Saban Films | Release Date: February 7, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
14
Mixed:
4
Negative:
2
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Critic Reviews
The PlaylistApr 30, 2019
Come To Daddy is definitely not going to be everyone’s cup of tea. ... Provocative and ballsy ... [the film] doesn’t give a shit if you like it and perhaps even dares some audiences to sit through it unfettered. Ultimately, it knows that those who stay are on its weirdo wavelength and are in for something insanely entertaining.
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Don’t mistake Come to Daddy as anything less than unbridled, of course, but for such a staunchly bonkers movie, composure rules Timpson’s aesthetic. He maintains an impressive control over a narrative that, at face value, appears to be constantly spiraling out of control, but that’s part of his design.
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The best movie twists — like the ones in “Psycho,” “The Crying Game” and “Parasite” — aren’t just unexpected, but also change the direction and meaning of the story. Director Ant Timpson’s blackly comic thriller Come to Daddy isn’t in the same elite class as those films, but it does deliver a good, sick twist; and sometimes that’s enough.
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The Film StageFeb 6, 2020
Sulking and seemingly concussed, Wood stands at the center of nearly every shot, those kind eyes in perpetual awe of the awful things that people can do to each other. It would be hard to imagine any other actor pulling off this sort of feat without diverging into irony or cynicism.
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Unfortunately, the movie is far more effective in its first half than its second, which degenerates into cheap shocks, absurd plot contrivances and vulgarism for its own sake (including an excrement-covered pen). It's a shame, because the opening section proves deliciously unsettling, thanks to the screenplay that keeps you off-balance and the terrific performances.
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