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86
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85
Edge of Heaven, The
83
Paranoid Park
80
Encounters at the End of the World
79
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78
Hellboy II: The Golden Army
75
Boy A
74
Mongol
73
Kung Fu Panda
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Priceless
72
Transsiberian
71
To the Limit
71
Tropic Thunder
70
Standard Operating Procedure
66
When Did You Last See Your Father?
65
Indiana Jones and the Kingdom of the Crystal Skull
63
Planet B-Boy
63
Sisterhood of the Traveling Pants 2, The
63
Kit Kittredge: An American Girl
63
This Christmas
62
Mister Foe
61
Stuck
61
On the Rumba River
61
Incredible Hulk, The
57
Stone Angel, The
57
Journey to the Center of the Earth 3D
55
Sukiyaki Western Django
54
You Don't Mess with the Zohan
54
Get Smart
54
What We Do Is Secret
53
Mister Lonely
52
Milarepa
49
Pirates Who Don't Do Anything: A VeggieTales Movie, The
48
Death Defying Acts
47
Strangers, The
46
Jack Brooks: Monster Slayer
45
Zombie Strippers
44
Henry Poole is Here
39
Young People F**king
37
War, Inc.
35
Star Wars: The Clone Wars
34
Happening, The
33
Elite Squad
32
Perfect Holiday, The
25
Hell Ride
20
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Beer for My Horses
Stars indicate the most critically-acclaimed movies.
|
What Women Want
Paramount Pictures
FILM:
MPAA RATING: PG-13 for sexual content and language
Starring
Mel Gibson,
Helen Hunt,
Marisa Tomei,
Bette Midler,
and
Lauren Holly
When Nick Marshall (Gibson), an ad executive and male chauvinist has an accident, he finds he has gained the ability to hear what women are thinking. As time passes, this phenomenon starts to change his behavior.
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Josh Goldsmith
Cathy Yuspa (also story)
Diane Drake (story)
|
| DIRECTED BY: |
Nancy Meyers
|
| RELEASE DATE: |
DVD: May 8, 2001
Video: May 8, 2001
Theatrical: December 15, 2000
|
| RUNNING TIME: |
127 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Baltimore Sun
Chris Kaltenbach
A frequently hilarious exercise in one sex desperately trying to figure out the other.

75
Philadelphia Inquirer
Steven Rea
A winner.

75
USA Today
Susan Wloszczyna
Yummy yet empty.

75
Chicago Tribune
Marc Caro
Delivers on the promise of its playful premise, thanks to some sly gender role reversals and Gibson's willingness to play along.

75
New York Daily News
Jami Bernard
A merry romantic comedy in the screwball tradition.

75
Chicago Sun-Times
Roger Ebert
If the movie is imperfect, it's not boring and is often very funny, as in a solo dance that Nick does in his apartment, to Frank Sinatra singing "I Won't Dance."

75
Entertainment Weekly
Owen Gleiberman
Gibson, in a disarmingly nimble, fast break performance, makes Nick's new hyperempathy look like the essence of virile panache.

63
New York Post
Jonathan Foreman
Adequately funny but predictable sitcom

63
Miami Herald
Rene Rodriguez
A wobbly fantasy that relies on the actor's mischievous energy and rakish charisma for its laughs.

63
Charlotte Observer
Lawrence Toppman
Without Gibson, this soufflé would fall pancake-flat.

60
Variety
Todd McCarthy
Sheer energy and audience allure to burn, even if numerous speed bumps cause many of the comic possibilities to go tumbling overboard.

58
Portland Oregonian
Shawn Levy
It's never subtle or clever, but it's big, loud and clear.

55
Mr. Showbiz
Kevin Maynard
As classic romantic comedy goes, it ain't no "Tootsie."

50
LA Weekly
Hazel-Dawn Dumpert
Narrow definitions of femininity limit the comedy and the romance.

50
Film.com
Elizabeth Weitzman
This is not a great comedy, but it has some honest laughs, a few touching moments.

50
The New York Times
A.O. Scott
Starts with a great idea, but the movie's potential drops faster than the tech stocks on the Nasdaq.

50
Austin Chronicle
Kimberley Jones
It's like 90 minutes of teasing foreplay, and then, just when it's about to get really good, your partner rolls over and goes to sleep.

50
Boston Globe
Jay Carr
Disappoints.

50
Christian Science Monitor
David Sterritt
The dialogue isn't quite as sparkling and the plot twists aren't quite as snappy as you want them to be. And the story keeps rambling on after its oomph runs wearisomely thin.

50
San Francisco Chronicle
Bob Graham
The movie's gimmick for airing the contents of a woman's head is not unlike that used for the dogs and tots in those "Look Who's Talking" movies.

50
Slate
David Edelstein
The picture has some fun slapstick set pieces and an inventively manic turn by Gibson.

50
Washington Post
Rita Kempley
Gibson and the overexposed Hunt don't exactly burn up the screen, not that it much matters. The charm isn't in the relationship, it's in Gibson's puckish appeal.

50
Washington Post
Desson Thomson
Fans of bubbly romances can consider this a thumbs up. I call it a clenched-teeth concession at best.

40
Los Angeles Times
Kenneth Turan
A vaguely amusing formulaic comedy with a premise that turns out to be more discomforting than endearing.

40
TV Guide
Steve Simels
A wildly overblown, unpleasantly smirky mess of a film.

40
Film.com
Robert Horton
The scene doesn't amount to much more than a logical extension of its lightweight premise.

40
Village Voice
Amy Taubin
Gibson has never lacked chemistry with his leading ladies, from Sigourney Weaver in "The Year of Living Dangerously" to Julia Roberts in "Conspiracy Theory," but faced with the awkward Hunt -- Hollywood's bland antidote to the Lolita syndrome -- he doesn't even try.

40
Time
Richard Schickel
It just runs on and on -- like a slightly stupid story you wish you hadn't overheard in a singles bar.

40
Newsweek
David Ansen
Has its heart in the right place, but its funnybone is out of joint.

35
TNT RoughCut
Susannah Breslin
Shallow characters the audience cares little about, an unbelievable situation rather than a potent plot, and, for those who don’t find men-in-pantyhose or poodle-poop jokes hilarious, not many funny lines.

30
Chicago Reader
Lisa Alspector
Would have proved the point if it weren't so mechanically scripted.

20
Dallas Observer
Robert Wilonsky
Really, what women want is what all of us want: a decent movie, something vaguely insightful and occasionally funny. This isn't that movie.

20
Salon.com
Stephanie Zacharek
Aggressively offensive.


The average user rating for this movie is 6.3 (out of 10) based on 17 User Votes
Note: User votes are NOT included in the Metascore calculation.
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