Keith Staskiewicz

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For 28 reviews, this critic has graded:
  • 71% higher than the average critic
  • 10% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Keith Staskiewicz's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Mr. Turner
Lowest review score: 16 The Apparition
Score distribution:
  1. Positive: 15 out of 28
  2. Negative: 3 out of 28
28 movie reviews
    • 31 Metascore
    • 42 Keith Staskiewicz
    I would have loved to see more from the filmmakers, daring to fail while staking out some new terror incognita instead of just going through the motions of an experiment for which we already have the results.
    • 54 Metascore
    • 58 Keith Staskiewicz
    A movie so stuffed with eccentricity, it rips at least a couple of seams.
    • 51 Metascore
    • 50 Keith Staskiewicz
    In one of his final roles, Philip Seymour Hoffman stars as a man whose no-good stepson is killed on a construction job, while John Turturro, Richard Jenkins, and Christina Hendricks round out a formidable cast that isn’t given much to work with.
    • 39 Metascore
    • 50 Keith Staskiewicz
    A moderately popular racing series that the powers that be have tried to turn into a turbo-boosted stunt-car extravaganza of the same make and model as the "Fast & Furious" franchise.
    • 49 Metascore
    • 58 Keith Staskiewicz
    At a time when the budgets for sci-fi films are, like the universe itself, expanding at an astronomical rate, Riddick decides to go small.
    • 55 Metascore
    • 58 Keith Staskiewicz
    A handful of adrenalizing sequences of animated anarchy can't save this story from feeling overly primitive.
    • 51 Metascore
    • 42 Keith Staskiewicz
    The film tries to paint in shades of gray with vague criticisms of the war on drugs, but the absurdity of its he-man Everyman plot ends up turning its moral palette a muddy brown.
    • 23 Metascore
    • 42 Keith Staskiewicz
    An intermittently fun, but overexcited and predictable mish-mash.
    • 43 Metascore
    • 42 Keith Staskiewicz
    The longest stretch of logical plotting lasts about forty seconds, and the deep-rooted silliness makes it hard to take anything in the film seriously. But at least it has the decency never to ask us to.
    • 39 Metascore
    • 42 Keith Staskiewicz
    For a film ostensibly about the importance of finding a little spice and flavor in your life, From Prada to Nada is surprisingly bland.

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