Matt Zoller Seitz

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For 311 reviews, this critic has graded:
  • 68% higher than the average critic
  • 1% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 7.8 points higher than other critics. (0-100 point scale)

Matt Zoller Seitz's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Star Wars: Episode VIII - The Last Jedi
Lowest review score: 0 Alice Through the Looking Glass
Score distribution:
  1. Negative: 26 out of 311
311 movie reviews
    • 79 Metascore
    • 88 Matt Zoller Seitz
    Gone Girl is art and entertainment, a thriller and an issue, and an eerily assured audience picture.
    • 49 Metascore
    • 75 Matt Zoller Seitz
    Calling Space Station 76 a spoof of 1970s science fiction doesn't do the trick. It's quiet, slow movie that's often funny, sometimes sad, and occasionally uncomfortable.
    • 50 Metascore
    • 63 Matt Zoller Seitz
    No matter how feverishly Gilliam directs and no matter how enthusiastically his actors act, the whole thing remains too, er, theoretical.
    • 57 Metascore
    • 75 Matt Zoller Seitz
    The star rating at the top would be two-and-a-half if I were only judging what's on the screen. The other half-star is for audacity.
    • 84 Metascore
    • 88 Matt Zoller Seitz
    It asks a lot of us. In fact it asks us to set aside everything we've been conditioned to think movies are, and roll with a different way of seeing and hearing things, and connect.
    • 65 Metascore
    • 50 Matt Zoller Seitz
    The film that Memphis most reminds me of is Bruce Weber's "Let's Get Lost," a meandering, ostentatiously gorgeous black-and-white documentary about Chet Baker.
    • 46 Metascore
    • 12 Matt Zoller Seitz
    The problem — and wow, it's a big one — is that none of these actors have material firm enough to shape into a bona fide performance.
    • 38 Metascore
    • 50 Matt Zoller Seitz
    The November Man wants to be taken seriously, except when it doesn't. This creates viewer whiplash. The movie is confused and often untrustworthy.
    • 76 Metascore
    • 100 Matt Zoller Seitz
    Co-directors Allison Berg and Frank Keraudren seem to be operating from a place of nonjudgmental curiosity, so pure and sustained that it becomes indistinguishable from love. They can't get enough of John Wojtowicz.
    • 64 Metascore
    • 63 Matt Zoller Seitz
    As a portrait of a great artist and activist, Finding Fela is worth a look, but it's Gibney's weakest work as a filmmaker.
    • 61 Metascore
    • 75 Matt Zoller Seitz
    Like many films by Besson — "The Professional," "The Fifth Element," "The Messenger" and other high-octane shoot-'em-ups — Lucy starts out riveting but becomes less engaging as it goes along.
    • 54 Metascore
    • 63 Matt Zoller Seitz
    Even if you have a high tolerance for whimsy, Mood Indigo may still be too much.
    • 100 Metascore
    • 100 Matt Zoller Seitz
    I love how Boyhood admits that, in certain ways, growing up stinks. Every character has a least one moment in which they have to heed the advice of Corinthians and put away childish things. None of them like it.
    • 79 Metascore
    • 88 Matt Zoller Seitz
    Loud, smart and ferociously committed to its premise, and it leaves an intriguingly bitter aftertaste.
    • 87 Metascore
    • 88 Matt Zoller Seitz
    Life itself, that loaded two-word phrase, is what Roger really wrote about when he wrote about movies.
    • 77 Metascore
    • 63 Matt Zoller Seitz
    The movie is at its best when it's immersing you in a series of conundrums and letting you feel what it's like to live with them, and wrestle with them. All of these people are doing the best they can, but the system is broken.
    • 69 Metascore
    • 50 Matt Zoller Seitz
    Too bad it isn't a wickeder, subtler, more imaginative movie.
    • 71 Metascore
    • 75 Matt Zoller Seitz
    It's a self-aware movie that makes fun of the macho clichés it indulges.
    • 71 Metascore
    • 88 Matt Zoller Seitz
    The movie has an organic intelligence and a sense that it, too, exists outside of linear time. It seems to be creating itself as you watch it.
    • 56 Metascore
    • 75 Matt Zoller Seitz
    The movie is a mess, but it's a rich mess. It has weight. It matters.
    • 86 Metascore
    • 75 Matt Zoller Seitz
    Like its hero, Stand Clear of the Closing Doors goes with the flow and has a chaotic and thrilling time but doesn't know where to go or what to do with itself.
    • 14 Metascore
    • 12 Matt Zoller Seitz
    The worst American film I've seen this year.
    • 62 Metascore
    • 88 Matt Zoller Seitz
    The sheer filmmaking craft on display here shames almost any comparably budgeted superhero picture you can name.
    • 42 Metascore
    • 63 Matt Zoller Seitz
    There are too many major characters and too many points of emphasis. As elegantly directed as it sometimes is, it feels disjointed, scattered.
    • 42 Metascore
    • 63 Matt Zoller Seitz
    The most galling thing about Transcendence, though, isn't its inability to get a handle on what, if anything, it wants to say about the enormous changes happening to the human race, it's the movie's ending, which seems calculated to reassure us that everything's going to be fine as long as the right people are in charge, especially if they're good looking.
    • 78 Metascore
    • 100 Matt Zoller Seitz
    A brilliant science fiction movie — more of an "experience" than a traditional story, with plenty to say about gender roles, sexism and the power of lust?
    • 79 Metascore
    • 75 Matt Zoller Seitz
    An account of a film that was never made despite all the love that its makers poured into it, yet somehow it's warm and inspirational: a call to arms for dreamers everywhere.
    • 76 Metascore
    • 63 Matt Zoller Seitz
    However heartfelt and keenly observed this pessimism is, it becomes monotonous.
    • 68 Metascore
    • 75 Matt Zoller Seitz
    Noah is more of a surrealist nightmare disaster picture fused to a parable of human greed and compassion, all based on the bestselling book of all time, the Bible, mainly the Book of Genesis.
    • 66 Metascore
    • 88 Matt Zoller Seitz
    The Cold Lands is less a story than an experience, and that, as such, anything one might say about it could be considered a spoiler.

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