| Twentieth Century Fox | Release Date: October 12, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
16
Negative:
4
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Critic Reviews
The PlaylistSep 29, 2018
With Bad Times at the El Royale Goddard’s comparatively leisurely pace may disappoint the more impatient, splatter-hungry genre-hounds in his fanbase, but for the rest of us, he has made impressive, enjoyable and gorgeous-to-look-at work of his “difficult second album” by defying expectations in a different way: broadening his scope, deepening his craft and letting the Bad Times roll.
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IndieWireSep 27, 2018
The more that Goddard upends our assumptions about who’s good, who’s bad, and who’s going to live through the night, the more we realize that we’re rooting for all of these fucked-up people to get right with the world. It’s massively didactic, but in a way that encourages us to dwell on how we feel about these characters, and how malleable those feelings are.
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Oct 12, 2018
Oct 10, 2018
It’s British stage actress Erivo who feels like the real star. Her steely charisma and gorgeous powerhouse of a voice (Goddard takes every plausible opportunity to let her loose on a classic 1960s songbook; can you blame him?) is what gives the movie not just a different kind of heroine, but a heart.
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Oct 10, 2018
Truth be told, I don’t much mind the version of Bad Times at the El Royale we have before us. Even if, with its multi-chapter narrative and time-skipping plotlines, its mix of verbal longwindedness and abrupt violence, the movie initially seems to warn of a terminal case of Tarantino-itis: an El Royale with cheese.
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Oct 10, 2018
There is a staginess to the action that creates a certain distance between the film and viewers (an opening sequence almost feels like like you're watching a play). That's another Tarantino-style touch. However, you never feel too disconnected, thanks to the good work from the cast.
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Oct 10, 2018
Goddard provides ample space for his star-studded cast to play, often to great effect, thanks mostly to lesser-known stars like Erivo and Pullman. The production design is similarly engrossing, with the El Royale's endless corridors and secrets making it as much a character in the movie as any of its human players.
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Oct 13, 2018
I remain as curious as ever to see what Goddard does next. But this film, for all its canny presentation, is a mishmash of compelling narrative premises clumsily fused together. It manages to be both overwrought and under-developed, disappointing less for what it is than for what it could have been.
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Oct 11, 2018
The direction is similarly yearning; practically begging for admiration. A sequence in which Hemsworth swishes toward the camera, piece of pie in hand, grooving to the strains of Deep Purple’s Hush, is so desperate in its attempt to appear iconic that it becomes difficult to watch head-on.
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Movie NationOct 1, 2018
Ponderously telling some parts of its sketch-of-a-story from multiple points of view, it’s an excruciating exercise in self-indulgence, packed with flashbacks and those big speeches/big scenes that draw names like Oscar winner Jeff Bridges, Dakota Johnson and Jon Hamm to its cast. It adds up to nothing more than two hours and 21 minutes of tedium, with the odd spasm of violence, back-story or musical interlude.
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