Jason Clark
Select another critic »For 14 reviews, this critic has graded:
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57% higher than the average critic
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7% same as the average critic
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36% lower than the average critic
On average, this critic grades 15.1 points lower than other critics.
(0-100 point scale)
Jason Clark's Scores
- Movies
- TV
Average review score: | 50 | |
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Highest review score: | The Fabulous Baker Boys | |
Lowest review score: | Let's Be Cops |
- By Date
- By Critic Score
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- Jason Clark
The Wedding Ringer is such a crudely edited, slapdash affair it often forgets about the characters it has introduced — especially the women.- Entertainment Weekly
- Posted Jan 15, 2015
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- Jason Clark
Paddington is fast-paced yet unhurried, serving up surprisingly subtle ideas on melting-pot urban diversity—Paddington is a stranger in a strange land, after all—and rich visual tableaux, including a gorgeous recurring shot of the Brown home as a living dollhouse.- Entertainment Weekly
- Posted Jan 14, 2015
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- Jason Clark
Aside from an unintentional homage to "Zoolander" that is so tone-deaf it'll make you guffaw, Annie goes out of its way to make viewing it a hard-knock life...for us.- Entertainment Weekly
- Posted Dec 16, 2014
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- Jason Clark
Even if Robin Williams were still among us, the limp, drearily derivative A Merry Friggin' Christmas would feel like it had a pall cast over it.- Entertainment Weekly
- Posted Nov 19, 2014
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- Jason Clark
The ultimate sad realization is not that Dumb & Dumber To doesn't match the original's good-time quotient, but that it might not even be as good as—yikes — "Dumb and Dumberer: When Harry Met Lloyd."- Entertainment Weekly
- Posted Nov 13, 2014
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- Jason Clark
Even with lowered expectations toward escapist fare taken into account, the film is a long slog, with Marsden and Bracey conveying little but Crest smiles and smolder, while Liberato and Monaghan are stuck doing endless cry-face.- Entertainment Weekly
- Posted Oct 17, 2014
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- Jason Clark
This is innocuous, heart-in-the-right-place family fare, but its well-earned points about animal rights and preservation would be better taken if the relentless sentimentality didn't force viewers into flippers-in-the-air submission.- Entertainment Weekly
- Posted Sep 15, 2014
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- Entertainment Weekly
- Posted Aug 27, 2014
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- Entertainment Weekly
- Posted Aug 22, 2014
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- Jason Clark
If Let's Be Cops were content to be simply an unfunny genre exercise, it would be easy to dismiss it and move on. But the sting of astoundingly ill-advised sexism and homophobia is harder to shake.- Entertainment Weekly
- Posted Aug 14, 2014
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- Jason Clark
Braff, who co-wrote the film with his own brother, is clearly attached to the semiautobiographical material here and still has a knack for sweet two-person scenes.- Entertainment Weekly
- Posted Jul 16, 2014
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- Jason Clark
With an ace troupe like that, there are affecting moments, to be sure. But the movie criminally wastes Sam Neill and Rosamund Pike in barely there supporting roles, and the picture has exactly two tones: grim and gooey. They do not coexist harmoniously.- Entertainment Weekly
- Posted Jul 11, 2014
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- Entertainment Weekly
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- Jason Clark
Fred Dekker’s 1987 horror comedy is, like totally, the ultimate ’80s movie. An agreeably goofy, Little Rascals-meets-The Goonies time passer, the movie is proudly anti-CGI.- Entertainment Weekly
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