Lorry Kikta

Anyone who likes gothic horror and science fiction will appreciate what Kelsey Egan and Emma Lungiswa De Wet offer. They create a beautiful and horrible world in which you cant help bet get lost. As I said before, it is my favorite film of the year so far, so if that carries any weight with you, seek this gem out.

Eggers immerses us in the world of Norse mythology, where Odin reigns supreme and Valkyries carry you to Valhalla if you die in battle. Visually and technically, the movie is a marvel.

The documentary is made for big Dio fans and burgeoning metalheads. They’ll love it and maybe you will too.

If you want to see a movie that explores grief and death with a very unique and interesting twist, watch An Unquiet Grave. I doubt you’ll regret it.

The film is quite funny and very well written by writer/director Morgan Ignari.

The visual effects are haunting, the costume design by Juliana Hoffpauir is delightfully fanciful, particularly for Shaw’s scenes as a nameless masked demon. The cinematography from veteran cinematographer Shane F. Kelly is a sight to behold. Basically, The Blazing World is gorgeous. It’s also incredibly well written by Peirce Brown and Young.

This is one of the better examples of art imitating life that I have seen in a long time. It’s very real and takes no prisoners. Watch it when you feel like having a good cry.

Please seek out The Human Voice as soon as you can. It is a short, shockingly beautiful exploration of the stages of abandonment.

Stephens knows how to get outstanding performances from all the actors. He creates a whimsical atmosphere in a scenario that could be unbearable heavy. This is probably one of the most fun movies I’ve seen that hangs its hat in a land of death. Yet, it celebrates life, which we all need a little bit more of, don’t you think?

The film has a whimsical surreality to it, just like the actor himself.

It makes me curious about what Noel David Taylor is going to do next. This weirdo indictment of Hollywood is just that interesting.

I loved Roadrunner: A Film About Anthony Bourdain because, like Bourdain himself, the film pulls no punches. It’s fearless in that it’s not looking to beatify its deceased subject.

The script for this film is absolutely incredible.

The ensemble cast of Werewolves Within is what makes it.

Agony resounds with gothic horror vibes and feels like it belongs to the past.

It’s honestly one of the best dark comedies I’ve seen in years, and I can’t wait to watch it again.

This movie is absolutely fantastic!

As far as horror goes, Anything For Jackson turns up the tension as well as the best of them.

Director Sabrina Van Tassel does an excellent job of drawing in the audience to the labyrinthian case of Melissa Lucio.

The performances are remarkable, particularly from Kingsley, and I love the script. I can’t wait to see what Dan Kelly and Devereux Milburn do next, whether it’s together or separately.

The Columnist is that rare mix of comedy and horror that isn’t too cheesy or over the top.

While there are some serious themes at play, the movie still has plenty of gooey gory fun for horror fans.

[A] mind-blowingly thorough and epic documentary.

This film shows us that it is okay. We can survive. We can even thrive, and certainly, we can get by with a little help from our friends.

Rose Plays Julie is an emotionally cathartic thriller.

I think that Prisoners of the Ghostland belongs in the category that was previously only really reserved for Jodorowsky’s El Topo, and that is the Acid Western. It embodies and revives that category of movie. If you like Westerns, martial arts, Japanese cinema, Nicolas Cage, or anything weird AF, then this is certainly for you.

I really appreciate the bold narrative that Thyberg and co-writer Peter Modestij crafted. It is sex-positive, it takes no prisoners, and it grabs your attention from word one to the final frame.

This funny, heartwarming, and thorough documentation of Sparks’ career [is] a benchmark by which all future music documentaries will be judged.