Henry Stewart

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For 47 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 10.2 points lower than other critics. (0-100 point scale)

Henry Stewart's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 88 Us
Lowest review score: 0 Trick
Score distribution:
  1. Positive: 23 out of 47
  2. Negative: 11 out of 47
47 movie reviews
    • 68 Metascore
    • 50 Henry Stewart
    About a drug that sends its users back in time for seven minutes, the film holds your hand and walks you through its chronology mazes
    • 45 Metascore
    • 75 Henry Stewart
    This is a film that employs imaginative twists to illuminate the racism that’s entrenched in American history and society.
    • 64 Metascore
    • 50 Henry Stewart
    The character drama becomes afterthought as it’s superseded by action.
    • 64 Metascore
    • 50 Henry Stewart
    This a parable about adulthood boasts deeply cynical takes on home, community, and childrearing.
    • 50 Metascore
    • 50 Henry Stewart
    The film was almost canceled for being too partisan, so it’s ironic to discover that it’s practically apolitical.
    • 64 Metascore
    • 63 Henry Stewart
    It’s best appreciated not with the parts of your brain responsible for reason and judgment, but in the unthinking terror centers, where the film’s style of God-fearing fanaticism also resides.
    • 65 Metascore
    • 75 Henry Stewart
    The film’s tone is extremely eerie, with creeping camera movements, striking imagery, abrupt edits, and a delicately sinister score.
    • 16 Metascore
    • 0 Henry Stewart
    Patrick Lussier’s film is an incompetent, nihilistic exercise in gore and pseudophilosophy.
    • 58 Metascore
    • 75 Henry Stewart
    The film argues we’re stronger and better when we’re home, building communities that can oppress the oppressors and build up so-called “losers.”
    • 49 Metascore
    • 50 Henry Stewart
    Would that Jacob Estes had kept the particulars of his murder mystery as intricate as the sci-fi of his main characters’ communion.
    • 61 Metascore
    • 63 Henry Stewart
    Once it gets past what feels like submission to genre demands, the drama reaffirms its focus on the central themes.
    • 53 Metascore
    • 25 Henry Stewart
    Ma
    In the end, the filmmakers settle for stigmatizing victimhood, abusing Sue Ann almost as much as her former tormentors.
    • 81 Metascore
    • 88 Henry Stewart
    Us
    Even though it’s not as tidily satisfying as Get Out, the new film is both darker and more ambitious, and broader in its themes.
    • 57 Metascore
    • 75 Henry Stewart
    Happy Death Day 2U pushes further than even matters of life and death into a realm in which stakes don’t even really apply anymore, concerned as it is not with how we live our best lives, but with how we can be the best possible versions of ourselves.
    • 45 Metascore
    • 50 Henry Stewart
    The filmmakers fail to realize that the darkest horror here doesn’t lie in the triumph of true evil, but in seeing how far a regular family will go to protect itself before doing the right and necessary thing, however hard or horrible it might be.
    • 64 Metascore
    • 75 Henry Stewart
    The Vanishing seems truly troubled by its action violence in a way that many similar thrillers aren’t.
    • 71 Metascore
    • 75 Henry Stewart
    When Ralph Breaks the Internet ignores the glittering marvels of the internet and focuses on the rapport between its two leads, it's deeply moving.
    • 62 Metascore
    • 50 Henry Stewart
    The film's victims are simply pawns in a super-gory bacchanal, which is aesthetically striking but emotionally dull.
    • 59 Metascore
    • 75 Henry Stewart
    The film moves evenly toward a conclusion that feels as inevitable as it does inescapable, while providing a plausible framework for the still-mysterious true crime.
    • 29 Metascore
    • 25 Henry Stewart
    Pierre Morel's first feature film set in the United States is brainless propaganda for the MAGA market.
    • 44 Metascore
    • 25 Henry Stewart
    Like the teenagers at its center, Hot Summer Nights tries too hard to look cooler than it ever could be.
    • 53 Metascore
    • 75 Henry Stewart
    The film is preposterously conceived, but writer-director Stephen Susco so tightly, excitingly executes it that you hardly notice.
    • 54 Metascore
    • 75 Henry Stewart
    Especially early on, Gerard McMurray often rejects the exhibitionist slaughter that James DeMonaco established as the Purge series’s modus operandi in favor of violence that’s rawer and realer.
    • 24 Metascore
    • 0 Henry Stewart
    There’s a lot of sexual violence in the film, but it scans as unimaginatively repulsive, as well as blatantly misogynistic.
    • 35 Metascore
    • 38 Henry Stewart
    Director Jeff Wadlow's Truth or Dare is a startlingly mean-spirited but otherwise dimwitted horror film.
    • 80 Metascore
    • 63 Henry Stewart
    Justin Benson and Aaron Moorhead veer away from the deeper, even meta-cinematic, implications of their plotting.
    • 48 Metascore
    • 50 Henry Stewart
    Throughout, the film raises metaphysical issues of physical and psychological autonomy only to gloss over them.
    • 52 Metascore
    • 50 Henry Stewart
    Throughout, the film raises metaphysical issues of physical and psychological autonomy only to gloss over them, probably because addressing them could too quickly shut down the romance.
    • 79 Metascore
    • 63 Henry Stewart
    Annihilation gets momentum from the deeper it pushes into the uncertainties of ecology and the self.
    • 57 Metascore
    • 63 Henry Stewart
    Eventually, the filmmakers reveal the secrets they'd previously withheld, spoiling the film's sustained mystique.

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