Angel of Mine
Lionsgate | Release Date: August 30, 2019 CRITIC SCORE DISTRIBUTION
47
METASCORE
Mixed or average reviews based on 10 Critic Reviews
Positive:
3
Mixed:
7
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
75
RogerEbert.comNick AllenAug 30, 2019
Farrant’s confidence as a storyteller — along with Rapace’s full-bodied performance — enrich the story and guide it toward its delicately bonkers premise. Read full review
75
ObserverRex ReedAug 29, 2019
Angel of Mine is a much better meld of psychodrama and soap opera than it appears on the surface. Read full review
70
Film ThreatAlan NgSep 1, 2019
Angel of Mine is a good movie for fans of the dysfunctional family melodrama. Primarily from the performances from its leads and a strong story that holds together to the end. The thrills are thrilling but sadly never gets to Fatal Attraction level outcomes. Read full review
60
The GuardianLuke BuckmasterAug 29, 2019
If some elements of Angel of Mine are simplistic, Rapace’s magnetic performance is anything but. Read full review
60
Screen DailySarah WardAug 29, 2019
Angel of Mine isn’t without its bumps, but its equally challenging and cathartic payoff is worth the journey. Read full review
50
Los Angeles TimesNoel MurrayAug 29, 2019
A terrific cast and a rich sense of atmosphere do a lot to keep the Australian drama Angel of Mine suspenseful, even when the plot’s barely developing. Read full review
50
The Hollywood ReporterFrank ScheckAug 28, 2019
To truly be effective, Angel of Mine would either have to be far better or far worse than it actually is. Read full review
50
Movie NationRoger MooreAug 28, 2019
Rapace is always good, in big budget features or films of more modest budget and ambitions, like this Australian production. She and Strahovski pair up as rivals so well that you say a silent prayer that the picture doesn’t lose its nerve. But of course, it does. Read full review
40
VarietyAmy NicholsonSep 8, 2019
Oddly, after leaving us aching for the film to go off the rails, when “Angel of Mine” finally does in the final scene, its message is so screwy that the audience might feel as loopy as poor Lizzie. Read full review
40
The New York TimesJeannette CatsoulisAug 29, 2019
Rapace’s jangly, one-note performance is rendered bearable by Yvonne Strahovski’s warmly natural turn as Lola’s increasingly furious mother. Read full review
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