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Weight of Water, The
Lions Gate Films Inc.

Weight of Water, The reviews
Critic Score
Metascore: 45 Metascore out of 100
User Score  
5.5 out of 10
based on 22 reviews
Read critic reviews
How did we calculate this?
based on 4 votes
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MPAA RATING: R for violence, sexuality/nudity, and brief language

Starring Catherine McCormack, Sarah Polley, Sean Penn, Josh Lucas, Elizabeth Hurley, CiarĂ¡n Hinds, Ulrich Thomsen, and Anders W. Berthelsen

Based on the novel by Anita Shreve, this is the story of a contemporary woman whose obsession with a notorious unsolved crime from the 1800s leads her to confront devastating truths in her own life. (Lions Gate Films)


GENRE(S): Suspense/Thriller  
WRITTEN BY: Alice Arlen
Christopher Kyle
Anita Shreve (novel)
 
DIRECTED BY: Kathryn Bigelow  
RELEASE DATE: DVD: March 4, 2003 
Video: March 4, 2003 
Theatrical: November 1, 2002 
RUNNING TIME: 105 minutes, Color 
ORIGIN: USA / France 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75
Chicago Tribune Loren King
Despite the deftness with which Bigelow handles the transitions, the modern story never attains the intrigue and tension of the period tale.
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67
Seattle Post-Intelligencer Sean Axmaker
The insistent crosscutting suggests there is something powerful between the two stories, but apart from vague connections of jealousy, emotional tension and conversations that constantly dance around the real issues, they don't resonate across the years.
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67
Entertainment Weekly Lisa Schwarzbaum
In the heaving cross-century swirl of the climax, ''Weight'' makes its point: Jealousy is timeless; Hurley is not.
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63
Boston Globe Janice Page
Though it never rises to its full potential as a film, still offers a great deal of insight into the female condition and the timeless danger of emotions repressed.
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60
Salon.com Stephanie Zacharek
It's an intelligently made (and beautifully edited) picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the Hollywood pipeline without a hitch.
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60
The New York Times Stephen Holden
There is so much to admire in The Weight of Water, Kathryn Bigelow's churning screen adaptation of a novel by Anita Shreve, that when the movie finally collapses on itself late in the game, it leaves you in the frustrating position of having to pick up its scattered pieces and assemble them as best you can.
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50
New York Post Megan Lehmann
All the elements are in place for an entertaining murder mystery, but as Bigelow meanders aimlessly back and forth through time, the plot becomes increasingly water-logged.
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50
Variety Emanuel Levy
Despite recurrent narrative and dramatic problems, each of Bigelow's pics provides a visual treat, and this film is no exception.
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50
New York Daily News Jami Bernard
The book has been altered in mostly reasonable ways to suit the needs of the screen, but what it loses in the translation is invaluable in comprehending what led someone to pick up an ax and wipe out two-thirds of an island's population.
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50
San Francisco Chronicle Carla Meyer
Involves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters. But the picture looks great.
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50
Philadelphia Inquirer Steven Rea
Shows glimmers of great drama, but jettisons too much essential cargo (character development, relationships, plot, common sense) in an effort to be lean and clean.
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50
Portland Oregonian Marc Mohan
The two stories never come close to meshing the way the filmmaker intended. The result is a well-acted movie that simply doesn't gel.
50
ReelViews James Berardinelli
Contains multiple ax murders, lesbianism, incest, a hanging, and a storm at sea -- yet, despite all of this seemingly enticing material, it's a bore.
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50
Chicago Sun-Times Roger Ebert
The actors are splendid, especially Sarah Polley and Sean Penn, but we never feel confident that these two plots fit together, belong together, or work together.
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50
Chicago Reader Jonathan Rosenbaum
Whereas "Posession" was relatively light on its feet, this is so overloaded from the outset that it can only sink.
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50
Los Angeles Times Manohla Dargis
As a director, Bigelow knows how to get out of the house, but she can be impatient when it comes to humdrum reality. That may account for her interest in Shreve's novel, with its epic tragedies, and it may help to explain the misguided casting of Penn and Hurley, each of whom comes equipped with an oversized personality.
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40
The Onion (A.V. Club) Scott Tobias
Perhaps because the present-day characters are such insufferable twits -- especially the brooding Penn, who's given to tossing around stanzas by Yeats and Dylan Thomas -- the modern story feels like a device, a flimsy entrée into events that would be better accessed directly.
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40
TV Guide Maitland McDonagh
Penn, in particular, is so subdued he's hardly there, while Hurley's seductive, hyper-articulate Adaline is actually ludicrous, sucking suggestively on ice cubes and reciting poetry like a phone-sex operator pretending to be a book-reading babe.
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40
Village Voice J. Hoberman
Lovingly detailed but unaccountably clumsy, obviously ambitious, and unfortunately chintzy. It's also genuinely anachronistic.
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30
LA Weekly Ron Stringer
Provides an unfulfilled promise of pleasure (providing one doesn't cave in to the spectacle of bare-chested Elizabeth Hurley sucking on an ice cube) in this heavy-handed exercise in time-vaulting literary pretension.
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30
Dallas Observer Bill Gallo
Means to be heavy in terms of psychology, provocation and the examination of emotion, but it sinks like a stone the minute it hits the surface.
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20
Film Threat Ross Williams
Dreadful.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.5 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.

Lou C. gave it a 3:
Poorly directly/edited/cut, and afflicted with incredibly poor lighting, this movie will be difficult to follow for people who didn't read the book. The fact that the several of the actors in the historical plot line keep changing their accents (and hence their pronunciations of the other characters' names) just adds to the challenges. By the time the allegorical underwater scene came long, I was so thoroughly disgusted with the director's clumsiness and stupidity, I had lost all interest in the rest of the movie.

JD gave it a 9:
Elizabeth Hurley is in it. I don't care how bad it is. SHE IS HOT!!!

Zootsi J. gave it a 5:
This movie had potential, but blew it with it's pporly developed modern day characters. It was very annoying to watch them constantly smoking, and drinking and no doing much else. A blatent vehicle for the cigarette industry. The period shots were this film's only saving grace.

Stella S. gave it a 5:
Hard to follow at times.

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