For 6 reviews, this critic has graded:
  • 0% higher than the average critic
  • 0% same as the average critic
  • 100% lower than the average critic
On average, this critic grades 24.1 points lower than other critics. (0-100 point scale)

Nadira Goffe's Scores

Average review score: 45
Highest review score: 80 The Last of Us: Season 1
Lowest review score: 10 Velma: Season 1
Score distribution:
  1. Positive: 1 out of 6
  2. Negative: 2 out of 6
6 tv reviews
    • 66 Metascore
    • 60 Nadira Goffe
    Fishback menacingly gleams in an incredible performance. ... Too committed to its goal of depicting a scandalous faction of fandom while making a light mockery of the world around it to really come away with much of a point—or even an engaging question. ... When Swarm lets go of its premise a little, that actually helps it achieve its goal, allowing us to finally cash in on the show’s promise.
    • 50 Metascore
    • 50 Nadira Goffe
    To traipse through all of the sex-cult allegations, Vatican baby-theft worries, and more sex-cult allegations just to end up where we first started is annoying to say the least. This isn’t to say that Gunther’s Millions is a waste of time, more that it prioritizes an experience it doesn’t deliver on—the crown jewel of true crime media: the ultimate “gotcha!” moment—instead of focusing on the ones it does.
    • 40 Metascore
    • 30 Nadira Goffe
    Wolf Pack relies on mystery, and, of course, attractive young supernaturals, to keep you entertained. To grab the old(er)s, or those who binged 1990s supernatural TV during quarantine, Buffy (Sarah Michelle Gellar) guest stars as a detective. But none of it works
    • 54 Metascore
    • 10 Nadira Goffe
    The show actually is misogynist, and totally devoid of nuance. ... Velma’s mistakes might be forgivable if it was at least funny. But it’s not. And so, we’re left with a show that makes no one laugh and makes everyone mad, and doesn’t even have a great theme song.
    • 84 Metascore
    • 80 Nadira Goffe
    The Last of Us takes up the mantle The Walking Dead set down long before it left the air, picking up where that show left off instead of attempting to trod its well-worn path. ... The Last of Us operates entirely differently, keeping the action centered on Joel and Ellie throughout the main story, and providing side characters with flashback spin-offs. We get to appreciate these side characters, and even become greatly endeared to them, but within the confines of their own story.
    • 56 Metascore
    • 40 Nadira Goffe
    There’s little new juicy drama and few shocking reveals. ... What the series does offer, instead, are some underdeveloped attempts at historical racial analysis. ... But the sociohistorical analysis, judged on its own merits, feels lacking.

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