Marrit Ingman

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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 89 March of the Penguins
Lowest review score: 0 Slackers
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 45 Metascore
    • 50 Marrit Ingman
    It starts off with a slick split-screen bang, but this high tech heist thriller is like a For Dummies guide to the genre.
    • 43 Metascore
    • 40 Marrit Ingman
    Perhaps the lesson to be learned is that just because we CAN use computer technology to give dogs goofy faces, that doesn’t mean we SHOULD.
    • 57 Metascore
    • 50 Marrit Ingman
    On the plus side, Costanzo is an appealing and likable young actor who carries the film easily; he gives the impression that he is thinking deeply and mildly amused.
    • 51 Metascore
    • 67 Marrit Ingman
    Works quite well for what it is: a wooly crime yarn with touches of humor and a satisfying, well-developed relationship between the schemers.
    • 74 Metascore
    • 50 Marrit Ingman
    The elliptical narrative also recalls Fernando Meirelles' somewhat similarly themed "The Constant Gardener," a film ultimately more heartfelt and accessible to mainstream audiences because its maker is unafraid of grief and explores it more deeply.
    • 63 Metascore
    • 50 Marrit Ingman
    This is a film strictly for hardcore sentimentalists, despite its straight-ahead depiction of the harsh urban landscape in contemporary China.
    • 65 Metascore
    • 89 Marrit Ingman
    Every movie about the Holocaust should be this good, but few are.
    • 41 Metascore
    • 40 Marrit Ingman
    Expect lots of Slasher Movie 101.
    • 55 Metascore
    • 67 Marrit Ingman
    The film’s resolution is more implied than complete.
    • 30 Metascore
    • 20 Marrit Ingman
    Is it funny? Not for a minute.
    • 70 Metascore
    • 78 Marrit Ingman
    The film’s light hand, appealing style, and simple exposition make it an eminently watchable inquiry into the politics of food and public health, accessible to the documentary-shy and wildly appropriate for older kids, who may further respond to its generational emphasis.
    • 55 Metascore
    • 78 Marrit Ingman
    With its wonderful veteran cast, its heart on its sleeve, and a love for the landscape that suffuses its technique, Don't Come Knocking is a peculiar but rewarding escape.
    • 43 Metascore
    • 50 Marrit Ingman
    It works best as a spank-it movie you don’t have to feel guilty about and that you can dance to. And there’s nothing wrong with that.
    • 70 Metascore
    • 67 Marrit Ingman
    The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."
    • 52 Metascore
    • 40 Marrit Ingman
    The strangest part is that half the movie’s arc is missing, but the credits promise its arrival in 2009 as Milarepa Part II: Path to Liberation.
    • 42 Metascore
    • 30 Marrit Ingman
    This pseudo-Phildickian actioner is chum for the bigger fish to come this summer; for Moore, it's a slummer.
    • 29 Metascore
    • 30 Marrit Ingman
    There's not much spunk here.
    • 59 Metascore
    • 50 Marrit Ingman
    Yet as wonderful as it is to see a breezy, earnest romantic comedy that is so matter-of-factly gay-themed, Big Eden suffers somewhat, unsurprisingly, from some of the usual perils of a breezy, earnest romantic comedy.
    • 75 Metascore
    • 78 Marrit Ingman
    More than worthy viewing. What it lacks at times in elegance it possesses in intensity and feeling.
    • 53 Metascore
    • 40 Marrit Ingman
    With its jellyfish direction, A Good Woman throws its actors overboard to see if they can swim.
    • 67 Metascore
    • 67 Marrit Ingman
    The very concept of such an assassination isn't so absurd as to be wacky – at least not since somebody fired a rocket at UN Secretary-General Ban Ki-moon last Thursday.
    • 55 Metascore
    • 67 Marrit Ingman
    It's got practically everything you could stuff in front of a camera, with the possible exception of Rip Taylor throwing confetti. Dancing transvestites? Check. Elephants? Check.
    • 75 Metascore
    • 78 Marrit Ingman
    Beneath its layers of epic detail, this Zatôichi is cinematic cotton candy.
    • 84 Metascore
    • 78 Marrit Ingman
    This indie rambler was my favorite movie of South by Southwest 05, where it premiered. But before I go any further, let's establish that Mutual Appreciation is not for you if you go to the movies to see things blown up or if you expect such conventional niceties as a three-act structure or lighting effects not achieved by yanking up a window shade.
    • 82 Metascore
    • 89 Marrit Ingman
    The overall execution add up to a film of beautiful, ultimately heartbreaking honesty.
    • 72 Metascore
    • 89 Marrit Ingman
    The film is a wonderful choice for older teens and has considerable crossover appeal for adult audiences.
    • 71 Metascore
    • 78 Marrit Ingman
    Abundant arthouse crowd appeal.
    • 36 Metascore
    • 40 Marrit Ingman
    Like a lot of sports movies, this biopic about boxing promoter Jackie Kallen is better than it has to be but not as good as it ought to be.
    • 35 Metascore
    • 40 Marrit Ingman
    Somehow the film doesn't quite cohere; it's hobbled by its awkward exposition, with salient facts about the characters' lives.
    • 69 Metascore
    • 78 Marrit Ingman
    The movie's quirk isn't forced; it sincerely ponders the nature of love and of human need, opening with a quote by Jacques Lacan and ending with a shrug.

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