Alison Willmore
Select another critic »For 139 reviews, this critic has graded:
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33% higher than the average critic
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1% same as the average critic
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66% lower than the average critic
On average, this critic grades 2.7 points lower than other critics.
(0-100 point scale)
Alison Willmore's Scores
- Movies
- TV
Average review score: | 62 | |
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Highest review score: | Little Women | |
Lowest review score: | Tom Clancy’s Without Remorse |
Score distribution:
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Positive: 72 out of 139
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Mixed: 52 out of 139
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Negative: 15 out of 139
139
movie
reviews
- By Date
- By Critic Score
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- Alison Willmore
If the series was conceived as a way to hold on to the fans of the original books and movies who are now grown, what’s clear in practice is it’s a children’s story staggering to support a few ambitious and deeply underdeveloped themes.- New York Magazine (Vulture)
- Posted Apr 15, 2022
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- New York Magazine (Vulture)
- Posted Dec 22, 2021
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- Alison Willmore
It’s so obviously shaped by fan response that it feels like the movie equivalent of someone who went viral online and now can only repeat themselves to diminishing returns in an attempt to hawk merch while they can.- New York Magazine (Vulture)
- Posted Sep 30, 2021
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- New York Magazine (Vulture)
- Posted Jun 10, 2021
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- Alison Willmore
Without Remorse is awful — an incoherently shot, grindingly dull movie in which just about every actor manages to seem miscast.- New York Magazine (Vulture)
- Posted Apr 29, 2021
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- Alison Willmore
Thunder Force doesn’t work as a comedy, but that’s because it doesn’t really work as a movie. There’s so little chemistry between McCarthy and Spencer, longtime real-life friends, that, rather than buddies, their characters often just come across as mildly surprised to find themselves in the same room.- New York Magazine (Vulture)
- Posted Apr 9, 2021
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- Alison Willmore
Voyagers, in keeping its focus where it does, feels like a waste not just because of how predictable its beats are, but because it ends just when it feels like it’s getting interesting.- New York Magazine (Vulture)
- Posted Apr 8, 2021
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- Alison Willmore
Wild Mountain Thyme is not just charmless. It is genuinely confounding, a movie constantly working against itself to make its characters and their dilemma comprehensible.- New York Magazine (Vulture)
- Posted Dec 16, 2020
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- Alison Willmore
It’s an adaptation without direction or purpose, with an unwieldy but deeply committed performance at its center. Hathaway looks to be having fun, at least. Someone should!- New York Magazine (Vulture)
- Posted Oct 22, 2020
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- Alison Willmore
Irresistible isn’t just shockingly ineffectual in its insights into national schisms — it is, in an added betrayal, unfunny, requiring its audience to slog their way through so much laborious farce without a laugh in sight.- New York Magazine (Vulture)
- Posted Jun 25, 2020
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- Alison Willmore
The movie is so charmless and hopelessly incoherent that you might feel the need to consult Wikipedia afterward for some help on what it was even about.- New York Magazine (Vulture)
- Posted Jun 12, 2020
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- Alison Willmore
The best part of Scoob!, a computer-animated reboot of the Scooby-Doo franchise, is the part in which the movie painstakingly recreates the opening credits of the original series.- New York Magazine (Vulture)
- Posted May 15, 2020
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- Alison Willmore
The problem with Capone isn’t that it’s an unconventional biography or a challenge to the image of a famous figure. It’s that it’s not bold enough on either of those fronts.- New York Magazine (Vulture)
- Posted May 12, 2020
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- Alison Willmore
It is a terrible horror movie, by the way, just wretchedly unenjoyable.- New York Magazine (Vulture)
- Posted Feb 14, 2020
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- Alison Willmore
It’s hard to guess whether the story was mangled by studio reedits or just didn’t have much to say to begin with — both seem possible. The bigger question is why so many strong actors signed on for this misfire.- New York Magazine (Vulture)
- Posted Jan 11, 2020
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