Brent McKnight

Select another critic »
For 14 reviews, this critic has graded:
  • 78% higher than the average critic
  • 14% same as the average critic
  • 8% lower than the average critic
On average, this critic grades 14.6 points higher than other critics. (0-100 point scale)

Brent McKnight's Scores

  • Movies
  • TV
Average review score: 79
Highest review score: 100 City of Ghosts
Lowest review score: 50 Insidious: The Last Key
Score distribution:
  1. Positive: 13 out of 14
  2. Negative: 0 out of 14
14 movie reviews
    • 55 Metascore
    • 63 Brent McKnight
    Yesterday offers no answers or explanations. It presents its idea and runs — and you either buy it or you don’t.
    • 53 Metascore
    • 75 Brent McKnight
    Campy and goofy, vicious and bloody, if that sounds like a good time, you might have a lot of fun partying with Ma, even if you won’t remember much tomorrow.
    • 81 Metascore
    • 88 Brent McKnight
    Stirring and enraging, The Hate U Give squeezes the air from your lungs. Bleak and heavy, it’s also hopeful and joyous. A palpable manifestation of suppressed anger and frustration too powerful to ignore, it offers a complex look at a complicated problem, one screaming to be addressed.
    • 60 Metascore
    • 63 Brent McKnight
    It’s cute, it’s cuddly and Tatum is charming as the lovable, well-meaning goof. Young children who haven’t seen every trick and trope done better a thousand times will love Smallfoot, but for the rest, it’s instantly forgettable, like a 96-minute memory gap.
    • 77 Metascore
    • 88 Brent McKnight
    Both inviting and confrontational, Blindspotting shakes viewers in their seats and announces Diggs as a star-in-the-making leading man.
    • 82 Metascore
    • 88 Brent McKnight
    Dreamy and impressionistic, interspersed with fantastic bursts of animation, We the Animals plays like a gauzy, mesmerizing, half-remembered experience from childhood.
    • 81 Metascore
    • 88 Brent McKnight
    What begins as a light and fluffy, too-weird-to-be-fiction story goes unimaginably deeper, stranger, darker.
    • 88 Metascore
    • 88 Brent McKnight
    Quiet and meticulously constructed, Leave No Trace offers a powerful, affecting look at people pushed to the fringes and hanging on by the slimmest of margins. Harrowing and enthralling in equal measures, it’s a challenging and rewarding experience.
    • 77 Metascore
    • 88 Brent McKnight
    With a Morricone-inspired score, gorgeous cinematography that screams to be witnessed on a big screen, and bleak humor, this film’s tightly executed, meticulously controlled surface barely contains the seething fury within.
    • 71 Metascore
    • 88 Brent McKnight
    Strong performances by Samson Coulter, Ben Spence and Elizabeth Debicki anchor a delicate coming-of-age story that explores masculinity and fear, and, like surfing, is equally about what’s beneath as on the surface
    • 62 Metascore
    • 63 Brent McKnight
    The film has a certain charm, and fans of folk music should be more than happy.
    • 49 Metascore
    • 50 Brent McKnight
    n the hands of director Adam Robitel, The Last Key hits all the haunted house markers. Lights flicker, flashlights die at inopportune moments, floors creak, and shadowy figures scuttle across the background. But mood is all the film has going for it.
    • 58 Metascore
    • 75 Brent McKnight
    Hilarious, raucous and smarter than it’s likely to get credit for, Happy Death Day is an absolute blast for both horror junkies and those just looking for a fun jolt on Friday the 13th.
    • 86 Metascore
    • 100 Brent McKnight
    Timely, pressing, important.

Top Trailers