For 378 reviews, this critic has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 5.4 points higher than other critics. (0-100 point scale)

Brian Truitt's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 La La Land
Lowest review score: 25 Mother's Day
Score distribution:
  1. Negative: 26 out of 378
378 movie reviews
    • 53 Metascore
    • 63 Brian Truitt
    Conjuring films are best when tapping into the Warrens’ work and making it feel all too real to audiences, and in that regard, “The Devil” tries to shake things up but ventures too far from that freaky norm.
    • 59 Metascore
    • 88 Brian Truitt
    None of this works without Stone, though. She’s got the comic timing for the lighter scenes as well as the acting chops to pull off the character’s psychological transformation and personal reckoning.
    • 85 Metascore
    • 75 Brian Truitt
    With a musical that doesn’t shy away from tackling issues of racism and immigration, viewers will find themselves immersed in a song-filled, universally relatable story about chasing dreams and building community.
    • 71 Metascore
    • 75 Brian Truitt
    The sci-fi survival horror sequel A Quiet Place Part II doesn’t quite live up to the refreshing feel or innovative novelty of the original 2018 hit, where silence is truly golden in a post-apocalyptic existence full of blind creatures that attack noisy things and noisier humans. But the creatures are still freaky, the soundscapes are still interesting, Emily Blunt is still the second coming of Sigourney Weaver and this time the storyline expands the world, plus lets the kids shoulder some of the live-or-die derring-do. It also works as one heck of a chilling fix for audiences dipping their toes back into reopened cinemas.
    • 41 Metascore
    • 50 Brian Truitt
    An all-star slow-burn mystery for much of its 102-minute runtime until it suddenly decides to become a vomitous reveal-fest doling out all its twists as fast as possible. A storytelling choice, for sure, and one that wastes a talented crew of actors and fails to pay proper homage to the old-school films it references.
    • 59 Metascore
    • 50 Brian Truitt
    [Jolie] does what she can with the throwback role, though it’s the least of the film’s problems, with an unfocused plot, painfully dull villains and far-fetched sequences. That said, for those who dig really cool fire sequences, you’ll definitely feel the burn.
    • 44 Metascore
    • 50 Brian Truitt
    The movie throws in a little murder mystery and an alien-invasion angle with its coming-of-age themes, features a host of up-and-coming stars (including Johnny Depp’s daughter Lily-Rose Depp), and rockets to some interesting places when it comes to science and what makes us us. What undermines all that, however, is when the film shifts into being an intergalactic Lord of the Flies as the kids turn on each other and go tribal.
    • 63 Metascore
    • 63 Brian Truitt
    Nobody fails to break a bunch of new ground transforming another normal guy into a murder machine although Odenkirk's presence does give the film a conflicted and darkly comic center. Let's hope more machine-gun antics are in his future.
    • 52 Metascore
    • 50 Brian Truitt
    The follow-up is a toothless, fleetingly funny revisit with some moments of greatness yet too much of the same old story to feel fresh.
    • 75 Metascore
    • 75 Brian Truitt
    The film wrestles with tonal inconsistencies but features fantastic action scenes to go with a touching underlying narrative about the power of trust.
    • 88 Metascore
    • 100 Brian Truitt
    Sneakily utilizing production design and uncanny good editing, The Father fascinatingly puts the viewer in the same state of distress as its main character. And in adapting his own play, the director’s carried over an intimate quality of a staged chamber drama to not just show a man dealing with dementia but also offer a way into his mind with a haunting, deeply affecting and quite memorable narrative.
    • 66 Metascore
    • 88 Brian Truitt
    On one hand, the core conceit – about elderly people suffering thanks to crooks and legal loopholes – is upsetting and infuriating on the surface. But Blakeson puts such a colorful, over-the-top sheen on it, plus lets Pike and Dinklage loose on each other, that you can’t help but be entertained by the criminal carnage and extreme shenanigans.
    • 52 Metascore
    • 63 Brian Truitt
    Even with its imperfections, “Billie Holiday” tells a needed story and along the way introduces a bright new Hollywood star to watch.
    • 89 Metascore
    • 88 Brian Truitt
    In creating the film, Chung pulled from his own childhood growing up in Arkansas, and Minari works because it feels so personal as you root for a fragmented family weathering resentment and heartbreak in an uplifting and very universal tale.
    • 85 Metascore
    • 75 Brian Truitt
    “Black Messiah” satisfies both as tense thriller and insightful period piece featuring two of the most captivating actors in Hollywood, Daniel Kaluuya and Lakeith Stanfield.
    • 54 Metascore
    • 50 Brian Truitt
    The movie's exploration of obsession and a sliding scale of what’s right vs. what’s wrong is among the aspects that Little Things does well. And there’s always some positive with Washington in a thriller like this.
    • 73 Metascore
    • 88 Brian Truitt
    Promising Young Woman is a deliciously dark and wonderful combo of style, substance and artfully utilized pop jams.
    • 83 Metascore
    • 75 Brian Truitt
    Soul is a jazzy and profound riff on humanity and the hereafter, an entertaining, exuberant effort about our existence with comedic shenanigans, deep thoughts and wondrous imagination.
    • 60 Metascore
    • 75 Brian Truitt
    Wonder Woman 1984 is director/co-writer Patty Jenkins’ much lighter, somewhat campy follow up to her World War I-set 2017 hit film, though a lot has to do with the new retro time frame. While not quite up to par with its predecessor, the Reagan-era sequel returns Gal Gadot as the Amazon princess with the bulletproof bracelets, introduces a couple worthy foes, and is a pretty fun time even if the extremely busy “1984” almost wears out its welcome at a hefty two and a half hours.
    • 73 Metascore
    • 75 Brian Truitt
    The palpable chemistry between Hanks and Zengel helps the odd friendship to blossom on screen. Hanks exudes the vibe of steady grownup in a crisis and Zengel holds her own with a Hollywood icon by imbuing her character with a wild-child manner that ultimately cracks to show the innocence underneath.
    • 58 Metascore
    • 63 Brian Truitt
    The Midnight Sky doesn’t always have the smoothest storytelling, yet in Clooney’s capable directing hands, the film’s emotional core and human touch are never a waste of space.
    • 55 Metascore
    • 100 Brian Truitt
    The Prom is an exuberant love letter to Broadway’s “Let’s put on a show!” ethos that will earworm you till the new year and proves how a great musical – armed with a heartfelt story – unites like nothing else can.
    • 87 Metascore
    • 88 Brian Truitt
    Rollicking and heartbreaking in equal measure, the period musical drama Ma Rainey’s Black Bottom plays all the right notes, from Viola Davis mightily singing the blues to a brilliant, shattering final performance from the late Chadwick Boseman.
    • 38 Metascore
    • 50 Brian Truitt
    Hillbilly Elegy is a well-acted study of a white working-class family reaching for the American dream over three generations, though its disconnected story is what’s unfortunately lamentable.
    • 79 Metascore
    • 88 Brian Truitt
    A wonderful throwback about a flawed figure who took on a hostile era in Hollywood with choice words and major chutzpah.
    • 68 Metascore
    • 63 Brian Truitt
    Directed by Jason Woliner, Borat Subsequent Moviefilm features an unexpectedly strong ending that at least pays off some of the sweeter aspects of the family dynamic, plus wraps up on an activist note... And while Cohen can be a great “serious” actor when he wants (see: “The Trial of the Chicago 7”), the absolute commitment to the over-the-top Borat persona continues to be admirable.
    • 46 Metascore
    • 75 Brian Truitt
    A dreamy homage to old-school Hollywood as well as a haunting, female-driven psychological thriller with deep mystery and satisfying twists
    • 53 Metascore
    • 63 Brian Truitt
    A feel-good, all-star monster mash with a low-key smackdown on bullying and a major focus on being as goofy as possible.
    • 76 Metascore
    • 88 Brian Truitt
    The filmmaker crafts an entertaining, immersive and ultimately optimistic spectacle that never forgets, especially at its ending, that humanity should always trump the system.

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