Warner Bros. | Release Date: June 26, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
18
Mixed:
14
Negative:
3
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Critic Reviews
What follows is excellent, uncomplicated and well-wrought house-of-horrors fun, complete with a message about self-blame and the real things that haunt us. Gary Dauberman is a first-time director, but don’t worry, Mom and Dad, your kids (and everyone else) are in good hands with him.
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A smart, controlled film, made with considerable integrity. It doesn’t try to scare you with loud noises or threaten you with the imminent certainty of seeing something disgusting. Instead, it throws a handful of characters into a simple, yet harrowing, situation and then explores that situation in depth.
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The Film StageJun 27, 2019
While humor is present (to varying effect) thanks to its teenage protagonists and its roller coaster ride of random encounters does prove more unhinged than The Conjuring‘s streamlined confrontational drama, it still revolves around intimately personal battles independently fought within Judy and Daniela.
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It’s a shallow exercise in gimmicky scares, but that might be its greatest virtue: it’s a horror film of modest aspirations, avoiding the convoluted mythology of the rest of the series by planting a bunch of scary stuff in a room and setting it off. It all amounts to empty calories, but it satisfies in the moment.
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IndieWireJun 24, 2019
The new movie basically jams the archetypes of a John Hughes teen comedy into a minimalist haunted scenario. While that’s not enough to suppress the underlying gimmickry of the storytelling, Annabelle Comes Home at least manages to charm and frighten its way through the purest distillation of the “Conjuring” formula to date.
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While Dauberman is still figuring out how to effectively build suspense (Daniela’s various forays into the Artifact Room seem to take as long as visits to the DMV), he does a good job of varying the types of scares he uses to shock his audience. He also leavens the tension with just the right amount of humor and does well with his recreation of the ’70s.
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The PlaylistJun 24, 2019
Annabelle Comes Home is only a little scary, and too religiously dedicated to its own ongoing cash-printing megafranchise for big laughs. But the best moments in this low-key domestic horror film have a tossed-off quality, like the whole production cycle was a fun weekend for everybody.
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Although it makes for an initially absorbing narrative and filmmaking challenge, with nowhere for the characters to run or hide, the thrills and shocks gradually become repetitive, as the writer-director recycles his own material, forcing the girls to evade the same threats again and again.
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