For 57 reviews, this critic has graded:
  • 75% higher than the average critic
  • 1% same as the average critic
  • 24% lower than the average critic
On average, this critic grades 7.8 points higher than other critics. (0-100 point scale)

Bob Thomas' Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Prizzi's Honor
Lowest review score: 25 RoboCop 2
Score distribution:
  1. Positive: 46 out of 57
  2. Negative: 4 out of 57
57 movie reviews
    • 70 Metascore
    • 50 Bob Thomas
    CUTTER AND BONE can't decide whether to be a buddy movie, a menage-a-trois drama, or a murder movie, and hence fails at all three. Too bad, because Czech-born Ivan Passer has an obvious talent for creating mood and atmosphere.
    • The Associated Press
    • 55 Metascore
    • 50 Bob Thomas
    Light of Day flounders because of Schrader's simplistic symbolism: the rebellious children, the unhearing mother, the lifeless father. The story limps from one predictable scene to the next. [17 Mar 1987]
    • The Associated Press
    • 79 Metascore
    • 50 Bob Thomas
    The talk is mostly in grunts and whoops, and the film sometimes reaches the brink of a Mel Brooks travesty, but never falls over. [18 Jan 1982]
    • The Associated Press
    • 44 Metascore
    • 50 Bob Thomas
    The creators of Superman III give us a picture puzzle of assorted plots that never meld coherently. [13 June 1983]
    • The Associated Press
    • 37 Metascore
    • 50 Bob Thomas
    Except for two or three explosive moments, the film plods along to the expectable, heartwarming climax, never achieving the potential of a new star in a time-proven role. [27 May 1985]
    • The Associated Press
    • 31 Metascore
    • 50 Bob Thomas
    Buzz Kulik has directed some slam-bang chases, but their effectiveness is blunted by a script that meanders between the bounty hunter's missions and a boring relationship with his housemate (Kathryn Harrold), who is heavy with child. [12 Aug 1980]
    • The Associated Press
    • 55 Metascore
    • 50 Bob Thomas
    Roland Joffe has directed an earnest and well-meaning film but the crushing inevitability of the climax makes it a less than rewarding experience. [17 Dec 1986]
    • The Associated Press

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