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63
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43
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92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
War of the Roses, The
20th Century Fox Film Corporation
FILM:
MPAA RATING: R
Starring
Michael Douglas,
Kathleen Turner,
Danny DeVito,
Marianne Sägebrecht,
Sean Astin,
Heather Fairfield,
G.D. Spradlin,
and
Peter Donat
This classic black comedy proves that divorce is war, and war is hell.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Michael Leeson
Warren Adler (novel)
|
| DIRECTED BY: |
Danny DeVito
|
| RELEASE DATE: |
DVD: December 18, 2001
Video: October 5, 1999
Theatrical: December 1, 1989
|
| RUNNING TIME: |
116 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Time
Richard Schickel
But it is the style with which this wild farce is developed that sustains our horrified interest and keeps us laughing as the darkness gathers around Barbara and Oliver. [11 Dec 1989]
90
Chicago Reader
Jonathan Rosenbaum
A compellingly watchable, suspenseful, and often funny treatment of a grim subject--the hatred that can build up in a long-term marriage--that also becomes an indirect commentary on yuppie materialism.

90
Los Angeles Times
Sheila Benson
Biting and vicious, a styptic pencil on the battered face of "civilized divorce." It's also thoughtful, laceratingly funny, and bravely true to its own black-and-blue comic vision. [8 Dec 1989]
90
Rolling Stone
Peter Travers
Under the astute direction of Danny DeVito, who does a sly turn as Oliver's attorney, this acid-dipped epic of revenge is killingly funny and dramatically daring.

83
Entertainment Weekly
Steve Daly
DeVito doesn't hesitate to send the camera anywhere to goose the humor.
80
Washington Post
Rita Kempley
Director DeVito, who never did know when to quit, manages to be as clever as he is vicious. His first movie, "Throw Momma From the Train," seems almost lyrical in comparison to the ruthlessness of this vehicle.

80
Washington Post
Desson Thomson
The most brutal husband-wife encounter since axe-wielding Jack Nicholson yelled "Heeeeere's Johnny!" to Shelley Duvall in Stanley Kubrick's "The Shining."

80
TV Guide
Staff (Not Credited)
DeVito films this tale with a fiendish gusto, yet with psychological realism and meticulous attention to an inexorable logic in the plotting, even as the Roses' war moves from the outlandish to the surreal.

80
Empire
Staff (Not Credited)
Quite shocking, almost avant-garde in the way it constantly confounds expectations built up over years of formula pictures.

75
Chicago Tribune
Dave Kehr
It can't be easy to keep a comedy on track when the underlying emotions are so vicious, and indeed DeVito's staging slips more than once -- too realistic here, too broad there -- resulting in a film that is at least as often funny-peculiar as it is funny-haha. [8 Dec 1989]
75
San Francisco Chronicle
Peter Stack
Although the movie goes too far, you can hardly get enough of its delicious atmosphere - and of Turner, in particular, who has never looked better on the big screen. [8 Dec 1989]
75
Christian Science Monitor
David Sterritt
The ending is especially inventive, managing to be sour, cynical, sentimental, and upbeat at the same time. [22 Dec 1989]
75
Chicago Sun-Times
Roger Ebert
The movie treads a dangerous line. There are times when its ferocity threatens to break through the boundaries of comedy - to become so unremitting we find we cannot laugh.

75
USA Today
Mike Clark
This smashingly filmed and performed one-shot is (uh, so to speak) the year's best romantic comedy. [8 Dec 1989]
70
The New York Times
Elvis Mitchell
The film's outstanding nastiness, which is often diabolically funny until a poorly staged final battle sequence simply takes things too far, has something real and recognizable at its core.

60
Variety
Staff (Not Credited)
Trying to wring yocks from a deranged couple locked in mortal combat over possession of their house is more suited to film noir than black comedy.

40
Wall Street Journal
David Brooks
A great premise for a movie. Unfortunately, The War of the Roses is not clever, at least not very often. [14 Dec 1989, p.A20(E)]

The average user rating for this movie is 8.3 (out of 10) based on 10 User Votes
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