Austin Powers in Goldmember
New Line Cinema | Release Date: July 26, 2002 CRITIC SCORE DISTRIBUTION
62
METASCORE
Generally favorable reviews based on 34 Critic Reviews
Positive:
22
Mixed:
9
Negative:
3
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Critic Reviews

Critic scorePublicationBy date
90
Washington PostStephen Hunter
Puerile, pitiful, grotesque, offensive, immature, repulsive and, of course, extremely funny. Read full review
90
Washington PostDesson Thomson
Mike Myers unleashes (or seems to unleash) the entire contents of his comic mind. Read full review
90
SlateDavid Edelstein
Mike Myers is like a rich 12-year-old who rents out F.A.O. Schwartz, upends every toy in under two hours, and brings in strippers. He can get away with this privileged romp because he grooves on what he does in a way that none of his contemporaries -- can comprehend. Read full review
88
Charlotte ObserverLawrence Toppman
The funniest, crassest, wildest, most musical, most satirical and most scatological of the Powers trilogy. And you get to watch Britney Spears' head explode. What more could you want? Read full review
83
Portland OregonianShawn Levy
You go into an Austin Powers movie with a big grin on -- or at least you should. The charm of this one is that you leave smiling even more broadly. Read full review
80
The New York TimesStephen Holden
Like a giant balloon painted with Day-Glo colors, however, the whole gaudy mess wouldn't inflate without the force of Mr. Myers's comic genius. It's his baby, baby. And after three editions, it's still flying high. Read full review
80
SalonCharles Taylor
It's a mess, and a ridiculous golden shower of toilet humor. But Mike Myers' superspy spoof still provides the summer's purest movie delight. Read full review
75
Boston GlobeTy Burr
The most consistently funny of the ''Austin Powers'' films. Read full review
75
San Francisco ChronicleMick LaSalle
This summer's comic gem. Read full review
75
Entertainment WeeklyLisa Schwarzbaum
Mike Myers and Austin Powers may stick to their old Beatle boots, but they've both come a long way, luvvy. For proof, just look at all the A-list celebrities-I-won't-mention happy to crash the party. Read full review
75
The Globe and Mail (Toronto)Liam Lacey
Myers's sheer fertility of invention is of a different order, and even if he misses as often as he hits, he's definitely a swinger. Read full review
75
New York Daily NewsJami Bernard
The best way to look at this installment, however, is as musical theater of the absurd. The song-and-dance set pieces are brilliant, including a rap-style "It's a Hard Knock Life" in a prison. Read full review
70
Wall Street JournalJoe Morgenstern
Nothing to write home about, though nothing to stay home about either, especially if you're a dyed-in-the-polyester Powers fan.
70
New Times (L.A.)Gregory Weinkauf
The movie will leave you smiling forgetfully on the way out, and Myers will have done his job.
70
New York Magazine (Vulture)Peter Rainer
Caine is burlesquing his own iconography and enjoying every minute of it. He hasn't lost his dignity, though; it takes a lot of self-possession to act this blissfully silly. He even looks good with bad teeth. Read full review
70
Film ThreatRick Kisonak
Not since the heyday of Fellini, I dare say, has there been such a merrygoround of a movie. Read full review
67
Austin ChronicleKimberley Jones
The latest installment in the Austin Powers series has stopped making much sense at all, but it sure gets its giggle on, and good. Read full review
67
Seattle Post-IntelligencerSean Axmaker
It's often quite funny (when it's not spinning its wheels in rehashed skits and recycled gags), but when Myers gets his mojo working and his mind out of the toilet, he's capable of better. Read full review
63
Baltimore SunMichael Sragow
Austin does have a psychedelic buoyancy and Dr. Evil an addle-pated sadistic goofiness that are original and engaging, but Myers doesn't build on their best stuff. That's where a real plot would help. Read full review
63
Chicago TribuneMichael Wilmington
It's a shapeless, derivative-but-funny show with another loony parody plot about super-villain Dr. Evil. Read full review
63
ReelViewsJames Berardinelli
In all fairness to the film, it is superior to the disappointing second movie in the series. The comedy is about as low-brow as it can get (at least without treading into R-rated territory). Read full review
63
New York PostJonathan Foreman
Uneven, self-conscious but often hilarious spoof. Read full review
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