Geoff Berkshire
Select another critic »
For 79 reviews, this critic has graded:
  • 29% higher than the average critic
  • 7% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 12.2 points lower than other critics. (0-100 point scale)

Geoff Berkshire's Scores

  • Movies
  • TV
Average review score: 47
Highest review score: 90 The One I Love
Lowest review score: 10 The Ultimate Life
Score distribution:
  1. Positive: 24 out of 79
  2. Negative: 26 out of 79
79 movie reviews
    • 74 Metascore
    • 90 Geoff Berkshire
    Narco Cultura is as overwhelming as it is absorbing.
    • 66 Metascore
    • 90 Geoff Berkshire
    Boasting spectacular performances from Duplass and Elisabeth Moss as a husband and wife on the brink of separation, this incredibly assured directorial debut of Charlie McDowell essentially turns the idea of a two-hander upside down and inside out.
    • 50 Metascore
    • 90 Geoff Berkshire
    Blending smart fantasy elements, broad comedy, tender romance and an atypically slow-burning apocalypse, the directorial debut of “I Heart Huckabees” co-writer Jeff Baena is charming, thoughtful and laugh-out-loud funny.
    • 72 Metascore
    • 90 Geoff Berkshire
    The Internet’s Own Boy is a beautifully crafted film that opens a window on a world not everyone has entered yet, and exposes ways in which both the legal system and the U.S. government is lagging hopelessly behind technology.
    • 64 Metascore
    • 80 Geoff Berkshire
    Even in moments that don’t ring entirely true, Boyega’s grounded performance keeps the film headed in the right direction.
    • 64 Metascore
    • 80 Geoff Berkshire
    This disarming pic navigates tricky emotional territory to emerge as an impressive feature debut for helmer Jen McGowan and scribe Amy Lowe Starbin.
    • tbd Metascore
    • 80 Geoff Berkshire
    Swanberg and co-writer Megan Mercier have crafted an incredibly generous film that wears its heart on its sleeve but never feels sappy or even sentimental.
    • 59 Metascore
    • 70 Geoff Berkshire
    Grim, gritty and ultra-violent, Dredd reinstates the somber brutality missing from the U.K. comicbook icon's previous screen outing.
    • 57 Metascore
    • 70 Geoff Berkshire
    A thoughtful, detailed chronicle of the Fed’s origins, responsibilities and shifting monetary policies.
    • 67 Metascore
    • 70 Geoff Berkshire
    American Promise succeeds in touching on a wealth of subjects without overreaching.
    • 74 Metascore
    • 70 Geoff Berkshire
    [A] fascinating but only intermittently insightful film.
    • 61 Metascore
    • 70 Geoff Berkshire
    A trek across the Himalayas to raise climate-change awareness is respectfully packaged as inspirational comfort food in Pad Yatra: A Green Odyssey.
    • tbd Metascore
    • 70 Geoff Berkshire
    Eschews hysteria, preachiness and self-importance in favor of calm, persuasive scientific arguments.
    • 64 Metascore
    • 70 Geoff Berkshire
    This is neither an indictment nor an endorsement but simply a refreshing departure from the combative tone of contemporary politics and political coverage.
    • 71 Metascore
    • 70 Geoff Berkshire
    A formulaic and functional documentary that nevertheless proves effective at getting the message out about America’s addiction to unhealthy food.
    • 58 Metascore
    • 70 Geoff Berkshire
    Blissfully swimming against the hyperactive kidpic tide, Dolphin Tale 2 gently peddles inspirational life lessons while respecting both its characters and its audience.
    • 73 Metascore
    • 70 Geoff Berkshire
    Beyond the Lights is a strange beast, a music-industry romance that alternates freely between wisdom and mawkishness, caustic entertainment-biz critique and naive wish fulfillment, heartfelt flourishes and soap-opera shenanigans.
    • 67 Metascore
    • 70 Geoff Berkshire
    The Book of Life is undoubtedly stuffed with more business than its fleet, kid-friendly running time can properly handle. Yet Gutierrez’s confident delivery of the material remains so buoyant and passionately felt throughout that he almost gets away with it.
    • 74 Metascore
    • 70 Geoff Berkshire
    Part teen romance, part awkward love triangle, part generational-clash portrait, and almost all powered by nostalgia, this warmly conceived dramedy will likely resonate strongest with audiences who have a direct connection to the story’s place and time.
    • 73 Metascore
    • 70 Geoff Berkshire
    The Overnight invites the audience to keep guessing exactly who is seducing whom, and exactly where the temptations will lead, right up to its final few beats. Barely hitting 70 minutes before the credit crawl, this comedy successfully achieves a climax of its own that is equal parts exciting and frustrating.
    • tbd Metascore
    • 70 Geoff Berkshire
    The breezily likable pic benefits from an underexposed topic and solid execution.
    • tbd Metascore
    • 70 Geoff Berkshire
    Veteran filmmaker Greg MacGillivray (“Everest”) seizes the opportunity with striking imagery, which goes a long way toward compensating for his frequently over-earnest messaging.
    • 71 Metascore
    • 70 Geoff Berkshire
    The non-pro cast received their scenes one week at a time, and the choice lends their performances a compelling blend of discovery and authenticity.
    • 72 Metascore
    • 70 Geoff Berkshire
    Silver offers up a generally assured and compelling film here.
    • 32 Metascore
    • 60 Geoff Berkshire
    Brightest Star, has all the trappings of a contemporary romantic comedy, but also the good sense to strive for a deeper examination of a young man’s search for his place in the universe.
    • 52 Metascore
    • 60 Geoff Berkshire
    The film’s haphazard focus muddies the waters without doing anything to clarify the overall stakes. Fortunately, the continual visual splendors make a rather striking argument of their own.
    • 56 Metascore
    • 60 Geoff Berkshire
    Take Me to the River compensates for a lack of originality and depth with no shortage of joyful celebration.
    • 77 Metascore
    • 60 Geoff Berkshire
    Headland demonstrated little interest in playing it safe with her previous film... But here she reins in that impulse almost too much, and Sleeping With Other People winds up both looking (with its adequate but unremarkable tech package) and often feeling like a run-of-the-mill studio comedy.
    • 45 Metascore
    • 50 Geoff Berkshire
    A ho-hum exorcism chiller that tries to spice up a formulaic screenplay by converting a predominantly Catholic-fixated horror subgenre to Judaism.
    • 85 Metascore
    • 50 Geoff Berkshire
    Even if every word of Coogler’s account of the last day in Grant’s life held up under close scrutiny, the film would still ring false in its relentlessly positive portrayal of its subject.

Top Trailers