Allison Picurro

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For 5 reviews, this critic has graded:
  • 40% higher than the average critic
  • 0% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 5.3 points lower than other critics. (0-100 point scale)

Allison Picurro's Scores

Average review score: 64
Highest review score: 89 Interview With the Vampire: Season 1
Lowest review score: 50 The Dropout: Season 1
Score distribution:
  1. Positive: 2 out of 5
  2. Negative: 0 out of 5
5 tv reviews
    • 83 Metascore
    • 89 Allison Picurro
    Interview with the Vampire is exactly what it needs to be, in all of its bloody, ridiculous, gay glory.
    • 49 Metascore
    • 68 Allison Picurro
    What American Gigolo succeeds at is setting itself apart from its predecessor, proving that it's more than just a glossy restoration of something we've already seen. Still, it struggles to find its footing as a modern story. If the tail end of Episode 3 is any indication, there could be good things to come. But that might be a lot to ask from a show that, at its core, struggles to untangle itself from the confines of the past.
    • 70 Metascore
    • 55 Allison Picurro
    What makes the series watchable as it descends further into nonsense is its cast, many of whom are forced to make the most of half-baked roles.
    • 75 Metascore
    • 50 Allison Picurro
    At its core, The Dropout has some interesting ideas — Holmes as a faux-feminist figure (is it girlboss to defraud people and potentially put many more in danger?), presenting the tech and pharmaceutical industries as corporate entities that don't care about the masses — but it never figures out how to present them coherently or intriguingly.
    • 70 Metascore
    • 57 Allison Picurro
    Whiplash settles in as the series vacillates in tone, trying all at once to be a crime thriller, a raunchy sex comedy, a critique of the media, and a reflection on a very famous woman's inner turmoil. It never figures out how to effectively tie those elements together, nor is it able to successfully make the case that Gauthier's story is just as important as Pamela's.

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