Honestly, I don’t find The Highway to be quite as compelling as his
other games. Certainly not for its art and design, which is
pixel-perfect, with brilliant lighting, surprises and incredible
timing. I just find the loosey-goosey super-ambiguous Twilight Zone
thing a bit too distancing, and I think the final moment in this is a
bit flat. However, it seems everyone else who’s ever written about it
strongly disagrees with me, so you may well too.
SummaryClaire Barnes is about to discover what kind of horrors lurk in the darkness of a deserted road. Welcome to a dimension of horror. Welcome to Midnight Scenes.