Twentieth Century Fox Film Corporation | Release Date: May 19, 2017 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
32
Mixed:
18
Negative:
2
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Critic Reviews
RogerEbert.comMay 16, 2017
This is one of Scott’s best-directed movies and one of his most entertaining overall, partly because he’s working in a genre, the science fiction spectacle, that he does better than anyone since Stanley Kubrick, but also because he seems to be approaching it almost entirely in terms of visceral impact and emotion—as symphony of fire and blood, poetry and schlock.
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MTV NewsMay 22, 2017
Scott still has a talent for lovely details... He's always used awe as a tool. Scott's art direction is so precise we assume he also obsessed over the script. Surely a spectacle like this has gotta mean something. Like the intelligent-design argument, his eye is too advanced to be an accident.
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The PlaylistMay 7, 2017
The scares are some of the best the entire series has to offer, and on that criteria alone it can probably be considered a success. But there’s no escaping the fact that as a standalone film, Covenant is wanting, neither truly making its own thematic points nor carving out its own unique place in the legacy of the franchise.
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Peel away the big budget genre film’s veneer of Western Civ citations—embodied by references to artist and inventor Michelangelo, composer Richard Wagner and the romantic poets Lord Byron and Percy Bysshe Shelley, among others—and what you have is rather conventional Lego blocks of sci-fi horror.
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Scott’s latest is a thrill-ride that blasts through celestial carnage, while building a bigger Alien world that might not be 100% necessary. Out of all the films in the franchise, Alien: Covenant has the least stand-alone potential – but dammit if it’s not a wild, warp-speed-killing-machine adventure.
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The first third of Alien: Covenant is suitably gripping. The final third is wreathed in tension reminiscent of the film’s 1979 progenitor, Alien. The second third sandwiched in between these bookends is equally interminable and dumb, a garbage-level studio-prompted exercise in origin narrative, built to demystify intellectual property where mystification is a key factor in its success.
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