For 14 reviews, this critic has graded:
  • 57% higher than the average critic
  • 7% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 15.1 points lower than other critics. (0-100 point scale)

Jason Clark's Scores

  • Movies
  • TV
Average review score: 50
Highest review score: 100 The Fabulous Baker Boys
Lowest review score: 0 Let's Be Cops
Score distribution:
  1. Positive: 3 out of 14
  2. Negative: 5 out of 14
14 movie reviews
    • 35 Metascore
    • 25 Jason Clark
    The Wedding Ringer is such a crudely edited, slapdash affair it often forgets about the characters it has introduced — especially the women.
    • 77 Metascore
    • 91 Jason Clark
    Paddington is fast-paced yet unhurried, serving up surprisingly subtle ideas on melting-pot urban diversity—Paddington is a stranger in a strange land, after all—and rich visual tableaux, including a gorgeous recurring shot of the Brown home as a living dollhouse.
    • 33 Metascore
    • 25 Jason Clark
    Aside from an unintentional homage to "Zoolander" that is so tone-deaf it'll make you guffaw, Annie goes out of its way to make viewing it a hard-knock life...for us.
    • 28 Metascore
    • 33 Jason Clark
    Even if Robin Williams were still among us, the limp, drearily derivative A Merry Friggin' Christmas would feel like it had a pall cast over it.
    • 36 Metascore
    • 42 Jason Clark
    The ultimate sad realization is not that Dumb & Dumber To doesn't match the original's good-time quotient, but that it might not even be as good as—yikes — "Dumb and Dumberer: When Harry Met Lloyd."
    • 29 Metascore
    • 25 Jason Clark
    Even with lowered expectations toward escapist fare taken into account, the film is a long slog, with Marsden and Bracey conveying little but Crest smiles and smolder, while Liberato and Monaghan are stuck doing endless cry-face.
    • 58 Metascore
    • 58 Jason Clark
    This is innocuous, heart-in-the-right-place family fare, but its well-earned points about animal rights and preservation would be better taken if the relentless sentimentality didn't force viewers into flippers-in-the-air submission.
    • 38 Metascore
    • 50 Jason Clark
    The utter lack of originality eventually sinks the movie.
    • 46 Metascore
    • 58 Jason Clark
    The overall effect is less titillating than numbing.
    • 30 Metascore
    • 0 Jason Clark
    If Let's Be Cops were content to be simply an unfunny genre exercise, it would be easy to dismiss it and move on. But the sting of astoundingly ill-advised sexism and homophobia is harder to shake.
    • 43 Metascore
    • 50 Jason Clark
    Braff, who co-wrote the film with his own brother, is clearly attached to the semiautobiographical material here and still has a knack for sweet two-person scenes.
    • 34 Metascore
    • 50 Jason Clark
    With an ace troupe like that, there are affecting moments, to be sure. But the movie criminally wastes Sam Neill and Rosamund Pike in barely there supporting roles, and the picture has exactly two tones: grim and gooey. They do not coexist harmoniously.
    • 85 Metascore
    • 100 Jason Clark
    Nearly every scene is a jazz-tinged, virtuoso actors’ duet.
    • 61 Metascore
    • 91 Jason Clark
    Fred Dekker’s 1987 horror comedy is, like totally, the ultimate ’80s movie. An agreeably goofy, Little Rascals-meets-The Goonies time passer, the movie is proudly anti-CGI.

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