Staff [Not Credited]

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For 84 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Staff [Not Credited]'s Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boogie Nights
Lowest review score: 0 Idle Hands
Score distribution:
  1. Positive: 45 out of 84
  2. Negative: 21 out of 84
84 movie reviews
    • 79 Metascore
    • 88 Staff [Not Credited]
    A deeply moving film, it's a powerful reminder of a time not so long ago when, for a large group of Americans, attempting to register to vote could result in a serious threat to their lives.
    • 69 Metascore
    • 63 Staff [Not Credited]
    This intriguing and well-acted gender-bending story occasionally feels like "The Crying Game" meets "Looper."
    • 22 Metascore
    • 25 Staff [Not Credited]
    Sitting through New Year's Eve is like attending a crowded party filled with pretty people who have nothing to say.
    • 50 Metascore
    • 50 Staff [Not Credited]
    For a computer-animated movie about dancing penguins, it's surprisingly leaden. Not even the impressive voice talent can rev up this clumsy spectacle.
    • 56 Metascore
    • 50 Staff [Not Credited]
    It's an odd blend - a sentimental story in a futuristic world of brutal machine-maneuvered fights. There are some ringside thrills, but it's not a seamless mesh.
    • 53 Metascore
    • 38 Staff [Not Credited]
    Someone has seen "Trainspotting" too many times, and it's writer/director Justin Kerrigan.
    • USA Today
    • 74 Metascore
    • 88 Staff [Not Credited]
    A robust family comedy that saves its wildest moments for a climactic "get-together."
    • USA Today
    • 44 Metascore
    • 50 Staff [Not Credited]
    Compelling almost in spite of itself, thanks to the impressionistic imagery of cinematographer Robert Richardson.
    • 28 Metascore
    • 38 Staff [Not Credited]
    Fun for less than 30 of the 80-minute running time.
    • USA Today
    • 67 Metascore
    • 63 Staff [Not Credited]
    The movie is still too solemn.
    • USA Today
    • 70 Metascore
    • 75 Staff [Not Credited]
    Despite a slight tendency to be overly pleased with itself, this is a smart piece of work that got Arcand's screenplay an award at Cannes.
    • 42 Metascore
    • 63 Staff [Not Credited]
    Though the film is not terribly original (and features a jarringly miscast Alicia Silverstone as Alex's nanny), the action scenes are diverting, the veteran cast is amusing and the engaging Pettyfer makes a solid debut.
    • 62 Metascore
    • 75 Staff [Not Credited]
    Though not quite up to "The Full Monty" or "Waking Ned Devine," there's just enough left in that overseas whimsy stockpile to generate good buzz (the word-of-mouth moviegoer kind).
    • 34 Metascore
    • 50 Staff [Not Credited]
    This could be the start of an awful new genre: Nannies Gone Wild.
    • 35 Metascore
    • 38 Staff [Not Credited]
    Stuffing painters, writers and, naturally, Gustav Mahler (Jonathan Pryce) into about 90 minutes, the film comes off as little more than a handsomely mounted scorecard of sexual escapades.
    • USA Today
    • 57 Metascore
    • 50 Staff [Not Credited]
    The material has enough meat to enable charitable viewers to drift in and out, but the result is too arch to conjure up much affection.
    • USA Today
    • 56 Metascore
    • 50 Staff [Not Credited]
    If one of its points is to show that underused thirtyish actresses still are attractive, it succeeds with Leigh and Cates -- and Jennifer Beals, who also provides a flashback feeling playing Cummings' ex-squeeze.
    • USA Today
    • 69 Metascore
    • 88 Staff [Not Credited]
    Despite its awkward title, Starter for 10 is a winning coming-of-age tale told with grace and charm.
    • 85 Metascore
    • 88 Staff [Not Credited]
    The best drama you've seen about Anytown, USA, since "American Beauty."
    • USA Today
    • 59 Metascore
    • 25 Staff [Not Credited]
    Spanning the counterculture '70s to the more career-oriented '80s and doing justice to neither decade, this event-heavy adaptation of Scott Spencer's novel may give viewers whiplash.
    • 77 Metascore
    • 100 Staff [Not Credited]
    "The Right Stuff" will endure as the more ambitious movie, but this book-faithful, 2-hour team effort shrewdly keeps its eye on the ball.
    • 30 Metascore
    • 25 Staff [Not Credited]
    Any civilization that can produce a movie this stupid probably deserves to be hit by famine and pestilence.
    • USA Today
    • 45 Metascore
    • 50 Staff [Not Credited]
    A dreary poke-along adaptation of the Angela Sommer-Bodenburg children's stories.
    • 7 Metascore
    • 25 Staff [Not Credited]
    Clumsy on every level.
    • 82 Metascore
    • 100 Staff [Not Credited]
    Comprehensive and blisteringly paced.
    • 36 Metascore
    • 38 Staff [Not Credited]
    Perhaps Martin should go back to taking chances and writing original work.
    • 47 Metascore
    • 63 Staff [Not Credited]
    Agreeable and slipshod in equal fashion, The Guru illustrates the subtle distinction between stupidity and goofiness.
    • 27 Metascore
    • 25 Staff [Not Credited]
    So imperfect that it may qualify as one of the summer's worst movies.
    • 51 Metascore
    • 63 Staff [Not Credited]
    Despite corny one-liners and plot developments that don't always hold water, Aquamarine rises above the flotsam filling theaters this time of year with a likable tale of friendship and charming performances.
    • 51 Metascore
    • 63 Staff [Not Credited]
    A sweet, inspirational movie that doesn't offer any surprises, but entertains youthful audiences in a gentle, almost old-fashioned way.

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