Bride of Re-Animator

Name: Bride of Re-Animator
Genre: Sci-Fi, Thriller, Horror, Comedy
Released: February 22, 1991
Duration: 96 min
Rating: 54
Cast: Bruce Abbott, Claude Earl Jones, David Gale, Fabiana Udenio, Irene Cagen

1991

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Mixed or average reviews based on 11 Critic Reviews

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Bride Of Re-Animator

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Movie Details & Credits

Re-Animator Productions | Release Date: February 22, 1991 | Not Rated

Starring: Bruce Abbott, Claude Earl Jones, David Gale, Fabiana Udenio, Irene Cagen, Jeffrey Combs, Kathleen Kinmont, Mary Sheldon, Mel Stewart, Michael Strasser

Summary: Doctors Herbert West and Dan Cain discover the secret to creating human life and proceed to create a perfect woman from dead tissue.

Director: Brian Yuzna

Genre(s): Sci-Fi, Thriller, Horror, Comedy

Rating: Not Rated

Runtime: 96 min

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Critic Reviews

100

Joe Bob Briggs

It's got everything the original had. Best of 1991. [22 Mar 1991, p.7]

The Guardian Staff (Not Credited)

The first movie was a real tough act to follow but Yuzna - who produced the first instalment - has a real handle on the necessary sick OTT humour. [18 Oct 2003, p.83]

Michael Kennedy

While it's not as good as the first, it ups the ante on gore and insanity, and will delight those who enjoyed Re-Animator. Read full review

Ty Burr

The original Re-Animator was made by an artist working on a wicked, energetic high. Bride of Re-Animator is a smart piece of hack work. In the end, it’s best left standing at the altar. Read full review

Vincent Canby

Bride of Re-Animator is less a sequel to the critically praised 1985 horror film Re-Animator than a rehash based on the same H. P. Lovecraft stories. Read full review

TV Guide Magazine Staff (Not Credited)

The movie almost seems the same as the Bride herself--begun with all the correct parts, but eventually self-destructing. Before it falls apart, however, The Bride of Re-Animator does still have time for a number of clever, outrageous bits. Read full review

Staff (Not Credited)

The excessive blood-spurting gruesomeness and cartoonish stop-motion effects trivialise the horror and undercut the would-be black humour in this travestied sequel to Stuart Gordon's hugely enjoyable film. Read full review

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