Adi Robertson

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For 11 reviews, this critic has graded:
  • 45% higher than the average critic
  • 0% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 1.5 points higher than other critics. (0-100 point scale)

Adi Robertson's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 80 Feels Good Man
Lowest review score: 45 Yesterday
Score distribution:
  1. Positive: 7 out of 11
  2. Negative: 0 out of 11
11 movie reviews
    • 42 Metascore
    • 50 Adi Robertson
    The film leans hard into dark comedy rather than outright horror, which saves it from seeming like technophobic scaremongering or a “kids these days” moral panic. If you’re the kind of person who can laugh at slapstick murder vignettes, a lot of Spree works very well.
    • 67 Metascore
    • 65 Adi Robertson
    Tesla has oddball panache and is probably more compelling than a conventional period piece would be.
    • 76 Metascore
    • 75 Adi Robertson
    While the film doesn’t disguise its origin as a Twitter thread, it generally doesn’t treat it as a gimmick, either — because in 2020, the internet is just where people share the weirdest, funniest, and most frightening moments of their lives.
    • 79 Metascore
    • 80 Adi Robertson
    Many documentaries become less interesting the more you already know about the subject. But Feels Good Man presents a heavily covered story in a thoughtful and vivid way. Even its standard talking-head segments are peppered with compelling absurdities.
    • 76 Metascore
    • 80 Adi Robertson
    The best part of Shirley is Elisabeth Moss as a sharp-tongued and gloriously frumpy agent of chaos.
    • 53 Metascore
    • 56 Adi Robertson
    It’s just determined to deliver as many answers and as much plot momentum as possible, even when slowing down or holding back would give its revelations far more weight.
    • 49 Metascore
    • 75 Adi Robertson
    It’s bizarre and often delightful. Paradise Hills captures a futuristic fantasy aesthetic that feels familiar in video games, but fresh in movies.
    • 67 Metascore
    • 45 Adi Robertson
    The film spends more time dramatizing the scandal’s worst-case scenario than examining the facts — producing compelling personal narratives at the cost of valuable context and perspective.
    • 74 Metascore
    • 80 Adi Robertson
    Jawline is a nuanced exploration of digital celebrity and the gap between “real” and online lives, issues that are particularly relevant during a mass reevaluation of social media. But it’s also a timeless, bittersweet film about a teenager with ambitious dreams and few opportunities to realize them.
    • 74 Metascore
    • 80 Adi Robertson
    See You Yesterday is a compelling blend of nuanced drama, teenage adventure-comedy, and thought experiment. Its protagonists make a great duo, alternating between sophisticated genre-savvy observations and adolescent vulnerability.
    • 55 Metascore
    • 45 Adi Robertson
    Yesterday is a breezy, moderately funny romantic comedy with an excellent soundtrack — but one that never commits to its characters, themes, or clever premise.

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