Marrit Ingman

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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 9.3 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 89 Calle 54
Lowest review score: 0 Half Past Dead
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 50 Metascore
    • 30 Marrit Ingman
    If you like "Maxim," you will love The Island. It is glossy. It is expensive. It has lots of slick ads for Aquafina and Cadillac.
    • 53 Metascore
    • 20 Marrit Ingman
    Less subversive and infinitely less intelligent than 1999’s Wahlberg-starrer "Three Kings," this movie does blow lots of s--- up real good and punish contemptible public figures otherwise left unaccountable for massacring African villagers.
    • 48 Metascore
    • 30 Marrit Ingman
    The whole production is simply as mediocre and half-baked as Hollywood gets.
    • 48 Metascore
    • 30 Marrit Ingman
    The characters are mechanisms who move along the plot arc from Point A to Point B. They’re not particularly memorable individuals.
    • 48 Metascore
    • 30 Marrit Ingman
    It is funny at times – the teams for dodgeball break down into "popular" and "unpopular" – but Chicken Little is painful to watch for all ages.
    • 48 Metascore
    • 30 Marrit Ingman
    This could be a pilot for the WB. Hollywood choreographer Fletcher makes the jump behind the camera but displays a greater aplomb for staging than drama, and the movie is as fleeting as the last weekend of summer.
    • 47 Metascore
    • 30 Marrit Ingman
    The filmmakers assume familiarity with the show's documentary premise and in-jokes (e.g., deputy Garant giving all his commands in French), which will make the movie even less accessible to novices.
    • 42 Metascore
    • 30 Marrit Ingman
    The worst thing about Bounce isn't that it's bad but that it just isn't interesting.
    • 42 Metascore
    • 30 Marrit Ingman
    This pseudo-Phildickian actioner is chum for the bigger fish to come this summer; for Moore, it's a slummer.
    • 41 Metascore
    • 0 Marrit Ingman
    Cody Banks would probably be appropriate for the 13-and-older crowd, but it’s far too dopey for teenage sophisticates.
    • 40 Metascore
    • 30 Marrit Ingman
    A frenetic affair, busy and silly enough to make family froth like "The Princess Diaries" look like Grand Illusion.
    • 40 Metascore
    • 30 Marrit Ingman
    Monk would probably make a nice rental on a dull evening, with some kind of salty snack and a drinking-game accompaniment. (Drink whenever Scott cries, "Oh, shit!")
    • 40 Metascore
    • 30 Marrit Ingman
    The real problem isn't that Anacondas is bad – it's just so bland, so unremarkable, so by-the-numbers, and so instantly forgettable that bad might be a step up.
    • 39 Metascore
    • 20 Marrit Ingman
    The real problem is that the story is just incoherent, and the faster it moves, the more frantic it seems.
    • 38 Metascore
    • 20 Marrit Ingman
    A twist ending in search of its movie.
    • 38 Metascore
    • 30 Marrit Ingman
    You don’t have to be a cynic to find Radio naive for suggesting that high school is a good place for emotionally fragile misfits, that racism is not a problem, that caring for someone is all it takes.
    • 37 Metascore
    • 30 Marrit Ingman
    The first "Nightmare on Elm Street" was wickedly surreal, but the wacky dream sequences were offset by the sitcomlike, almost satirical flatness of ordinary suburban life; that was the really scary part. Freddy Vs. Jason is innocent of such nuances.
    • 37 Metascore
    • 0 Marrit Ingman
    A Tail of Two Kitties couldn't care less about its human principals, and all it wants its animals to do is air-guitar to "Cat Scratch Fever" and wear silly sunglasses.
    • 37 Metascore
    • 20 Marrit Ingman
    Never really sure what to say about its subject.
    • 36 Metascore
    • 20 Marrit Ingman
    It's too bad Shafer spent his budget making a fiction feature instead of just shooting a documentary about the scene. So much of the film is melodramatic kitsch, but there's still a movie in here.
    • 36 Metascore
    • 20 Marrit Ingman
    There's a bright spot in the form of Amy's publicist (screen veteran Aaron), a salty, whiskey-voiced lesbian; it's a pity the movie isn't about her.
    • 36 Metascore
    • 30 Marrit Ingman
    It's not wrong to wish these actors were working in the service of a better script or more assured direction, but it's probably also possible to simply take pleasure in their performances.
    • 36 Metascore
    • 30 Marrit Ingman
    Pardon the pun, but audiences will reap little from this satanic backwoods juju thriller.
    • 35 Metascore
    • 0 Marrit Ingman
    Fans of "The Graduate" should skip this strange comedy.
    • 34 Metascore
    • 30 Marrit Ingman
    It's the snobs versus the slobs! And this holiday's no picnic!
    • 33 Metascore
    • 30 Marrit Ingman
    Less a movie than a longform, live-action Celebrity Death Match between its leads, this wheezing comedy may herald the death knell of the interracial buddy-cop farce.
    • 33 Metascore
    • 30 Marrit Ingman
    How can a movie narrated by Junior Brown and backed with wall-to-wall southern rock – a movie that at one point features co-stars Nelson and Carter tied together, surely a first in celluloid history – be so uneventful? Why, it's lazier than Sheriff Roscoe P. Coltrane's good-for-nothing hound dog, Flash.
    • 33 Metascore
    • 0 Marrit Ingman
    The kind of winking, disingenuous youth comedy that tries to play it both ways, dangling the twins as fetish objects and then yanking them back on the leash because, you know, this is a family film.
    • 32 Metascore
    • 11 Marrit Ingman
    Aiming to break the land speed record for poop 'n' piss jokes.
    • 31 Metascore
    • 20 Marrit Ingman
    It’s a shame when a movie brings together so many underutilized thespians of color – even Ajay Naidu of "Office Space" is in here someplace – and gives them absolutely nothing to do.

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