IGN
For 81 reviews, this critic has graded:
  • 74% higher than the average critic
  • 7% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Matt Fowler's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 90 Derek DelGaudio’s In & Of Itself
Lowest review score: 20 Cosmic Sin
Score distribution:
  1. Positive: 38 out of 81
  2. Negative: 2 out of 81
81 movie reviews
    • 66 Metascore
    • 70 Matt Fowler
    Chip ‘n Dale: Rescue Rangers isn't the first movie to do what it's doing -- with live-action and animation sharing the screen, helping nurture a meta-comedy adventure -- but it's damn fun and one of the cleverest uses of elder pop culture properties in a while.
    • 58 Metascore
    • 70 Matt Fowler
    Cole Sprouse and Lana Condor are a fun duo, capable of feeling human and endearing in the midst of cosmic turmoil. The movie's not a full home run, but it's surprisingly silly and shrewd.
    • 52 Metascore
    • 70 Matt Fowler
    Black Friday proves to be a winning combination of gloppy scares, well-crafted characters, and wise commentary.
    • 36 Metascore
    • 70 Matt Fowler
    Addison Rae and Tanner Buchanan are magnetic leads in this reboot that pays homage to the first film, but fully stands on its own. It manages to cut through modern high school b.s. while transforming two posers into presentable, likable people.
    • 49 Metascore
    • 70 Matt Fowler
    Vacation Friends may be a touch predictable, but John Cena and Meredith Hagner will make you wish you had friends like them on your next trip.
    • 50 Metascore
    • 80 Matt Fowler
    Jungle Cruise is a rollicking adventure full of humor and heart anchored by Dwayne Johnson and Emily Blunt's winning heroes.
    • 43 Metascore
    • 70 Matt Fowler
    Blood Red Sky could lose a few minutes, but overall, it's a ferocious and fun merging of vampires and hijackers.
    • 53 Metascore
    • 70 Matt Fowler
    The dystopian fantasy elements of the saga are now at their thinnest, painting a cinematic world that may hit too close to home for some. Ultimately, it's a solid entry that can either act as an ending or a new beginning.
    • 38 Metascore
    • 70 Matt Fowler
    America: The Motion Picture is like Drunk History if the history were not only drunk but also on nitrous. Channing Tatum once again proves he's a comedy force to be reckoned with, backed by a stellar cast of capable and cunning joke spitters.
    • 66 Metascore
    • 70 Matt Fowler
    Werewolves Within easily separates itself from the pack by delivering a quirky monster mystery filled with gentle laughs and massive maulings. Not every joke lands, and not every character fits, but overall it's an entertaining alternative to the season's more ghoulish and grim offerings.
    • 81 Metascore
    • 70 Matt Fowler
    A pleasant surprise that both undermines and elevates typical revenge sagas, Riders of Justice is a unique blend that charms and captivates.
    • 81 Metascore
    • 80 Matt Fowler
    The Mitchells vs. The Machines is a ridiculous, riotous, and relevant adventure fill with great humor and winning sentiment.
    • 64 Metascore
    • 70 Matt Fowler
    Synchronic isn't a home run, but a decent time travel triple is always welcome.
    • 65 Metascore
    • 80 Matt Fowler
    The Courier is a tense, well-executed spy drama that wisely focuses on character and performance more than thrills, knowing that if we actually care about these men it will drastically heighten every narrowed glance, near miss, and frightful chase. It's not always the freshest adventure, but that's when the acting carries the piece and breathes life into these unlikely heroes.
    • 66 Metascore
    • 80 Matt Fowler
    This contest of wicked wills is a vibrant, penetrating Pandora's Box of predicaments and likeable yet evil central characters, played with satirical skill by Rosamund Pike and Peter Dinklage.
    • 82 Metascore
    • 90 Matt Fowler
    Derek DelGaudio's In and Of Itself is a beautiful, powerful performance that employs art, illusion, storytelling, and its own audience to explore aspects of identity, isolation, and our own desperate drive to figure out who we are as individuals. There's nothing quite like it, which, as goes the uniqueness of humanity, is the point.
    • 51 Metascore
    • 70 Matt Fowler
    The Christmas Chronicles: Part Two, directed and co-written by Chris Columbus, once again takes full advantage of Kurt Russell's exuberance as Santa -- and the full addition of Goldie Hawn's Mrs. Claus -- for a rewarding romp about young Kate Pierce's need to rediscover the holiday spirit.
    • 69 Metascore
    • 80 Matt Fowler
    Jingle Jangle: A Christmas Journey already feels like a timeless treat. Though it's a little longer than it needs to be, Jingle Jangle is still filled with enticing visuals, holiday heart, and seasonal cheer. It instantly feels like a snug, fabled world ready to be explored.
    • 68 Metascore
    • 90 Matt Fowler
    Borat Subsequent Moviefilm may not contain all of the shock and awe of the original, since exposing racists has sadly sort of become commonplace, but it still contains an avalanche of awkward, anxiety-cranking moments that'll have you laughing while watching through your fingers like you would a horror movie.
    • 71 Metascore
    • 80 Matt Fowler
    The Outpost is a cleverly, and respectfully, crafted war film that uses a segmented, episodic approach to help you invest in the characters while building up to a very impressive battle sequence.
    • 51 Metascore
    • 70 Matt Fowler
    Peninsula feels fairly derivative when compared to the tighter and more terrifying Train to Busan, but on its own, as an expansion of this universe, it's a rollicking ride through a hollowed-out hellscape. It's almost a complete genre shift, but not an unrewarding one.
    • 62 Metascore
    • 80 Matt Fowler
    The Rental boats a strong cast, an intriguing set up, and a compelling mystery. It's a fun and feisty web of lies and deception with the added bonus of having a shadowy, stalking presence surrounding everything and everyone like a God-hand. It's a small film, but it's tense, dense, and delivers a harrowing final act.
    • 83 Metascore
    • 80 Matt Fowler
    It plays into the dystopian fantasy of being able to reinvent yourself in a lawless world, delivering a clever tale about what it takes for someone who's not a part of existence to want to reengage with life.
    • 84 Metascore
    • 90 Matt Fowler
    The Vast of Night is a minimal marvel, drawing out fear and anticipation with not much more than a cunning script, stirring performances from its young stars, and the starkness of the dark skies above them. Within it you'll find a Spielbergian love for sci-fi peppered with a twisted appreciation for negative space and the unknown.
    • 61 Metascore
    • 70 Matt Fowler
    The Wretched's endeavor to meld a junior mystery with some pretty extreme horror works more than it doesn't, but ultimately neither side of this narrative coin gets explored as much as it should. Despite this, as a well shot and admirably executed thriller, it's a good entry into the catalogue of on-the-cheap scares.
    • 56 Metascore
    • 70 Matt Fowler
    Extraction works because its simple, yet sufficient, story allows the film's action to take center stage. If the stunt work were mediocre, the entire thing would be an utter waste of time. Thankfully though, Extraction boasts an exhaustingly awesome showcase of expertly choreographed fists, knives, guns, and explosions.
    • 35 Metascore
    • 70 Matt Fowler
    Coffee & Kareem keeps it simple, short, and to the (ultra) violent point as a raunchy cop comedy with clever jokes, zany action, and fun chemistry between leads Ed Helms and young Terrence Little Gardenhigh. It's a small cast but everyone in it is pretty funny, and the director easily knows how to craft a compelling mismatched partner scenario.
    • 65 Metascore
    • 83 Matt Fowler
    Sergio Pablos' Klaus is a beautifully animated mix of old and new - offing up a unique and quirky take on Santa's humble beginnings. It's a fun, fresh story about friendship and the power of kindness that coats snowbound cliches with a shiny sheen.
    • 81 Metascore
    • 88 Matt Fowler
    I Lost My Body stands as one of the year's best and most profound pieces of animation.

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