For 491 reviews, this critic has graded:
  • 47% higher than the average critic
  • 21% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 8.7 points lower than other critics. (0-100 point scale)

Kimber Myers' Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Apollo 11
Lowest review score: 0 Blumhouse's Fantasy Island
Score distribution:
  1. Negative: 97 out of 491
491 movie reviews
    • 44 Metascore
    • 70 Kimber Myers
    There’s some truly nasty stuff here — both violence-wise and in its outlook on evil — but it still somehow manages to be fun amid all the carnage.
    • tbd Metascore
    • 30 Kimber Myers
    There’s something special here, but it’s surrounded by drudgery.
    • tbd Metascore
    • 10 Kimber Myers
    Everyone is terrible in Extracurricular Activities, a dark comedy without any laughs and a mystery that doesn’t need to be solved.
    • 82 Metascore
    • 80 Kimber Myers
    The Serengeti Rules celebrates not only the diversity and beauty of the natural world but also recognizes the transformative power of curiosity and knowledge.
    • 52 Metascore
    • 42 Kimber Myers
    Daniel tells Natasha of his elements for falling in love, “My ingredients are friendship, chemistry, the X factor,” and he assures her that they have that last one. But that’s what The Sun Is Also a Star lacks: that ineffable quality that makes it work. Though we spend nearly two hours in its presence, it never makes us fall in love with it, despite its best efforts.
    • tbd Metascore
    • 80 Kimber Myers
    For her directorial debut, Vilaysack has made an authentic documentary that deals honestly with issues of identity, immigration and family. There’s little self-editing here, giving the audience insight into her pain, an experience that is both moving and uncomfortable in its raw state.
    • tbd Metascore
    • 50 Kimber Myers
    The vibrant visuals contrast with a muddled narrative, leaving the audience less satisfied than the characters.
    • 35 Metascore
    • 16 Kimber Myers
    The Hustle is profoundly stupid and it treats its audience as though they’re even less intelligent than it is.
    • 56 Metascore
    • 42 Kimber Myers
    You absolutely want to hang out with these charming, amusing women off-screen, but the time spent with their on-screen counterparts isn’t nearly as fun as you’d hope.
    • tbd Metascore
    • 42 Kimber Myers
    Beyond the strength of the visuals, there’s promise in the young cast that you see glimpses of here. ... However, it’s never enough to make “Gully” worth watching. Its raw, gritty approach feels like an effort from the filmmakers, but it’s mostly work for the audience to endure.
    • tbd Metascore
    • 50 Kimber Myers
    Though well shot by Justin and Ian McAleece, the narrative is a disjointed mess that ends in an eye-rolling conclusion. Its spiritual insights feel like a mishmash of appropriated sentiments from a variety of philosophies.
    • 57 Metascore
    • 42 Kimber Myers
    [A] bland, sometimes dull film ... Those unfamiliar with the history of the Manson Family murders won’t gain any real understanding of the crimes or the character of those who committed them, while those who know the details won’t get any new insights into it either.
    • tbd Metascore
    • 40 Kimber Myers
    Less would have been more here; a less scattershot approach would have yielded a more resonant film.
    • 39 Metascore
    • 50 Kimber Myers
    The Intruder is a blunt but effective instrument. This thriller lacks subtlety and craft, but it succeeds at what it’s intending to do: keep the audience stress-eating popcorn for 100 minutes and leave entirely satisfied with the experience they just had. It’s not a good movie, but boy, is it fun.
    • 69 Metascore
    • 83 Kimber Myers
    Gentle but sharply observed, Good Posture is an uncommon cinematic look at an intergenerational female relationship.
    • 64 Metascore
    • 83 Kimber Myers
    Come To Daddy is definitely not going to be everyone’s cup of tea. ... Provocative and ballsy ... [the film] doesn’t give a shit if you like it and perhaps even dares some audiences to sit through it unfettered. Ultimately, it knows that those who stay are on its weirdo wavelength and are in for something insanely entertaining.
    • tbd Metascore
    • 20 Kimber Myers
    Rattlesnakes imagines itself as a neo-noir, but that genre is more evident in its themes of revenge and ambiguous characters rather than in its nondescript style. This is a bland, unpleasant watch, all set to an equally grinding score.
    • tbd Metascore
    • 60 Kimber Myers
    Individual scenes work, but it lacks cohesion as a whole.
    • 64 Metascore
    • 83 Kimber Myers
    There should be more films like Fast Color. Movies that demonstrate that you don’t need a giant budget or decades of established IP to do superhero or sci-fi well on the big screen.
    • 30 Metascore
    • 40 Kimber Myers
    The problems may lie in Todd’s novel, but regardless, characters act illogically, as though written by someone who napped through most of Intro to Psych and skipped English 101 altogether. Character motivations go either unwritten or left on the cutting room floor.
    • tbd Metascore
    • 40 Kimber Myers
    From the casting of Centineo to the climax at a school dance, The Perfect Date feels engineered by Netflix algorithms. The resulting film, directed by Chris Nelson, feels as inauthentic and unsure of its identity as its hero.
    • 74 Metascore
    • 83 Kimber Myers
    Wild Nights with Emily feels at once revelatory and a total delight, a surprise for both for literature geeks and those who didn’t do their required reading in school.
    • 49 Metascore
    • 58 Kimber Myers
    Little is a blast, but it’s a shame that it’s not a better movie.
    • tbd Metascore
    • 10 Kimber Myers
    Sex Trip tries to tell its audience that what’s inside is what matters, but this comedy is rotten at its core and sure to offend most people unlucky enough to watch it.
    • 10 Metascore
    • 40 Kimber Myers
    With its solid production values, Unplanned has all the appearances of being a real film, but viewers in favor of abortion rights will find it to be pure propaganda. Writer-directors Chuck Konzelman and Cary Solomon spend more time making their talking points than developing their characters, who exist merely to make their arguments.
    • tbd Metascore
    • 60 Kimber Myers
    With its good use of a single location and just three characters, Long Lost almost works, though its fun twist would have felt fresher a decade ago.
    • 68 Metascore
    • 67 Kimber Myers
    Missing Link is a fun, if uneventful and uninspired, trip, but at least it won’t annoy the parents who are along for its fast-paced ride.
    • tbd Metascore
    • 50 Kimber Myers
    As a debut feature it’s a big swing, and a miss, but there’s also just enough to suggest that Wakefield may connect in the future.
    • 51 Metascore
    • 42 Kimber Myers
    Beyond Dumbo’s cuteness (which was so overwhelming that I now want a baby elephant for a pet, which is surely not the point of the film) and Keaton’s perfectly over-the-top performance, there’s little to latch on to in this Disney film. It throws so much at the audience that nothing really sticks, leaving such a small impression for such a big movie.
    • 68 Metascore
    • 80 Kimber Myers
    This is a moving documentary that treats its subjects with the dignity and respect they don’t always get but certainly deserve.

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