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X2: X-Men United
EMAILPRINTThe 20th Century Fox Film Corporation

Generally favorable reviews
Based on 38 critic reviews
How did we calculate this?
Based on 104 votes
Read user comments
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Movie Info
Genre(s): Suspense/Thriller
Written by:
Daniel P. Harris
Michael Dougherty
Bryan Singer
Directed by: Bryan Singer
Release Date:
Theatrical: May 2, 2003
DVD: November 25, 2003
Running Time: 135 minutes, Color
Origin: USA
Summary
RATING: PG-13 for sci-fi action/violence, some sexuality and brief language
Starring Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Rebecca Romijn-Stamos, Brian Cox, and Alan Cumming
Mutants continue to struggle against a society that fears and distrusts them. Their cause becomes even more desperate following an incredible attack by an as yet undetermined assailant possessing extraordinary abilities. With the fates of mankind - and mutantkind - in their hands, the X-Men Face their most dangerous mission ever. (20th Century Fox)
Also On Metacritic
FILM: X-Men X-Men: The Last Stand
GAMES: X2: Wolverine's Revenge (PS2)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site Official Comic Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Washington Post Michael O'Sullivan
The fantastic and at times deliciously nihilistic world of X2 is fully, believably three-dimensional.
Read Full Review >Dallas Observer Gregory Weinkauf
A diverting mix of insight and spectacle, human and superhuman. This machine is built for kids, but rarely do words like "noble," "Hollywood" and "rawkin'" all apply to one movie.
Read Full Review >Austin Chronicle Marc Savlov
An altogether more viscerally engaging film, from its relentless pacing and slam-bang effects work to the fine, appropriately heroic score by John Ottman. That the movie has an obvious gay subtext neither adds nor detracts from the films smashing popcorn appeal.
Read Full Review >Charlotte Observer Lawrence Toppman
A follow-up with as much artistic integrity, complexity, humor and well-designed action as the original.
Read Full Review >Premiere Glenn Kenny
One of the things that makes this movie such a great rush is that while youre watching it, it seems a good deal more subversive than it really is.
Read Full Review >Baltimore Sun Michael Sragow
Captures the feel of a first-rate comic book. It puts the pop back into Pop Art: It blows viewers away with a blast of kinetic energy.
Read Full Review >Seattle Post-Intelligencer William Arnold
It also boosts the punch of the movie that so many of its action scenes evoke the Iraqi War news footage of the past month, and the "X-Men" premise -- people persecuted because their difference makes them seem threatening -- carries even more relevancy and weight than it did three years ago.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
X2 sparkles with a lightness of spirit that was missing from ''X-Men.''
Read Full Review >Film Threat Clint Morris
Sit down, Shut Up and Hang On, because Marvel's indifferent crew of uncanny power are back, and they're bigger, badder and super-charged. Let the fun begin. Again.
Read Full Review >Variety Todd McCarthy
About twice as good as the original...bigger and more ambitious in every respect, from its action and visceral qualities to its themes.
Read Full Review >Slate David Edelstein
My chief complaint is that these mutants are a little--well, vanilla. I wish the X-Men had a touch of kinkiness to go with their weird abilities.
Read Full Review >Los Angeles Times Kenneth Turan
Brisk and involving with a streamlined forward propulsion, it's the kind of superhero movie we want if we have to have superhero movies at all.
Read Full Review >Village Voice J. Hoberman
Funny, reasonably crazy, and unpretentiously faithful to its source.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Directed with depth, efficiency, and wit by Bryan Singer, the film suffered only from a tendency to seem like a setup for an even bigger movie...Fortunately, bigger usually equals better here, and when it doesn't, it equals just as good.
Read Full Review >Philadelphia Inquirer Steven Rea
As it is, most of X2's action is restricted to the Northeast Corridor, with a climactic face-off in the western Rockies, where, in typical blockbuster fashion, everything goes kablooey and ka-bam.
Read Full Review >Chicago Tribune Michael Wilmington
This movie lets the characters and tropes borrowed from the original Stan Lee comic live and breathe.
Read Full Review >Chicago Sun-Times Roger Ebert
Perhaps in the next generation a mutant will appear named Scribbler, who can write a better screenplay for them.
Read Full Review >New York Post Lou Lumenick
As irresistible as movie-theater popcorn - a lavish, reasonably intelligent, well-acted sequel with kick-butt effects that outdoes its predecessor, 2000's "X-Men," in almost every department.
Read Full Review >Miami Herald Rene Rodriguez
A sleek, rousing contraption, a comic-book movie with a sense of playfulness, a welcome streak of humor and just the right touch of gravity.
Read Full Review >ReelViews James Berardinelli
Visually, X2 is a sight to behold, with impressive special effects and a dynamic sense of place.
Read Full Review >Rolling Stone Peter Travers
A summer firecracker. It's also a tribute to outcasts -- teens, gays, minorities, even Dixie Chicks. It's not without thought or feeling, except when its mind gets bent by the gods of box office. Then it's craven and empty.
Read Full Review >The New York Times Dana Stevens
Mr. Singer and his collaborators grasp that comic books, for all their obligatory fights and explosions, are at bottom about their brave, troubled, impossibly muscled characters.
Read Full Review >Salon.com Stephanie Zacharek
In some ways, X2 is an obvious improvement on its predecessor: It looks more expensive, and its special effects seem to swoop out of nowhere...But "X-Men" was undoubtedly the most elegiac comic-book adaptation of the past few years.
Read Full Review >Chicago Reader J.R. Jones
As in the first movie, Ian McKellen and Patrick Stewart are trotted out periodically to add a little gravitas.
Read Full Review >Time Richard Corliss
Wants to contain multitudes -- high ideals and high tech, the poignant and the silly. Doing so, it becomes a lexicon of modern filmmaking. It could be its own creature: Super-Generico. That's not the worst thing for a movie to be, but it's not quite Marvel-ous either.
Read Full Review >TV Guide Frank Lovece
The combat visuals that follow are as powerful as those of any war film.
Read Full Review >Portland Oregonian Shawn Levy
An engaging spectacle of energy and special effects built around a doomy mood and an ensemble cast vigorously pursuing a story line that isn't nearly as snazzy as the dressing.
Read Full Review >Boston Globe Wesley Morris
It's scenic, confidently directed and performed, dutiful, faithful, revelatory, informative, and largely involving. Rarely, however, is it any fun.
Read Full Review >New York Daily News Jami Bernard
A substantial improvement over "X-Men," in many ways, especially in visual and specialeffects departments.
Read Full Review >USA Today Mike Clark
The longer the movie goes, the more its 133 minutes prove wearing. The story tries to develop a love angle between Jackman and Janssen, but it doesn't begin to take. And the finale is particularly weak.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
There's a continuing delicacy to [Singer's] direction that gives the audience room to breathe and reason to linger. This may not be a grownup movie but -- unlike the Star Wars franchise or the Batman sequels -- it is a movie that grownups can watch minus the requisite bottle of Excedrin.
Read Full Review >New York Magazine Peter Rainer
The best new addition to the corp is Alan Cummings Nightcrawler.
Read Full Review >The New Yorker Anthony Lane
There are simply too many characters to get a handle on, and the sheer proliferation of special effects offers Singer a license so unfettered that most of the mutants act not according to their natures but purely on the ground of what, at that juncture, looks most groovy. [12 May 2003, p. 82]
LA Weekly Scott Foundas
Singer's approach to X2 is very much of the "If it ain't broke, don't fix it" school, resulting in a movie that, even at its best -- a thrilling jailbreak scene that's the closest thing in either X movie to a rousing set piece -- seems tame and unmemorable.
Read Full Review >Wall Street Journal Joe Morgenstern
All the same, X2 and recent action adventures like it constitute a mutation in their own right: fast-paced, slow-witted movies in which the impact is the message; impersonal movies that deny any need for characterization; disjointed movies that make no apologies -- and pay no penalties -- for making no sense. Their special gift is giving little and getting a lot.
Washington Post Stephen Hunter
Of the many comic book superhero movies, this is by far the lamest, the loudest, the longest. Good Lord, what an epic sit. My rear end deserves a medal...I wish I could say it wasn't so, but for most of us, this "X" marks a splat.
Read Full Review >Film Threat Jim Agnew
What the movie needs more than anything is a script. The story is very disappointing and near the end, things start to get weirder and weirder.
Read Full Review >San Francisco Chronicle Mick LaSalle
The movie is overplotted, a soulless maze of special effects and relentless action.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.2 (out of 10) based on 104 User Votes
Note: User votes are NOT included in the Metascore calculation.
[Anonymous] gave it a9:
I love this frickin' franchise. The best next to Spider-Man. This is so better than the first.
Jerk Guy gave it a2:
I’m giving this “X-men film” a 2, I tried really hard to like these films, I really did, and although I despise them all, I will say this one is the best out of the three, however it ironically annoys me the most because this one could have had a chance, but alas again they changed too much/left too much out i.e. Why was there no reference to the fact that Wolverine and Lady Deathstrike/Yuriko were ex lovers, and that the reason she became Lady Deathstrike was because she blamed Wolverine for her fathers death, the man who developed the adamantium bonding process for Weapon X. it’s funny AKA stupid how they could leave something like that out. Why wasn’t Sabretooth in this film? It would have made more sense then him being in the first film, since he was also an experiment of Weapon X, but I guess it wouldn’t have mattered anyway; they wouldn’t have referenced his involvement with Weapon X like they didn’t with Lady Deathstrike. One last thing, why did Colossus have an American accent? He is meant to be Russian, It may be a small detail to some people, but the small things add up.
[Anonymous] gave it an8:
Slightly better than the first. FX are good. Once again calls for fair treatment to minorities and misfits, something all of us have a hard time giving. Action is better distributed, as well as character issues. Clunky in a few areas, but good nonetheless. Wonder how they'll push forward, though.
Sam gave it a9:
Has its flaws, but is overall a wonderfully entertaining film, and gets me excited for the 3rd one and the wolverine spin-off.
Randy B gave it a9:
I loved this movie. I only wish it hadn't ended.
Christine gave it a 10:
I think it was way better tn the first one, and I enjoyed watching it.
Yoon Min C. gave it a 5:
It begins with a breathlessly impressive action scene with a black german freak popping, crackling, and fizzing in the air. it's a brilliant fusion of acrobatism and special effects, perhaps a landmark moment in cinema. rest of the movie is a rehashing of part I: alot of dumb talk, leaden plot, and humorlessness. did burton's batman start this trend of giving us overtly ARTY superhero pics?
