Ryan Leston

Joyland is a wonderful film about longing and desire with a melancholy undertone that you just don't expect.

All Quiet on the Western Front is just as bleak as you might imagine, with an unflinching examination of the horrors of war. It’s a brutal, exhausting, and raw reminder of the evil humanity is capable of inflicting upon each other, and it couldn’t be more timely.

It’s the kind of thriller that only comes along every once in a while – truly unsettling and with enough twists and turns to not only keep you interested but on your toes.

White Noise holds up a mirror to contemporary America, forcing a self-examination that both amuses and terrifies. It may be set in the ‘80s but it’s as prescient as ever, forcing us to examine the failings of postmodern culture and face the comedy and terror inherent in our society. It may be funny, even light-hearted in places, but White Noise confronts heavy, poignant topics with a level of awareness that will make you laugh while your skin crawls.

The Good Nurse shines a light on the inherent darkness of a for-profit healthcare system while exploring the even darker recesses that allow a serial killer to thrive. Based on a true story, it’s a terrifying examination of systemic failures, not to mention a wild cover-up from self-interested hospitals.

Smile is a disorienting, anxiety-inducing nightmare that leaves you questioning everything you see. The scares feel over-abundant at first, with feints and fake-outs almost laughably frequent, but they eventually create a creeping paranoia that nothing is quite as it seems.

Ambulance may often be nonsensical, but it’s also the biggest, boldest action movie of the past year and a spectacularly raucous return to form by director Michael Bay.

Less of a straight-up horror movie and more creeping dread, You Won’t Be Alone explores the spectrum of human emotion with an otherworldly curiosity. Perhaps it takes someone on the fringes of society to find out what it really means to be human.

Showing Up is the wonderfully muted tale of an artist struggling with expectation while dealing with her own insecurities.

Close is a story about growing up and losing those wondrous childhood relationships forever, but it's far more than that. It's a tender glimpse of loss on an unimaginable scale, told through the lens of a young boy trying to make sense of it all.

One thing's for certain — R.M.N. is by no means a pedestrian affair, with Mungiu's mastery of the Transylvanian landscapes the perfect backdrop for the exploration of some heavy issues. There's a lot to unpack by the time the credits roll. But it's deserving of every stray thought you'll return to in the days after watching it.

An effective debut feature from director Riley Keough, War Pony is a rare breed – a native story told by an outsider seeking to uplift the community rather than exploit it.

The end result is a slow-burn romantic thriller that's so slow it doesn't really seem to go anywhere.

Holy Spider shines a light into the murky corners of a society that emboldens its aggressors. In that sense, the film is essential viewing. Even if it is completely devastating.

Skolimowski's close camera work and gripping story keep us alongside EO every step of the way. We're all rooting for him. And even when scenes veer ever more into the surreal side of things, we can't help but feel connected to the little donkey that could.

Triangle of Sadness pokes fun at the ultra-rich, playing their undoing for laughs in the worst of situations. It’s a masterclass in cringe comedy with Harris Dickinson playing it straight throughout as he finds himself in appallingly toe-curling situations.

While Tilda Swinton and Idris Elba give it their all, neither can save the film from collapsing in the third act. An unconvincing conclusion undermines a far better first half which sees Swinton and Elba waxing philosophical in a hotel room.

There’s social commentary here, but it’s largely incidental. Instead, Armageddon Time stops short of any meaningful statement, spending most of its time admiring the view.

Memory is a well-made if uninspired action flick that forges an interesting new take on the genre… then forgets all about it.

The Bad Guys is a fun, family-friendly caper that’s bursting with action and brimming with laughs.

Choose or Die boots up a retro-style survival horror that will muster up a few delightful scares for the generation of gamers who grew up with Zork and The Valley of the Minotaur. But beneath this terror-filled glimpse of the ‘80s lies not much more than a bog-standard horror flick.

The Adam Project is a thoughtful, witty mash-up of all the movies from my childhood. It’s Back to the Future meets The Last Starfighter with a slew of wonderful performances from a cast that clearly loves the concept as much as I do. Ryan Reynolds is on top form as Adam, while Walker Scobell matches him punch for punch with a great debut performance.