For 7 reviews, this critic has graded:
  • 100% higher than the average critic
  • 0% same as the average critic
  • 0% lower than the average critic
On average, this critic grades 5.1 points lower than other critics. (0-100 point scale)

Stephan Lee's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 75 Yves Saint Laurent
Lowest review score: 25 A Haunted House 2
Score distribution:
  1. Positive: 4 out of 7
  2. Negative: 1 out of 7
7 movie reviews
    • 48 Metascore
    • 75 Stephan Lee
    Despite somewhat of a direct-to-DVD plot, the perilous and elaborate rescue scenes are certainly big-screen-worthy. Canny references to '70s television and some genuinely funny moments will give grown-ups enough fuel to cross the finish line.
    • 30 Metascore
    • 42 Stephan Lee
    The generational conflict — overly ambitious parents and their disaffected millennial children — plays so on-the-nose it almost seems like satire, but it’s really just bad writing.
    • 51 Metascore
    • 75 Stephan Lee
    Scenes between YSL and rock-steady lover Pierre Bergé (Guillaume Gallienne) spark, but the film stays too reverent to truly turn heads.
    • 60 Metascore
    • 75 Stephan Lee
    Most of the jokes land bluntly – ”This is a cliché!” – but tight pacing and a killer cast, which also includes Ed Helms and Christopher Meloni, make up for the inconsistent gags.
    • 44 Metascore
    • 67 Stephan Lee
    There’s nothing remotely original about the premise, and jokes about prostates feel more pandering than funny, but the leads make this dumb romantic caper watchable.
    • 17 Metascore
    • 25 Stephan Lee
    You don't walk into a movie like A Haunted House 2 expecting anything remotely scary or serious, but you don't expect to walk out feeling a terrible sense of dread, either.
    • 49 Metascore
    • 58 Stephan Lee
    There are fun moments, especially with Kristin Chenoweth’s vampy poison dart frog. But with more evolved films like "The LEGO Movie" and "Frozen" in the animated ecosphere, overstuffed and gag-reliant time-passers like the Rio movies feel like a dying breed.

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