Columbia Pictures | Release Date: March 13, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
2
Mixed:
25
Negative:
8
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Critic Reviews
So much of the movies is the right kind of entertaining, with the right kind of actors playing the right kind of second-tier blockbuster roles, that Bloodshot cannot help but be a cult classic in the making. This is Hollywood escapism at its finest at a time when we need it the most.
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Bloodshot is unapologetically a popcorn movie of the switch-off-your-brain-and-kick-back variety. Diesel and company soldier through a wonky plot to deliver glowers, superhero poses, and loads of action. Director Wilson brings the heat with solid visual effects and a relentless pace. But keen-eyed viewers will notice the telltale signs of "fix it in post" fiddling.
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Bloodshot runs out of meta tricks before it is over, and David S.F. Wilson, who borrows his visual vocabulary from Tony Scott and Michael Bay, delivers action sequences with such choppy continuity that viewers may be as confused as Ray. He deserves bonus points, however, for embracing silliness.
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Bloodshot accidentally calls out the hollowness of every superhero movie by trying to beat them at their own game. It admits Vin is a tool to be deployed in very specific circumstances, it comes so close to self-awareness but drops the ball. In order to actually play as auto-critique, it would have to be a much better movie with a real director, but I admired the attempt, as I always do whenever Vin’s on screen.
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It’s a lot of bog-standard action stuff glommed onto a deeper metaphysical muddle; Inception drawn in extra-thick Sharpie and testosterone. If the whole thing is ultimately a shell for Diesel to do what he does, the ending also takes care to sing in the key of sequel too: Come fast cars, Avatars, and farther galaxies, there will be blood, again.
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PolygonMar 11, 2020
The movie looks a little like a lost Tony Scott project, but not quite enough — the style isn’t as tactile. Most of its ridiculous conviction comes from Diesel. He’s given plenty of better performances, but here he’s especially convincing in the role of a guy who legitimately believes he has nothing better to do.
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Vin Diesel doesn't drive that fast, but he's plenty furious in "Bloodshot," and with good reason. Adapted from a comic book, the movie casts the heavily muscled star as a zombie killing machine, in what amounts to a superhero origin story with more twists than expected, but ultimately a simple-minded excuse for lots and lots of action.
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A lively and amiably stupid action movie, given an extra dose of atmosphere by the presence of Vin Diesel. He is his own quality control, his own authentic center, so that even in a story like this — a kind of Philip K. Dick for dummies — there’s something onscreen that’s not ridiculous, that’s reliable and consistently cool.
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The GuardianMar 11, 2020
Movie NationMar 12, 2020
First-time feature filmmaker Dave Wilson and cinematographer Jacques Jouffret (“Mile 22”) can manipulate the speed of combat scenes all he wants (the stylistic crutch of a slo-mo point of contact is evergreen) but dull choreography, CGI overuse and Cuisinart editing are still the bane of today’s action sequences.
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