Moira Macdonald

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For 488 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 8.5 points higher than other critics. (0-100 point scale)

Moira Macdonald's Scores

  • Movies
  • TV
Average review score: 74
Highest review score: 100 Are You There God? It's Me, Margaret
Lowest review score: 25 Fifty Shades Darker
Score distribution:
  1. Negative: 30 out of 488
488 movie reviews
    • 82 Metascore
    • 88 Moira Macdonald
    Louis-Dreyfus, making Beth neurotic and loving and devastated and furious all at once, is a joy to watch.
    • 59 Metascore
    • 88 Moira Macdonald
    Bailey gives a glowing performance of effortless starshine; her singing voice has both sweetness and power, and her smile is the sort on which dreams dance.
    • 55 Metascore
    • 75 Moira Macdonald
    Though I’d have preferred Fast X to have a little more driving and a little less fighting, and was disappointed to realize that the film’s climactic moment is pretty much in the trailer, this movie is good, silly popcorn fun — with a couple of scenes at the end (stay put during the first half of the credits) indicating even better times ahead.
    • 84 Metascore
    • 100 Moira Macdonald
    Are You There God? It’s Me, Margaret is both lovingly faithful to its source, and very much its own creation; how lucky we are to have both book and movie, preserved for girls past, present and future.
    • 67 Metascore
    • 88 Moira Macdonald
    History almost erased Joseph Bologne; this film lets him live again.
    • 53 Metascore
    • 63 Moira Macdonald
    There are pleasures to be found in Renfield, particularly a stylish black-and-white sequence early on, and in Hoult’s wistfully debonair portrayal of a well-meaning chap trapped in a job he never applied for. But even with its brief running time, the movie runs out of steam too quickly, and Awkwafina’s character in particular seems like a first draft
    • 64 Metascore
    • 88 Moira Macdonald
    It’s a feel-good film about dreams, about obsession, about believing in yourself when nobody else seems to be doing it for you, and Hawkins carries it with effortless ease.
    • 60 Metascore
    • 75 Moira Macdonald
    Ultimately, Moving On is about friendship, and who better than Grace and Frankie to show us that?
    • 53 Metascore
    • 63 Moira Macdonald
    How you feel about the psychological thriller Insider may depend on how you feel about spending the better part of two hours staring nonstop at Willem Dafoe.
    • 73 Metascore
    • 75 Moira Macdonald
    You can see clearly in the final scenes where “Creed IV” might be headed; you can also see that Jordan as a director shows promise well beyond this film. “Creed III” works as well as it needs to, and for the umpteenth film in a franchise, that’s more than enough.
    • 75 Metascore
    • 88 Moira Macdonald
    This Emily is indeed unworldly, uncomfortable around strangers, struggling to comply with what society expects of her. And yet the artist bubbles up inside her, emerging at moments both inconvenient (there’s a harrowing sequence at a party in which Emily dons a mask and takes on a ghostly persona) and poetic.
    • 65 Metascore
    • 63 Moira Macdonald
    Great acting is a con game, of the highest order, and it’s a pleasure to be Moore’s mark.
    • 81 Metascore
    • 100 Moira Macdonald
    This quiet tale of an ordinary 1950s London man (Bill Nighy) facing the end of his life is a joy: elegantly written, movingly performed, evocatively filmed.
    • 76 Metascore
    • 75 Moira Macdonald
    It’s a sly little film, playing with our expectations, keeping us guessing — and wondering if Krieps’ name might be as familiar as Streep’s, one day.
    • 80 Metascore
    • 88 Moira Macdonald
    You watch it rapt, leaning in, wanting to know more; you leave it wondering if that shadow at the window was, maybe, yourself.
    • 60 Metascore
    • 75 Moira Macdonald
    I can’t say I truly enjoyed watching Babylon, or that I’d ever want to see it again, but I definitely haven’t stopped thinking about it since screening it earlier this month.
    • 67 Metascore
    • 88 Moira Macdonald
    “Salvatore” is a pleasure for anyone who loves shoes and/or good movies.
    • 54 Metascore
    • 75 Moira Macdonald
    Colman, on whose face the film frequently rests (does anyone in cinema have a more open, guileless smile?), quietly holds the drama in her hands. Her Hilary is fragile, yet touchingly determined to will herself toward the light.
    • 84 Metascore
    • 88 Moira Macdonald
    The Fabelmans is a movie about being seen — and about learning to see.
    • 79 Metascore
    • 75 Moira Macdonald
    It’s an artful, moving and often beautiful film, but be careful about showing it to young children; nightmares could ensue. (It haunted me, and I’m quite grown.)
    • 81 Metascore
    • 75 Moira Macdonald
    You watch “Glass Onion” relaxed, feeling like you’re in good hands; everyone on-screen is clearly having a wonderful time, so you can’t help but join right in. The plot’s a clever, multilayered caper, echoing the elaborate structure the movie is named for, and Johnson fills the script with funny name-dropping . . . and lets the cast happily ham it up.
    • 50 Metascore
    • 75 Moira Macdonald
    Adams, six Academy Award nominations later, still sings and dances like a Technicolor dream, and this time around she gets to have some fun as not only the ultra-sweet Giselle, whose voice sounds like butterflies and sunrises, but an evil alter ego.
    • 74 Metascore
    • 75 Moira Macdonald
    It’s a moving and engaging film about finding truth, told through the perspective of two people who are very, very good at their jobs.
    • 67 Metascore
    • 88 Moira Macdonald
    There’s so much that Black Panther: Wakanda Forever does right that it’s frustrating to blame it for the one flaw it can’t help. But you watch it wondering about the movie that never got made, the story that never got finished, the life cut short too soon. Maybe, in a few years, this franchise can make a truly fresh start; this movie efficiently and skillfully lays the groundwork for that. It takes time, as wise Wakandans remind us, to move on.
    • 87 Metascore
    • 100 Moira Macdonald
    Wickedly clever and unexpectedly touching.
    • 92 Metascore
    • 88 Moira Macdonald
    This tale of ambition and its cost — and its collateral damage — is Blanchett’s movie, and she delivers a tour de force in every scene.
    • 50 Metascore
    • 63 Moira Macdonald
    Ticket to Paradise is all about the welcome sight of a pair of movie stars who know exactly what to do with their wattage.
    • 48 Metascore
    • 38 Moira Macdonald
    Amsterdam is not entirely without small pleasures: Emmanuel Lubezki’s sepia-toned cinematography is lovely to look at, and it’s fun to play spot-the-movie-star with the talented cast, and to note with pleasure how Washington’s scratched-velvet voice sounds so much like that of his father Denzel. But ultimately it’s a big disappointment.
    • 47 Metascore
    • 63 Moira Macdonald
    Ultimately, this “Fantastic Beasts” has some moments of charm and energy, but falls prey to the same problem the two previous movies did: a story that’s both too complicated and unintriguing; in short, not well told.
    • 81 Metascore
    • 88 Moira Macdonald
    The night after I saw Everything Everywhere All At Once I had a dream, in which I took a journey that was chaotic and messy and strangely beautiful. I suspect that dream was heavily flavored by the movie I had just seen, which also fit that description. The dream quickly faded, as dreams do, but the movie is staying with me, turning over and over in my head like stones in a kaleidoscope, ever-shifting.

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