Emily Yahr

It’s actually far from perfect. The revival has four 90-minute chapters, and it turns out that 42-minute episodes were the perfect amount of time before the famously sparkling dialogue and wacky plotlines start to drag--and characters’ flaws go from endearing to irritating. ... With extended time and producers’ creative freedom, it’s a veritable buffet of every “Gilmore” experience imaginable.

This is, without a doubt, a show for and about teens.

It’s hard to put into words the level of stupidity that I Wanna Marry Harry reaches.

Though the series drags whenever it becomes bogged down in political aspects of the fight, it’s inherently entertaining to see such back-stabbing, and possibly literal stabbing, between supposed loved ones.

Certain elements of Below Deck, a listless docu-series that follows the staff of a 164-foot charter boat, seem so scripted--the stereotypical spoiled crew members, the neatly wrapped-up “plotlines”--that it’s hard to take seriously, even in the dubious cable reality show genre.

In the first two episodes, the show has enough momentum to offer some promise, even if Cherry’s vehicles tend to start strong and go off the rails quickly.

Except for the chance to hear a few country classics, the movie doesn’t offer much else.

Whether or not the shows [Ke$ha: My Crazy Beautiful Life and "What Would Ryan Lochte Do?"] are good is almost irrelevant (both fall in the category of "entertaining in an aggressively mediocre way").

Whether or not the shows ["Ke$ha: My Crazy Beautiful Life" and What Would Ryan Lochte Do?] are good is almost irrelevant (both fall in the category of "entertaining in an aggressively mediocre way").

Deception falls prey to the exhaustive method of too-much-storytelling, adding layer upon layer of mini-mysteries and twists until the weary viewer needs a detailed map to keep track--or turns off the show entirely.

Ultimately, the network misses the point of its own franchise, spending too much time poking fun at its classic guilty pleasure instead of giving something that viewers of "Mom at Sixteen" really want--actual information.

The show is so low-key that it borders on tedium through the hour.

For those who don't mind getting sent off in lots of false directions, or aren't going to even try to keep up, Perception offers the chance to just go along for an enjoyable ride.

The show pulls off the neat trick of showcasing the most attention-grabbing questions without exploiting the risque topics.

[An] offensively unfunny series.