Iana Murray

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For 7 reviews, this critic has graded:
  • 57% higher than the average critic
  • 0% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 13.3 points higher than other critics. (0-100 point scale)

Iana Murray's Scores

  • Movies
  • TV
Average review score: 78
Highest review score: 100 Broker
Lowest review score: 58 Everything Went Fine
Score distribution:
  1. Positive: 5 out of 7
  2. Mixed: 2 out of 7
  3. Negative: 0 out of 7
7 movie reviews
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    • 77 Metascore
    • 100 Iana Murray
    Broker
    Absorbing and heartwarming, it’s easy to forget that this tender drama is about human trafficking.
    • 78 Metascore
    • 58 Iana Murray
    Tori and Lokita
    Tori and Lokita puts its characters through hell to elicit some tears and send an urgent message. You may consider this an empathetic film — exploitative might be the better word.
    • 84 Metascore
    • 91 Iana Murray
    Decision to Leave
    Decision to Leave is ultimately a seductive romance, one made all the more fascinating by the boundaries the characters tread but never dare cross. Stories of longing are so tantalizing because they hang in that gray space of potential. The build-up is often more gratifying than the release, and Park wrings it for all its worth.
    • 83 Metascore
    • 83 Iana Murray
    Belle
    The film strikes a careful balance between the high school drama and the online realm but also explores how those two environments bleed into each other.
    • 58 Metascore
    • 75 Iana Murray
    Blue Bayou
    What Blue Bayou does wonderfully in these quiet moments is illustrate that being Asian is not a one-size-fits-all identity but a vast tapestry of different cultures.
    • 67 Metascore
    • 58 Iana Murray
    Everything Went Fine
    For all of its careful observations, it’s still an absolute slog to get through.
    • 90 Metascore
    • 83 Iana Murray
    The Worst Person in the World
    Detailing the thrills and fears of turning 30 down to its mundane but absorbing minutiae, Norwegian filmmaker Joachim Trier’s fifth feature is a pure delight. Laugh-out-loud funny and heartbreaking in equal measure, it’s perhaps his best film since “Oslo, August 31st.”

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