For 7 reviews, this critic has graded:
  • 71% higher than the average critic
  • 0% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Jim Vorel's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 80 The Disaster Artist
Lowest review score: 50 Train to Busan Presents: Peninsula
Score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
7 movie reviews
    • 51 Metascore
    • 50 Jim Vorel
    Director Yeon Sang-ho, who staged genuinely tense sequences in the first film, just seems suddenly out of his element here when expected to produce a grander action spectacle.
    • 63 Metascore
    • 70 Jim Vorel
    Villains is a workmanlike thriller with a pair of memorable performances and a simplistic premise.
    • 67 Metascore
    • 62 Jim Vorel
    David Gordon Green’s Halloween is an intensely frustrating experience, buoyed by solid action and well-crafted scares, but simultaneously damned by an incredibly clunky script and appalling lack of focus.
    • 43 Metascore
    • 62 Jim Vorel
    Tau
    It’s just passable popcorn entertainment for a Friday night on the couch, and not on the same level as more inspired Netflix genre movies from the likes of Mike Flanagan, such as Hush or Gerald’s Game.
    • 35 Metascore
    • 56 Jim Vorel
    The criticism is less that Mute doesn’t know what it wants to be, and more that it seems to emphatically decide what it wants to be every few minutes, only to then change its mind once more. And every time it does so, it’s the audience that is being left behind.
    • 37 Metascore
    • 69 Jim Vorel
    It’s easy to see why studio execs at Paramount were unsure of how to market this movie, as it seemingly attempts to check so many boxes at once that nearly any description is going to fail to accurately convey the experience of watching it. Ultimately, it’s that unstable, unpredictable nature that is simultaneously its most entertaining and most problematic aspect.
    • 76 Metascore
    • 80 Jim Vorel
    As for the cinematic The Disaster Artist, outside of its magnificent central portrayal by the elder Franco, its strongest and occasionally most problematic elements revolve around the huge ensemble cast of familiar faces.

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