Universal Pictures | Release Date: May 26, 1995 CRITIC SCORE DISTRIBUTION
49
METASCORE
Mixed or average reviews based on 22 Critic Reviews
Positive:
7
Mixed:
10
Negative:
5
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75
The Seattle TimesJeff Shannon
Casper is more an elaborate mechanism than a fully realized movie, and the silly plot is merely an excuse to indulge the amazing special effects. But first-time director Brad Silberling never lets the magic overwhelm his characters. Best known as Wednesday in the Addams family movies, Ricci has grown into an appealing young star who nicely complements Pullman's trademark sensitivity, and together they add the necessary touch of special to the visual effects. [26 May 1995, p.G3]
75
The film is an epic treatment of a childhood curio. It's also the kind of elaborate movie stunt you can't imagine someone really pulling off. [26 May 1995, p.C]
75
Casper often resembles a blueprint for the next Universal theme park ride, but it serves well as the summer's first family treat. This movie should make children happy, at least for another month, until Disney unleashes its Pocahontas punch. [26 May 1995, p.10]
63
Ricci makes all this far more palatable than it should be. She is surely helped by the dismal level shared by most allegedly more adult afterlife fantasies. The kids will enjoy the high-spirited antics, but Casper ultimately is another reason to wish Hollywood would declare a moratorium on ghost writing. [26 May 1995, p.03]
63
St. Louis Post-DispatchHarper Barnes
The father-daughter chemistry between Pullman and Ricci seems good. And the ghosts - who look sort of like the result of 24 double exposures a second - are engaging, courtesy of the computer and animation wizards at Industrial Light and Magic. [26 May 1995, p.7C]
50
The techno-wizards at Industrial Light & Magic really knock themselves out here, but Casper is more serviceable than magical. [26 May 1995, p.85]
30
There are theme park attractions with stronger plots and more compelling characters. [26 May 1995, p.17]
25
The movie is pallid, bloated and light enough to evaporate from the mind 10 minutes after you leave the theatre. [26 May 1995]