For 32 reviews, this critic has graded:
  • 40% higher than the average critic
  • 0% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 1.6 points higher than other critics. (0-100 point scale)

Andrew Bundy's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Out of the Blue (1980)
Lowest review score: 33 Brian Banks
Score distribution:
  1. Positive: 18 out of 32
  2. Negative: 1 out of 32
32 movie reviews
    • 69 Metascore
    • 50 Andrew Bundy
    Meet Me in the Bathroom feels like a surface-level music documentary with little mindfulness for creative expression or the shades of reality outside the fame of its subjects.
    • 66 Metascore
    • 75 Andrew Bundy
    While its structure is a little lopsided (the beginning portion plays like a doc about Choy) and the tone tends to sway somewhat harshly between justifiably acidic and politically enlightening, “The Exiles” is an essential look at “philosophical homelessness” and an expert example of documentary cinema as a truth-telling device.
    • 76 Metascore
    • 75 Andrew Bundy
    Deserted by a workplace and landscape whose wintry indignation is reciprocated in kind, Newton carries the film with intrepid resolve, turning in an amenable performance that’s inflamed in its downcast nature, while earning wholly justified sympathy.
    • 52 Metascore
    • 42 Andrew Bundy
    Unfortunately, Halle Berry’s Bruised is a grueling hybrid of your weak, everyday Sundance debut and TV sports movie.
    • 74 Metascore
    • 42 Andrew Bundy
    Not so surprisingly, it’s a movie made by theatre geeks, for theatre geeks, though feasibly to a severe fault. In other words: if you know the songs and faces on screen, you’re bound to enjoy it infinitely more than a casual movie-goer will.
    • 54 Metascore
    • 42 Andrew Bundy
    Slow and stagnant despite the ongoing swirl and fleeting natural style, Riggs film ignores any firm story promise in favor of establishing almost solely character and circumstance, resulting in a sincere lack of basic plot progression, eventually leading to an unbelievably unsatisfying pay-off that made this writer throw his hands up in rage (ironically enough).
    • 66 Metascore
    • 58 Andrew Bundy
    The narrative provides enough thoughtful laughs that fans of politically-tinged genre fare featuring phallic fire totems should chuckle enough and have fun.
    • 65 Metascore
    • 50 Andrew Bundy
    If nothing else, Drunk Bus succeeds in capturing that period of juvenile transition, like many of the Apatow-era late 2000s comedies did.
    • 91 Metascore
    • 91 Andrew Bundy
    This Is Not A Burial, It’s A Resurrection, is that rare gem of a film that falls into an unclassifiable category.
    • 76 Metascore
    • 91 Andrew Bundy
    Ulman’s black and white freshman feature is an absurdly and assuredly packed jack-in-the-box that’s short, sweet, and, incidentally, a quirky sharp, vainglorious commentary on these post-crisis, Robinhood Redditor times.
    • 58 Metascore
    • 67 Andrew Bundy
    All the narrative ideas are sound—comparing and contrasting schoolyard perspectives based on age, gender and experience is a great premise—yet for all of its resonant human ideas and modest aesthetic strengths, Mouannes’s film feels a little half-finished.
    • 69 Metascore
    • 67 Andrew Bundy
    It leans a bit heavy into big swing emotional moments and has a few shouting matches too many, but Asgari gives an absolutely tremendous performance that hits like a wrecking ball and may make even the most stone-hearted tear up.
    • 73 Metascore
    • 58 Andrew Bundy
    Huge fans of the performer will likely shed tears at few parts throughout, but there’s nothing especially unique or particularly thought-provoking about first-time director Tylor Norwood‘s filmmaking approach to make his documentary stand out.
    • 58 Metascore
    • 75 Andrew Bundy
    Sinha’s debut may not be destined to be the next American indie classic, but it’s a powerful debut film with a stirring perspective on criminality and immigration.
    • 67 Metascore
    • 75 Andrew Bundy
    Its approach may not always work, but the film is undeniably ambitious, and implemented in an affecting way.
    • 60 Metascore
    • 50 Andrew Bundy
    As an embodiment of existential anxiety, it’s often effective, but other than stunning composition work and a few blips of vibrant harmony, it’s largely empty as a romance.
    • 79 Metascore
    • 75 Andrew Bundy
    Both performances at the film’s center are just outstanding.
    • 61 Metascore
    • 50 Andrew Bundy
    Tonally confusing ... For all its strange and specific flavor, "Clifton Hill" is too tame and tepid to truly work as weird noir.
    • 71 Metascore
    • 100 Andrew Bundy
    Chu’s performance is astonishing.
    • 74 Metascore
    • 67 Andrew Bundy
    It tells a lot of great stories and illuminates a city-wide tragedy, but given all the heartbreaking and enraging stories within, one wishes Decade Of Fire could emotionally sear and rage just as well as it educates.
    • 82 Metascore
    • 91 Andrew Bundy
    Kim’s film is a compassionate piece on interpersonal connection that’ll touch your heart when it’s at its most vulnerable
    • 86 Metascore
    • 67 Andrew Bundy
    The work is emotionally instructive but thematically unfocused. Despite having a fascinating story to tell and some illuminating subjects, American Factory comes off as slightly over-zealous, educationally speaking, and is without a manageable sense of moral edification as an observational documentary.
    • 50 Metascore
    • 50 Andrew Bundy
    Overall, despite a few profound explosions of emotion, the remake is more tonally overbearing than it is dramatically rewarding.
    • 58 Metascore
    • 33 Andrew Bundy
    Shadyac’s movie may ask difficult questions about the ills that society grapples with today, but it tackles them in a shallow, facile, sometimes uncomfortably out of touch manner.
    • 48 Metascore
    • 50 Andrew Bundy
    Tolkien is an unfortunately typical biopic riddled with obvious influences and ham-fisted thematic hypocrisy, but it is effective in capturing the moral consequences key to the humanity of Tolkien’s masterpiece.
    • 71 Metascore
    • 83 Andrew Bundy
    Ash Mayfair’s debut film is an astonishing achievement for a first feature, one not every film-goer will be able to stomach, but a work every caring cinephile should see.
    • 87 Metascore
    • 91 Andrew Bundy
    There aren’t enough synonyms for the word courage to do Sasha Neulinger’s story real justice. Rewind, is simply an astounding movie and a milestone in psychiatrically minded filmmaking.
    • 72 Metascore
    • 83 Andrew Bundy
    It’s the kind of movie you sit on, but then can’t wait to revisit. Suburban Birds is a rewarding and revelatory first feature from a fresh artistic voice.
    • 71 Metascore
    • 75 Andrew Bundy
    The award-winning filmmaker is a one-woman crew on the project, and Klayman’s tenacious fly on the wall, verité approach illuminates the cynical limitations of Bannon’s cruel human worldview through day-to-day contradictions, far more than an interview-style documentary where such a figure is given a platform to talk in circles ever possibly could.
    • 75 Metascore
    • 58 Andrew Bundy
    Cousins’ new doc will undoubtedly be essential viewing for a sea of cinephiles, but it might not easily capture the attention of audiences less familiar with Welles’ legacy.

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