Jim (Hero Fiennes Tiffin) is a senior in high school, experiencing the highs and lows of his first love with Ann (Sydney Park) as they navigate their pending departure to college. At the same time, Jim’s parents (Diane Kruger and Jeffrey Donovan) are dealing with the familial fallout of a financial crisis.

The Hawaiian island of Kauaʻi is seen as a paradise of leisure and pristine natural beauty, but these escapist fantasies obscure the colonial displacement, hyper-exploitation of workers and destructive environmental extraction that have actually shaped life on the island for the last 250 years. Cane Fire critically examines the island’s history — and the various strategies by which Hollywood has represented it—through four generations of director Anthony Banua-Simon’s family, who first immigrated to Kauaʻi from the Philippines to work on the sugar plantations. Assembled from a diverse array of sources—from Banua-Simon’s observational footage, to amateur YouTube travelogues, to epic Hollywood dance sequences — Cane Fire offers a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as "extras" in their own story. [Cinema Guild]

Cordelia (Antonia Campbell-Hughes), a young woman living in London, meets her mysterious and alluring neighbor Frank (Johnny Flynn) for the first time but quickly becomes suspicious of his motives. With her twin sister away for the weekend, Cordelia is left alone and overcome with paranoia. She begins to unravel and sink back into past traumas the more that Frank tries to charm his way into her life, becoming a danger to herself and others.

A native farmer lives and works alone in a farmhouse in the heart of a mountain forest in Northern Greece. For years now, he had been fighting with an expanding industrial Monster digging up the forest, disturbing the lush flora and threatening his property. Yet, the greatest threat comes with the sudden arrival of his young son, after a twenty-year separation. They turn into enemies under one roof. Father and son confront each other head on, with nature as their only observer, a showdown that ultimately yields an unexpected redemption for both.

Kunle (Donald Elise Watkins) and his best friend, Sean (RJ Cyler), are both seniors in college about to embark on an epic night of Spring Break parties. Sean has the whole night planned out, including every party they will hit on their “legendary tour.” Kunle is down, yet mostly concerned with finishing up his mold experiment in his lab, as his acceptance to Princeton is hinging on the results. They return to their apartment to pre-game, yet find that their roommate, Carlos (Sebastian Chacon), left the door open. As they enter with trepidation, Sean and Kunle discover a drunk, semi-conscious White female they don’t know on the floor and an oblivious Carlos, who didn’t hear her come in over the videogame blaring in his ears. Kunle wants to call the cops but Sean vehemently opposes the idea concerned how it will look when the cops show up (two Black men, one Latino man and a passed out White woman). Together, Carlos, Sean and Kunle load the girl - who they nickname Goldilocks, but whose real name is Emma (Maddie Nichols) - into Sean’s van, with the intention of taking her somewhere safe rather than calling the police. Meanwhile, Emma’s sister, Maddy (Sabrina Carpenter), has realized that Emma left the party they were at, and begins to search for her in a drunk panic using Emma’s phone’s location. What ensues is a chaotic, hilarious, and tension- filled chase all over town as our trio grapples with their differences while attempting to bring Emma to safety.