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White Noise

Generally unfavorable reviews
Based on 32 critic reviews
How did we calculate this?
Based on 40 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Mystery | Romance | Suspense/Thriller
Written by: Niall Johnson
Directed by: Geoffrey Sax
Release Date:
Theatrical: January 7, 2005
DVD: May 17, 2005
Running Time: minutes, Color
Origin: USA
Summary
RATING: PG-13 for violence, disturbing images and language
Starring Michael Keaton, Chandra West, Deborah Kara Unger, Ian McNeice, Sarah Strange, Nicholas Elia, Mike Dopud, and Marsha Regis
People have always searched for a way to communicate with the other side - fascinated, motivated, driven to find a way to connect with loved ones who have passed on. Now comes this suspense thriller that explores this very-real, other-worldly communication - White Noise. Tapping into our deepest fears and most profound longings, White Noise forces us to re-examine the world in which we live and, in the process, question our most basic notions about life and death. (Universal)
Also On Metacritic
FILM: Stormbreaker
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Seattle Post-Intelligencer William Arnold
A not-bad ghost story that marks a comeback of sorts for its star, Michael Keaton, who hasn't top-billed a movie for almost a decade.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
Geoffrey Sax, a British television director making his theatrical debut, lavishes enough craft on the paranormal thriller to send more than a few chills down the spine.
Read Full Review >Dallas Observer Robert Wilonsky
There's nothing at all scary about White Noise, which goes bump in the night so often it's easy to mistake it for clumsy.
Read Full Review >Christian Science Monitor David Sterritt
Beneath its regrettably banal surface, White Noise raises the creepy question of whether intimidating, even malign forces may be lurking in those fancy gadgets that fill our living rooms and offices.
Read Full Review >Philadelphia Inquirer Steven Rea
Has a low-key tone that works in its favor for a time.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
But Keaton is a mistake. He's an actor with an innate sense of irony firmly grounded in the here and now. Even as Batman, skepticism was his forte; true belief falls way outside his range.
Read Full Review >Salon.com Stephanie Zacharek
Does feature one or two jump-out-of-your-skin moments.
Read Full Review >Entertainment Weekly Scott Brown
What might have been a rote horror exercise becomes instead a twitchy, mannered, often amusing rote horror exercise.
Read Full Review >Variety Joe Leydon
An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.
Read Full Review >Village Voice Ed Park
White Noise vigorously pushes the supernatural line throughout, but unfortunately its final movement is so incoherent that the whole thing collapses.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
It's a testament to Michael Keaton's fine lead performance that White Noise doesn't come off as laughably preposterous.
Read Full Review >TV Guide Maitland McDonagh
Increasingly preposterous, thoroughly credibility-straining escapades.
Read Full Review >Charlotte Observer Lawrence Toppman
It's yet another warm, fuzzy, New-Age tale that cozies us into believing the grave doesn't mean oblivion.
Read Full Review >New York Daily News Elizabeth Weitzman
The unhappy dead populate Geoffrey Sax's third-rate thriller White Noise like a pre-Christmas crowd at a suburban mall. This is a shame, since they are neither scary nor sad, and less likely to haunt an audience than simply bore them to death.
Read Full Review >Chicago Tribune Michael Wilmington
In White Noise, Hollywood and Michael Keaton try to make a decent thriller out of ghosts in the machine but come up with lousy reception and static.
Read Full Review >The New York Times Manohla Dargis
A film worthy neither of Mr. Keaton's talents nor even a desperate horror fan's attention.
Read Full Review >Los Angeles Times Carina Chocano
The movie straitjackets Keaton into a humorless, table-pounding role.
Read Full Review >Washington Post Desson Thomson
Hampered by Niall Johnson's script, which is often confusing, muddy and ultimately cliche-ridden.
Read Full Review >Austin Chronicle Marc Savlov
There's not much more to this poorly scripted thriller than exactly one well-done shock moment and Michael Keaton's eyebrows, but, to be fair, Keaton's brows have carried three Tim Burton films nearly on their own, so don't let this dissuade you from seeing the film.
Read Full Review >USA Today Claudia Puig
White Noise is the celluloid equivalent of a bad cell phone connection.
Read Full Review >New York Post Lou Lumenick
Poor Keaton, a capable actor who was absent from the screen for several years, is hamstrung by the material even more than in last year's dismal "First Daughter."
Read Full Review >Miami Herald Connie Ogle
It is a grim and monotonous affair despite the overkill of bad guys -- a trio of evil spirits plus a bonus serial killer -- mixed with a few cheap shocks futilely intended to make the audience jump.
Read Full Review >Baltimore Sun Michael Sragow
Dramatically, it's a ghoul's parade of grieving folk finding solace and then danger through a tenuous connection to the after-life.
Read Full Review >Premiere Aaron Hillis
A clumsy, dreadfully preposterous and pedestrian thriller that seems to believe loud noises are the same as good frights.
Read Full Review >ReelViews James Berardinelli
White Noise has nothing. You'll have a better time staying home, tuning your TV to a station that doesn't carry a local signal, and staring.
Read Full Review >LA Weekly Chuck Wilson
No, this isn't an adaptation of Don DeLillo’s great 1985 novel, but a muddled talking-ghosts movie.
Read Full Review >What Our Users Said
The average user rating for this movie is 4.0 (out of 10) based on 40 User Votes
Note: User votes are NOT included in the Metascore calculation.
[Anonymous] gave it a0:
I rented it for 99 cents and still felt like I got ripped off after watching it. I would call it a piece of crap, but that would be insulting to crap.
White N. gave it an8:
I really liked this movie it kept me on the edge of my seat the whole time...thought the acting was really good as well i would definately recommend it ..the only negative thing i could say about it was i did not like the ending of the movie left you hanging had no clue what happened.
Goolfeedan A gave it a5:
I expected this to be a a good scary movie. The commercials made it seem terrifying. This isnt a a good horror/thriller.
Tyler C gave it a3:
I only gave this a 3 because i think Michael Keaton is a great actor, i think the concept of contacting dead people is cool, and i did not spend 10 bucks at a theatre to see this. Why couldn't they find another star to be in this movie? Michael Keaton is the only one. Even the commentary sucked! Keaton left halfway through it because "he was on vacation." I only watched the commentary to try to make some sense of the movie but in the end it still makes no sense!!
Bill gave it a2:
What the heck?? I like(d) Michael Keaton a lot from his older flicks. But what in the world would possess him to take this role? Good god, this has to be the worst movie I've seen in years. Could somebody please please tell me why those 3 stupid ghosts were out to get him?? The producer of this flick needs a good 'ole whipping to let a movie end like that. Just plain stupid.
Matt B gave it a3:
How many times do we have to see the same movie made over and over and over? For a better movie with almost the same story, watch The Sixth Sense, The Ring, Stir of Echoes.... It's amazing how many movies get made about dead people trying to get living people to do stuff when that's not even possible. This one wins the trophy for being the least scary and making almost no sense.
Boneho C. gave it a2:
The first hour or so of the movie is so incredibly awesome as you watch the tired Micheal Keaton continously obess over his wife's death about a year after it even happens. Next thing we know we're being treated with an over-weight crazy "professor" who has apparently figured out that ghosts can easily be heard with nothing more than an AV camera and a couple of telivisions. Thankfully, the audience is blessed when it all comes down to the fact that the main character's telivision just so happens to tell him when people are about to die. Along the way we recieve some cheap attempts at scares from three randomized ghosts who like scaring people because they're "BAD!" The thing I was most pleased with though is how the movie ends suddenly without an ounce of intelligence or thought.
