For 14 reviews, this critic has graded:
  • 85% higher than the average critic
  • 0% same as the average critic
  • 15% lower than the average critic
On average, this critic grades 23.1 points higher than other critics. (0-100 point scale)

Marc Lee's Scores

  • Movies
  • TV
Average review score: 87
Highest review score: 100 12 Angry Men
Lowest review score: 60 Pumping Iron
Score distribution:
  1. Positive: 11 out of 14
  2. Negative: 0 out of 14
14 movie reviews
    • 54 Metascore
    • 60 Marc Lee
    Klaartje Quirijn’s engaging film portrait of Dutch rock-photographer-turned-filmmaker Anton Corbijn goes a long way towards explaining the emptiness and isolation that characterise his work
    • 52 Metascore
    • 60 Marc Lee
    Reminders of Shaun of the Dead (2004) abound. However, an endearing cast...and a satisfying mix of gore and gorblimey charm more than compensate.
    • 60 Metascore
    • 80 Marc Lee
    Cool Runnings is a charming tale of determined underdogs, with plenty of laughs, moments of real tension, and five engaging performances.
    • 88 Metascore
    • 100 Marc Lee
    A black comedy, really, based on Patricia Highsmith's source novel - remains a cracking piece of entertainment. It is shot with all his usual invention and style, and a couple of scenes rank among the director's most visually memorable.
    • 72 Metascore
    • 60 Marc Lee
    Pumping Iron offers a revealing record of his [Schwarzenegger] earliest dalliances in the spotlight.
    • 89 Metascore
    • 90 Marc Lee
    The inspirational, thoroughly festive ending is guaranteed to bring tears to the eyes.
    • 96 Metascore
    • 100 Marc Lee
    Few film directors can resist the urge to "open out" a story, to broaden the view and bring in as wide a variety of sets and locations as the narrative - and budget - will allow. The genius of Sidney Lumet's astonishingly powerful 12 Angry Men is that he does exactly the opposite: he takes an already small, claustrophobic space - a jury room - and makes it even more confined.
    • 72 Metascore
    • 80 Marc Lee
    With its deft blend of hilarity and humanity, Planes, Trains and Automobiles is Hughes' most satisfying work.
    • 61 Metascore
    • 90 Marc Lee
    Hunt, who served as editor on the first three Connery films, gives Lazenby’s fist fights a whipcrack intensity and the ski-jumping, stock car-racing, bobsled-sliding finale is one of the series’ best.
    • 88 Metascore
    • 100 Marc Lee
    As Mulligan so deftly demonstrates, the story is in the characters, their failings and fragility, their heroism and nobility of spirit. It's in the depiction of heart-breaking cruelty and heart-warming humanity. It's in the innocence of a child's world overshadowed by the evil that adults do.
    • 66 Metascore
    • 100 Marc Lee
    It's hard to imagine now just how astonishing it was to interrupt the action with a sun-lit frolic on a new-fangled bicycle as the whimsical Raindrops Keep Fallin' on My Head burbles away in the background.
    • 94 Metascore
    • 100 Marc Lee
    It is mystical, daring, poetic, thrilling, appalling and never less than utterly mesmerising.
    • 96 Metascore
    • 100 Marc Lee
    Mercifully, The Philadelphia Story then transmogrifies into one of the smartest, sassiest - and sexiest - movies ever.
    • 95 Metascore
    • 100 Marc Lee
    Film noir is the most intoxicating of Hollywood cocktails, and none is more potent than Double Indemnity...It breaks the rules of filmmaking with breathtaking confidence and is all the more satisfying for

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