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| Metro-Goldwyn-Mayer (MGM) | Release Date: November 18, 1949 |
Starring:
Clarence Kolb, David Wayne, Emerson Treacy, Eve March, Hope Emerson, Jean Hagen, Judy Holliday, Katharine Hepburn, Spencer Tracy, Tom Ewell
Summary:
Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband.
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This is the best of all the Tracy-Hepburn comedies--and one whose unabashedly feminist screenplay seems more incisive with each passing year. [10 Mar 2006, p.C7]
George Cukor employs an unusually large number of long takes, often allowing the inspired spats between his leads to play out in unbroken real time. But the much more likely explanation for the film’s enduring popularity has to be the way it took the gender politics underlying many of the duo’s collaborations and made them the full-fledged focus.
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Cukor's work is too arch, too consciously, commercially clever, but it's also spirited, confident.
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