Although Ferrara's Body Snatchers might not be the preferred among the three versions, it is nevertheless a clever reading of the story. The decision to start the pod plot within the military is a great one, and there's a disconcerting lack of privacy for the Anwar character.
It competed for the Palme d'Or, Abel Ferrara did a good job with Ms .45, an excellent exploitation film. Larry Cohen (The Stuff, It's Alive) wrote and Stuart Gordon producing, pretty big wheels for a b movie. Roger Ebert gave 4 stars, his favorite body snatcher movie. I like the Body Snatcher premise because it deals with the unconscious taking over the conscious, very Jungian. My favorite film of this type is Puppet Masters, it has a good tone, energetic yet grounded, like a good x files episode. Cinematography looks good, nice and sharp, good use of dutch angles and general placement of camera for effect. Meg Tilly was a very good villain.
Third adaptation of the book The Body Snatchers by a director I honestly didn't expect it from.
Abel Ferrara offers a noticeably more modern and disturbing vision, crafting an atmospheric thriller that aims to make you question the nature of those around you.
While it may not be the best adaptation of the source material, it still provides a chilling and entertaining experience.
It's doubtful that any variation on Finney's story could be called definitive. There's an inexhaustible supply of targets; we could have a new one every year or so. But this one certainly has its creepy moments. [18 Feb 1994, p.D3]
Anwar is reasonably spunky, but she's not given much. The script fatally fumbles the exposition, serving up characters of zero rooting-interest. [09 Feb 1994, p.8D]
Ferrara displays a surprising lack of imagination throughout, sticking to the original film's predictable Who'll be next? progression. [21 Feb 1994, p.C6]
Esta versión tiene el mismo rango emocional que los seres alienígenas que son los antagonistas de esta película, y eso no es precisamente algo positivo.
Epitome of the b horror movie complete with all the corny effects, music and dialogue that is associated with it. Is it the best of its kind? Far from it - and yet it's clearly a work of passion with the cast delivering decent performances. Entertaining but forgettable.