Marrit Ingman
Select another critic »For 253 reviews, this critic has graded:
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35% higher than the average critic
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1% same as the average critic
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64% lower than the average critic
On average, this critic grades 10.7 points lower than other critics.
(0-100 point scale)
Marrit Ingman's Scores
- Movies
- TV
Average review score: | 54 | |
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Highest review score: | In the Realms of the Unreal | |
Lowest review score: | Garfield |
Score distribution:
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Positive: 113 out of 253
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Mixed: 97 out of 253
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Negative: 43 out of 253
253
movie
reviews
- By Date
- By Critic Score
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- Marrit Ingman
It starts off with a slick split-screen bang, but this high tech heist thriller is like a For Dummies guide to the genre.- Austin Chronicle
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- Marrit Ingman
Perhaps the lesson to be learned is that just because we CAN use computer technology to give dogs goofy faces, that doesn’t mean we SHOULD.- Austin Chronicle
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- Marrit Ingman
On the plus side, Costanzo is an appealing and likable young actor who carries the film easily; he gives the impression that he is thinking deeply and mildly amused.- Austin Chronicle
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- Marrit Ingman
Works quite well for what it is: a wooly crime yarn with touches of humor and a satisfying, well-developed relationship between the schemers.- Austin Chronicle
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- Marrit Ingman
The elliptical narrative also recalls Fernando Meirelles' somewhat similarly themed "The Constant Gardener," a film ultimately more heartfelt and accessible to mainstream audiences because its maker is unafraid of grief and explores it more deeply.- Austin Chronicle
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- Marrit Ingman
This is a film strictly for hardcore sentimentalists, despite its straight-ahead depiction of the harsh urban landscape in contemporary China.- Austin Chronicle
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- Austin Chronicle
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- Austin Chronicle
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- Austin Chronicle
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- Austin Chronicle
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- Marrit Ingman
The film’s light hand, appealing style, and simple exposition make it an eminently watchable inquiry into the politics of food and public health, accessible to the documentary-shy and wildly appropriate for older kids, who may further respond to its generational emphasis.- Austin Chronicle
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- Marrit Ingman
With its wonderful veteran cast, its heart on its sleeve, and a love for the landscape that suffuses its technique, Don't Come Knocking is a peculiar but rewarding escape.- Austin Chronicle
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- Marrit Ingman
It works best as a spank-it movie you don’t have to feel guilty about and that you can dance to. And there’s nothing wrong with that.- Austin Chronicle
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- Marrit Ingman
The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."- Austin Chronicle
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- Marrit Ingman
The strangest part is that half the movie’s arc is missing, but the credits promise its arrival in 2009 as Milarepa Part II: Path to Liberation.- Austin Chronicle
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- Marrit Ingman
This pseudo-Phildickian actioner is chum for the bigger fish to come this summer; for Moore, it's a slummer.- Austin Chronicle
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- Austin Chronicle
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- Marrit Ingman
Yet as wonderful as it is to see a breezy, earnest romantic comedy that is so matter-of-factly gay-themed, Big Eden suffers somewhat, unsurprisingly, from some of the usual perils of a breezy, earnest romantic comedy.- Austin Chronicle
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- Marrit Ingman
More than worthy viewing. What it lacks at times in elegance it possesses in intensity and feeling.- Austin Chronicle
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- Marrit Ingman
With its jellyfish direction, A Good Woman throws its actors overboard to see if they can swim.- Austin Chronicle
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- Marrit Ingman
The very concept of such an assassination isn't so absurd as to be wacky – at least not since somebody fired a rocket at UN Secretary-General Ban Ki-moon last Thursday.- Austin Chronicle
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- Marrit Ingman
It's got practically everything you could stuff in front of a camera, with the possible exception of Rip Taylor throwing confetti. Dancing transvestites? Check. Elephants? Check.- Austin Chronicle
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- Marrit Ingman
Beneath its layers of epic detail, this Zatôichi is cinematic cotton candy.- Austin Chronicle
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- Marrit Ingman
This indie rambler was my favorite movie of South by Southwest 05, where it premiered. But before I go any further, let's establish that Mutual Appreciation is not for you if you go to the movies to see things blown up or if you expect such conventional niceties as a three-act structure or lighting effects not achieved by yanking up a window shade.- Austin Chronicle
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- Marrit Ingman
The overall execution add up to a film of beautiful, ultimately heartbreaking honesty.- Austin Chronicle
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- Marrit Ingman
The film is a wonderful choice for older teens and has considerable crossover appeal for adult audiences.- Austin Chronicle
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- Austin Chronicle
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- Marrit Ingman
Like a lot of sports movies, this biopic about boxing promoter Jackie Kallen is better than it has to be but not as good as it ought to be.- Austin Chronicle
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- Marrit Ingman
Somehow the film doesn't quite cohere; it's hobbled by its awkward exposition, with salient facts about the characters' lives.- Austin Chronicle
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- Marrit Ingman
The movie's quirk isn't forced; it sincerely ponders the nature of love and of human need, opening with a quote by Jacques Lacan and ending with a shrug.- Austin Chronicle
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