Garrett Mitchell

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For 20 reviews, this critic has graded:
  • 55% higher than the average critic
  • 0% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 5 points lower than other critics. (0-100 point scale)

Garrett Mitchell's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 90 The Lighthouse
Lowest review score: 20 Like a Boss
Score distribution:
  1. Positive: 6 out of 20
  2. Negative: 2 out of 20
20 movie reviews
    • 55 Metascore
    • 60 Garrett Mitchell
    Wendy is not glossy by any means but it feels like an escape from the soulless live-action Disney remakes audiences have become accustomed to.
    • 71 Metascore
    • 80 Garrett Mitchell
    It's clear that de Wilde adores Emma, for all her challenges, just as much as her fictional admirers. And audiences should fall in love with her again, too.
    • 51 Metascore
    • 40 Garrett Mitchell
    Procedural and uninspired, the Vietnam War-focused melodrama The Last Full Measure isn't as strong as its real-life hero.
    • 33 Metascore
    • 20 Garrett Mitchell
    The script to this flop doesn't even have enough laughs to amuse someone in the most boring of orthodontist waiting rooms.
    • 64 Metascore
    • 60 Garrett Mitchell
    Though the stories explored in Bombshell are explosive, the film's uneven pace makes them merely sizzle like reading a news brief instead of an illustrative Vanity Fair profile.
    • 82 Metascore
    • 90 Garrett Mitchell
    Of course blackmail, shady business dealings and overdoses abound in Johnson's crafty tale. He masterfully maneuvers today's political maelstrom with ease and makes these would-be caricatures into people who could very well be sitting next to you for a Thanksgiving feast.
    • 52 Metascore
    • 70 Garrett Mitchell
    Banks' enthusiasm and respect for the history of this franchise takes it from retrograde to fresh within minutes.
    • 55 Metascore
    • 60 Garrett Mitchell
    Though it's certainly well-acted, the quiet film is a retread of familiar recent dramas about doomed heroines like in "Still Alice." But this version prompted me to look up one-way flights to Portugal instead of weeping about a character's looming destiny.
    • 83 Metascore
    • 90 Garrett Mitchell
    Captivating and grim, The Lighthouse is a tempestuous descent into a briny abyss urging its audience to pack a life preserver.
    • 53 Metascore
    • 60 Garrett Mitchell
    Britt-Marie Was Here succinctly crams in plenty of overwrought tropes but maintains a sentimental heart with its prickly heroine. Is it revolutionary? Not by any means. But is every journey of self-discovery supposed to be?
    • 80 Metascore
    • 80 Garrett Mitchell
    Ad Astra is one giant leap for telling intimate stories on a grand scale.
    • 40 Metascore
    • 30 Garrett Mitchell
    In the end, if someone doesn't have the time to absorb Tartt's book, they'd be better serviced reading a Wikipedia synopsis than seeing this film.
    • 60 Metascore
    • 60 Garrett Mitchell
    Treading the same raunchy path as "Neighbors" and "Superbad," the contrast of child actors uttering obscenities and utilizing sex toys as weapons is a comical mix of one outrageous mess after another.
    • 92 Metascore
    • 60 Garrett Mitchell
    As much as Swinton Byrne and Burke add lived-in qualities to their characters, there's really not much to like about the leads or their toxic relationship that unravels at a mind-numbing pace.
    • 67 Metascore
    • 80 Garrett Mitchell
    Long Shot is a love story for underdogs, whether they're gifted but out-there wackos or glamorous glass-ceiling breakers. It's unsurprising that this raunchy dark horse could charm anyone to hit the polls.
    • 54 Metascore
    • 60 Garrett Mitchell
    With moments that harken to De Palma's "Carrie" (the claustrophobic toy box mimics Carrie's closet) and even "The Hunger," Greta is a mishmash of tropes masterfully compiled into a chilly and taut flick
    • 49 Metascore
    • 40 Garrett Mitchell
    You don't have to be endowed with an otherworldly gift to know that What Men Want will do little to please the men or women watching it.
    • 46 Metascore
    • 40 Garrett Mitchell
    Despite their palpable comedic chops, Hart and Cranston are unable to make this unlikely and stereotypical pair likable.
    • 59 Metascore
    • 60 Garrett Mitchell
    It has a serviceable, conventional approach that summarizes the extraordinary achievements of a remarkable woman but offers little more than predictable and inspirational Pinterest-quote fare that would have been better suited for an HBO TV movie.
    • 40 Metascore
    • 60 Garrett Mitchell
    Though lacking in subtlety, Robert Zemeckis' Welcome to Marwen delivers a sentimental fantasy world worth wading in.

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