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White Noise

EMAILPRINTUniversal Pictures

White Noise reviews
30
4.0 User Score:

Generally unfavorable reviews

Based on 32 critic reviews
How did we calculate this?

Based on 40 votes
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Movie Info

Genre(s): Drama  |  Mystery  |  Romance  |  Suspense/Thriller

Written by: Niall Johnson

Directed by: Geoffrey Sax

Release Date:
Theatrical: January 7, 2005
DVD: May 17, 2005

Running Time: minutes, Color

Origin: USA

Summary

RATING: PG-13 for violence, disturbing images and language

Starring Michael Keaton, Chandra West, Deborah Kara Unger, Ian McNeice, Sarah Strange, Nicholas Elia, Mike Dopud, and Marsha Regis

People have always searched for a way to communicate with the other side - fascinated, motivated, driven to find a way to connect with loved ones who have passed on. Now comes this suspense thriller that explores this very-real, other-worldly communication - White Noise. Tapping into our deepest fears and most profound longings, White Noise forces us to re-examine the world in which we live and, in the process, question our most basic notions about life and death. (Universal)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

67

Seattle Post-Intelligencer William Arnold

A not-bad ghost story that marks a comeback of sorts for its star, Michael Keaton, who hasn't top-billed a movie for almost a decade.

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60

The Hollywood Reporter Kirk Honeycutt

Geoffrey Sax, a British television director making his theatrical debut, lavishes enough craft on the paranormal thriller to send more than a few chills down the spine.

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50

Dallas Observer Robert Wilonsky

There's nothing at all scary about White Noise, which goes bump in the night so often it's easy to mistake it for clumsy.

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50

Christian Science Monitor David Sterritt

Beneath its regrettably banal surface, White Noise raises the creepy question of whether intimidating, even malign forces may be lurking in those fancy gadgets that fill our living rooms and offices.

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50

Philadelphia Inquirer Steven Rea

Has a low-key tone that works in its favor for a time.

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50

The Globe and Mail (Toronto) Rick Groen

But Keaton is a mistake. He's an actor with an innate sense of irony firmly grounded in the here and now. Even as Batman, skepticism was his forte; true belief falls way outside his range.

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50

Salon.com Stephanie Zacharek

Does feature one or two jump-out-of-your-skin moments.

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42

Portland Oregonian M. E. Russell

Boring and fundamentally silly.

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42

Entertainment Weekly Scott Brown

What might have been a rote horror exercise becomes instead a twitchy, mannered, often amusing rote horror exercise.

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40

Variety Joe Leydon

An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.

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40

Village Voice Ed Park

White Noise vigorously pushes the supernatural line throughout, but unfortunately its final movement is so incoherent that the whole thing collapses.

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40

The Onion (A.V. Club) Nathan Rabin

It's a testament to Michael Keaton's fine lead performance that White Noise doesn't come off as laughably preposterous.

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40

TV Guide Maitland McDonagh

Increasingly preposterous, thoroughly credibility-straining escapades.

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40

Film Threat Pete Vonder Haar

Isn’t very effective as a thriller.

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38

Charlotte Observer Lawrence Toppman

It's yet another warm, fuzzy, New-Age tale that cozies us into believing the grave doesn't mean oblivion.

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38

New York Daily News Elizabeth Weitzman

The unhappy dead populate Geoffrey Sax's third-rate thriller White Noise like a pre-Christmas crowd at a suburban mall. This is a shame, since they are neither scary nor sad, and less likely to haunt an audience than simply bore them to death.

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38

Chicago Tribune Michael Wilmington

In White Noise, Hollywood and Michael Keaton try to make a decent thriller out of ghosts in the machine but come up with lousy reception and static.

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30

The New York Times Manohla Dargis

A film worthy neither of Mr. Keaton's talents nor even a desperate horror fan's attention.

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30

Los Angeles Times Carina Chocano

The movie straitjackets Keaton into a humorless, table-pounding role.

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30

Washington Post Desson Thomson

Hampered by Niall Johnson's script, which is often confusing, muddy and ultimately cliche-ridden.

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30

Austin Chronicle Marc Savlov

There's not much more to this poorly scripted thriller than exactly one well-done shock moment and Michael Keaton's eyebrows, but, to be fair, Keaton's brows have carried three Tim Burton films nearly on their own, so don't let this dissuade you from seeing the film.

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30

Chicago Reader Staff (Not credited)

Muddled and boring.

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25

USA Today Claudia Puig

White Noise is the celluloid equivalent of a bad cell phone connection.

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25

New York Post Lou Lumenick

Poor Keaton, a capable actor who was absent from the screen for several years, is hamstrung by the material even more than in last year's dismal "First Daughter."

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25

Miami Herald Connie Ogle

It is a grim and monotonous affair despite the overkill of bad guys -- a trio of evil spirits plus a bonus serial killer -- mixed with a few cheap shocks futilely intended to make the audience jump.

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25

Baltimore Sun Michael Sragow

Dramatically, it's a ghoul's parade of grieving folk finding solace and then danger through a tenuous connection to the after-life.

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25

Premiere Aaron Hillis

A clumsy, dreadfully preposterous and pedestrian thriller that seems to believe loud noises are the same as good frights.

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25

ReelViews James Berardinelli

White Noise has nothing. You'll have a better time staying home, tuning your TV to a station that doesn't carry a local signal, and staring.

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25

San Francisco Chronicle Carla Meyer

A rather boring horror film.

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25

Rolling Stone Peter Travers

"Sixth Sense" rip-off.

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20

LA Weekly Chuck Wilson

No, this isn't an adaptation of Don DeLillo’s great 1985 novel, but a muddled talking-ghosts movie.

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12

Boston Globe Wesley Morris

A moronic exercise in supernatural claptrap.

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What Our Users Said

The average user rating for this movie is 4.0 (out of 10) based on 40 User Votes

Note: User votes are NOT included in the Metascore calculation.

[Anonymous] gave it a0:
I rented it for 99 cents and still felt like I got ripped off after watching it. I would call it a piece of crap, but that would be insulting to crap.

White N. gave it an8:
I really liked this movie it kept me on the edge of my seat the whole time...thought the acting was really good as well i would definately recommend it ..the only negative thing i could say about it was i did not like the ending of the movie left you hanging had no clue what happened.

Goolfeedan A gave it a5:
I expected this to be a a good scary movie. The commercials made it seem terrifying. This isnt a a good horror/thriller.

Tyler C gave it a3:
I only gave this a 3 because i think Michael Keaton is a great actor, i think the concept of contacting dead people is cool, and i did not spend 10 bucks at a theatre to see this. Why couldn't they find another star to be in this movie? Michael Keaton is the only one. Even the commentary sucked! Keaton left halfway through it because "he was on vacation." I only watched the commentary to try to make some sense of the movie but in the end it still makes no sense!!

Bill gave it a2:
What the heck?? I like(d) Michael Keaton a lot from his older flicks. But what in the world would possess him to take this role? Good god, this has to be the worst movie I've seen in years. Could somebody please please tell me why those 3 stupid ghosts were out to get him?? The producer of this flick needs a good 'ole whipping to let a movie end like that. Just plain stupid.

Matt B gave it a3:
How many times do we have to see the same movie made over and over and over? For a better movie with almost the same story, watch The Sixth Sense, The Ring, Stir of Echoes.... It's amazing how many movies get made about dead people trying to get living people to do stuff when that's not even possible. This one wins the trophy for being the least scary and making almost no sense.

Boneho C. gave it a2:
The first hour or so of the movie is so incredibly awesome as you watch the tired Micheal Keaton continously obess over his wife's death about a year after it even happens. Next thing we know we're being treated with an over-weight crazy "professor" who has apparently figured out that ghosts can easily be heard with nothing more than an AV camera and a couple of telivisions. Thankfully, the audience is blessed when it all comes down to the fact that the main character's telivision just so happens to tell him when people are about to die. Along the way we recieve some cheap attempts at scares from three randomized ghosts who like scaring people because they're "BAD!" The thing I was most pleased with though is how the movie ends suddenly without an ounce of intelligence or thought.

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