For 23 reviews, this critic has graded:
  • 73% higher than the average critic
  • 0% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 11.8 points higher than other critics. (0-100 point scale)

Tim Molloy's Scores

Average review score: 81
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 40 Intelligence (2013): Season 1
Score distribution:
  1. Positive: 19 out of 23
  2. Negative: 0 out of 23
23 tv reviews
    • 74 Metascore
    • 90 Tim Molloy
    God what a good show this is. Who cares who killed who?
    • 74 Metascore
    • 80 Tim Molloy
    Westworld gives you a lot to consider, and immerses you so completely in its manufactured reality that you’re never distracted from its complicated questions. The best thing I can say about it is that after seeing the first four episodes, I’m very eager for more.
    • 96 Metascore
    • 80 Tim Molloy
    OJ: Made in America lays out of all the evidence patiently, giving all sides their due. It is eminently fair.
    • 90 Metascore
    • 100 Tim Molloy
    The FX limited-run series is every bit as watchable as the insanely watchable trial.
    • 83 Metascore
    • 90 Tim Molloy
    You don't need to pay attention to the authentic background characters, or the glorious music, or the exquisite clothes, or even the textured dialogue to appreciation the majesty of Boardwalk. In fact, you can strip away the majesty--which the show loves to do--and still have a killer drama.
    • 75 Metascore
    • 80 Tim Molloy
    Despite first impressions that can feel one-note, all the characters turn out to be complicated and intriguing.
    • 72 Metascore
    • 80 Tim Molloy
    The cast is uniformly good, especially Corey Stoll as Dr. Ephraim Goodweather, the head of a Center for Disease Control team called in to investigate that dead plane.... The greatest strength of The Strain is its ability to revamp vampires while paying homage to the myths about them that have accrued over decades.
    • 54 Metascore
    • 70 Tim Molloy
    It's just a good story, cleverly told. It's not going to resolve the troubles in the Middle East, but then again, neither has anything else.
    • 92 Metascore
    • 100 Tim Molloy
    Few shows are so grounded. And, if you have a little patience, few shows are so worth watching.
    • 70 Metascore
    • 80 Tim Molloy
    This is, like Alan Moore's “League of Extraordinary Gentlemen,” a clever exploitation of characters in the public domain. But creator John Logan's story also thrives on its own. Penny Dreadful is a beguiling examination of that space between life and death.
    • 93 Metascore
    • 100 Tim Molloy
    Louie is television's best half-hour drama. It's also one of the best comedies, when it still wants to be, which isn't all that often.
    • 76 Metascore
    • 60 Tim Molloy
    The fact that so much of the show relies on Oliver means he bears the burden of getting the tone exactly right. And right now, he's a little more angry than funny.
    • 85 Metascore
    • 90 Tim Molloy
    Mad Men is getting better as it goes on.
    • 86 Metascore
    • 80 Tim Molloy
    The show works because all of its actors seem so human, so likeable, despite the words coming from their mouths.
    • 84 Metascore
    • 90 Tim Molloy
    Silicon Valley often has the watch-it-all-come-together plotlines that make those shows [“Seinfeld” and “Curb Your Enthusiam”] such delightful comic puzzles.
    • 61 Metascore
    • 80 Tim Molloy
    It helps that the show is well-acted, and that everything from the fonts to the costumes to the camerawork are gorgeous. You may need a while to puzzle out what's happening on screen, but at least you can enjoy some lovely scenery.
    • 94 Metascore
    • 100 Tim Molloy
    The acting is delightful, the visuals are sumptuous, the stories couldn't be more surprising.
    • 63 Metascore
    • 50 Tim Molloy
    The show does a good job of setting up a lot of conflict in a very short time, but I'd be more invested if I got to know the characters more — and if they had more dimension..... It felt too contrived.
    • 66 Metascore
    • 60 Tim Molloy
    The exceptionally well-cast The Red Road starts well, but slips in the second episode.
    • 80 Metascore
    • 90 Tim Molloy
    My complaints about the new season revolve around that 1 percent [that is unrealistic]. The show is better as a human drama than a political procedural, thank God.
    • 87 Metascore
    • 90 Tim Molloy
    Nic Pizzolatto’s script and Cary Fukunaga’s direction slowly, methodically earn every big moment. And when those moments arrive in the third episode, they’re legitimately terrifying.
    • 56 Metascore
    • 40 Tim Molloy
    The attempt to ground the show in reality feels unnecessary and not fun, because nothing here is all that unbelievable.
    • 69 Metascore
    • 80 Tim Molloy
    This is silliness for its own wonderfully ridiculous sake.

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