For 18 reviews, this critic has graded:
  • 55% higher than the average critic
  • 0% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Josh Winning's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Call Me by Your Name
Lowest review score: 40 A Bad Moms Christmas
Score distribution:
  1. Positive: 6 out of 18
  2. Negative: 0 out of 18
18 movie reviews
    • 57 Metascore
    • 60 Josh Winning
    An engaging new direction for Eli Roth, who offsets the odd tonal hiccup with plenty of ghoulish delights.
    • 29 Metascore
    • 40 Josh Winning
    Neither a satisfying treaty on diversity and 'race' wars, nor a fulfilling fantasy, it derails at the end of the first act with a confusing moment of anti-heroism, and never recovers.
    • 42 Metascore
    • 40 Josh Winning
    While the film lacks Christina Applegate’s razor-sharp delivery (though she gets a LOL-worthy cameo) and most of the plot doesn’t make sense, the older ladies warrant a Bad Grans spin-off.
    • 94 Metascore
    • 100 Josh Winning
    Peachy keen. A luminous, sun-kissed Italian love story brimming with warmth, passion and feeling. This is utterly unmissable.
    • 63 Metascore
    • 80 Josh Winning
    Weird, twisted and deliciously unique, Medina’s horror taps a dynamic vein in feminism and Giallo-esque gore.
    • 44 Metascore
    • 60 Josh Winning
    Dave Bautista’s street-level action flick is galaxies away from Marvel gloss, but the Guardians scene-stealer lends physicality to this gutsy, Carpenter-esque B-movie.
    • 62 Metascore
    • 60 Josh Winning
    The script is straightforward enough, but Lights Out director David F. Sandberg’s careful visuals emphasise shivery mood for something worthy of the Conjuring label.
    • 68 Metascore
    • 80 Josh Winning
    Never preachy, always engaging, Al’s follow-up to his 2006 Oscar-winner paints a startling picture of a world in crisis.
    • 72 Metascore
    • 60 Josh Winning
    [An] engaging if straightforward doc.
    • 45 Metascore
    • 40 Josh Winning
    Inventive camerawork and a creepy (crawly) monster can’t save this messy supernatural horror.
    • 66 Metascore
    • 80 Josh Winning
    The Pass is narratively simplistic but psychologically complex.
    • 58 Metascore
    • 80 Josh Winning
    With characters you care about – principally Teresa Palmer’s appealingly edgy, cliché-bucking Rebecca – and a poignant denouement, this is horror with guts as well as gore.
    • 42 Metascore
    • 60 Josh Winning
    McKinnon, Aniston and Jillian Bell's smiley pimp run away with the show, and as the party wears on, it becomes increasingly, thrillingly surreal.
    • 69 Metascore
    • 60 Josh Winning
    Interesting, but others have explored similar themes far more effectively.
    • 58 Metascore
    • 60 Josh Winning
    Laugh-out-loud in places. Frustratingly flat in others. Sporadic giggles guaranteed. Fey and Poehler’s comic chemistry is undeniable; shame the script didn’t get a Liz Lemon rewrite.
    • 75 Metascore
    • 60 Josh Winning
    Not quite up there with "Tangled," but a solid addition to the canon. Catchy tunes will have you humming, but the hunt for the next "The Little Mermaid" continues...
    • 58 Metascore
    • 60 Josh Winning
    More "oooh… aaah" than "ho-ho-ho", ROTG is so full of yuletide razzmatazz that only true Scrooges will have trouble stomaching it. If only Santa's workshop had given the script more of a tinker...
    • 56 Metascore
    • 80 Josh Winning
    If the imagery is less racy than TOF fans may be used to, Pekka Strang’s quiet turn as Laaksonen has a simmering power.

Top Trailers