stop, Jennifer has done the best ever in her performance! 10.

Steve S. gave it a4:
Quite simply - awful; a disjointed shambles. Why waste 2 hours hours on a 2 minute story.

Gareth gave it a 10:
This movie caught me completely by surprise and touched me in a way I didn't think possible. we all have our 'Sarah' buried somewhere deep inside us.

Gustavo G. gave it a 10:
Coincido con Juliana. Una de las mejores. Hay que mirarla. Una Pregunta ¿de donde sos, Juliana?

Juliana E. gave it a 10:
Una de las mejores películas que he visto. alucinante.

Nia B. gave it a 10:
This movie has become my favorite movie. Watch it.

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