For 2,082 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 10.4 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 First Reformed
Lowest review score: 0 All's Faire in Love
Score distribution:
2082 movie reviews
    • 71 Metascore
    • 78 Marc Savlov
    Surprisingly effective for what could easily be labeled a “gimmick film,” Chaganty’s debut feature suspenser unfolds entirely onscreen on screens.
    • 72 Metascore
    • 67 Marc Savlov
    Skate Kitchen’s mild melodrama meanders all over the place, not unlike the many skateboarders who shred the skate parks and streets, carving hypnotic, slo-mo figure-eights or outrageous triple ollies on every available surface and obstacle.
    • 46 Metascore
    • 30 Marc Savlov
    The Meg is simply mediocre, PG-13 monster-moviemaking at its mind-numbing kinda/sorta best-ish. Meh.
    • 50 Metascore
    • 50 Marc Savlov
    Amazingly, it all works up to a point, although at approaching two hours in length, it could’ve easily shaved its bifurcated mohawk down by a good 15 minutes.
    • 85 Metascore
    • 100 Marc Savlov
    This knuckle-whitening depiction of a man of God toppling into his own spiritual abyss is one of Schrader’s finest and most excoriating films to date.
    • 58 Metascore
    • 40 Marc Savlov
    It’s so amiably predictable that you end up wanting to throw some Motörhead at it, just to see what happens.
    • 81 Metascore
    • 89 Marc Savlov
    Ferociously subversive and trippily beautiful debut feature from director and screenwriter Coralie Fargeat.
    • 75 Metascore
    • 89 Marc Savlov
    Feels feverishly dreamlike while keeping its subject firmly rooted in the present. If you desire a female empowering musical manifesto with both claws and kisses, here it is.
    • 41 Metascore
    • 30 Marc Savlov
    Super Troopers 2 is a movie out of time and out of sync with comedy in 2018. It might have managed the success of its precursor, if only it had been released in 2002.
    • 80 Metascore
    • 89 Marc Savlov
    Lean on Pete is a methodical and memorable film primarily because director Haight, adapting from Willy Vlautin’s novel, keeps a distance from his characters, never taking the easy route, and never, ever letting the movie enter the killing fields of the corny or cliched.
    • 38 Metascore
    • 40 Marc Savlov
    Submergence – despite much lovesick gravitas from its two leads – never quite coalesces into the epic romance that it should. It fizzles when it should ignite, leaving the viewer with a palpable yearning for something other than a shrug.
    • 35 Metascore
    • 30 Marc Savlov
    Well-paced and featuring a game cast, this is still a yawny yarn that steals outright from Hideo Nakata’s seminal "Ringu" and the more recent "It Follows," as well as several of Blum’s own prior productions.
    • 71 Metascore
    • 67 Marc Savlov
    A neon-drenched murder mystery – or is it? – for the selfie generation, set in the hipster hamlet of Silverlake. So it goes with this highly stylized slice of bad, black millennial noir, a post-mumblecore take on the shady underbelly of L.A. in which Los Angeles plays itself, very nearly upstaging the main characters’ plight.
    • 86 Metascore
    • 67 Marc Savlov
    All three leads give subtly wrenching performances that wouldn’t have been out of place in Ingmar Bergman’s oeuvre.
    • 44 Metascore
    • 30 Marc Savlov
    Utter rubbish compared to its 2013 precursor. Enter with low expectations and you might just have some rock ‘em, sock ‘em, let’s-ravage-Tokyo fun.
    • 48 Metascore
    • 67 Marc Savlov
    This new iteration of Ms. Croft, played in a far more realistic fashion by Vikander (of Ex Machina fame), is somewhat more serious in tone, but altogether more fun to watch.
    • 66 Metascore
    • 50 Marc Savlov
    The fact that Russians appear to have dash-cams as standard equipment in their four- and two-wheel rides is as foreign and fascinating as anything President Donald Trump could come up with.
    • 51 Metascore
    • 50 Marc Savlov
    If you’re expecting "Paddington"-level profundity and whimsical adventure you’re going to be sorely disappointed.
    • 28 Metascore
    • 30 Marc Savlov
    You’d think the sordid history of the Winchester house would have inspired a more evocative or even entertaining haunted house story but the Spierigs rely far too much on the sort of shock-cut du jour that has become the lazy and boring norm for so many PG-13 “horror” films of the past 15 years.
    • 59 Metascore
    • 67 Marc Savlov
    Taylor’s film works best as both a commentary on the viral limits of parental affection, and the terror of bringing up said juvies.
    • 35 Metascore
    • 30 Marc Savlov
    A studied but silly misfire from the director of the abysmal London Has Fallen that attempts to walk the walk without ever actually being a movie genre fans, or much of anyone else for that matter, would want to see.
    • 88 Metascore
    • 89 Marc Savlov
    As sequels go, Paddington 2 is up to the challenge. It’s neck and neck, or paw and claw as to which is the better, so why not just watch both back to back?
    • 49 Metascore
    • 50 Marc Savlov
    By turns entertaining, incomprehensible, goofy, and even on occasion unnerving.
    • 72 Metascore
    • 67 Marc Savlov
    A surface viewing of the film makes it feel like this is one of Scott’s lesser magnum opuses but on closer inspection this is a story that’s all but contemporaneous given its through-line of amoral acquisitiveness.
    • 58 Metascore
    • 40 Marc Savlov
    While Ferdinand isn’t a train wreck by any means, it does come off as an also-ran in a year now dominated by the truly marvelous "Coco."
    • 21 Metascore
    • 11 Marc Savlov
    Abysmal, unfunny, and ultimately, completely unnecessary.
    • 87 Metascore
    • 89 Marc Savlov
    A romance of fantastique proportions, a cautionary tale that revels in throwing caution to the wind, and a de facto monster movie with loose but loving ties to director Jack Arnold’s classic "Creature From the Black Lagoon" and Cocteau’s "Beauty and the Beast," del Toro’s latest is a masterpiece of compassion and insight into the (in)human condition and the transformative power of love.
    • 58 Metascore
    • 67 Marc Savlov
    A courtroom drama with a twist, this second feature from "Nightcrawler" writer/director Dan Gilroy features one of the best performances of Washington’s career.
    • 81 Metascore
    • 89 Marc Savlov
    Coco is animatedly empowering entertainment for anyone who’s ever had to go against the wishes of their family to achieve their most heartfelt dreams.
    • 66 Metascore
    • 50 Marc Savlov
    The film is being marketed to kids and their parents, and as such, it’s well worth mom and dad’s hard-earned sawbuck for the implicit lessons it stresses. Be kind, especially to the seemingly strange ones who might not look like you.

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