| Release Date: May 18, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
36
Mixed:
14
Negative:
1
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Critic Reviews
The film ends on a remarkably touching emotional note. Had it held to the strength of its convictions—and it is immensely obvious why it did not—it might have been the best ending of any superhero movie to date. (No, the bar’s not terribly high.) But it’s nonetheless awfully good, and we can still look forward to, mid-credits, the world’s best-ever Green Lantern joke.
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Is Deadpool 2 obnoxious? Is it needlessly self-aware? Is it drunk on its own fairly tame naughtiness? Is it so stuffed full of unrelated pop culture references that it sort of feels like a meme shirt come to life? The answer to all those questions is a resounding yes, but it’s also, weirdly, refreshing.
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The PlaylistMay 14, 2018
Deadpool 2, while extremely thin on plot, is gleefully impish, entertaining and often laugh-out-loud funny. Almost everything that felt forced, crass and hamfisted in the original film now feels organic and effortless; a constant breezy stream of gags, quips and expertly choreographed action. Deadpool 2 is filthier, funnier and ferociously manic.
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Deadpool 2 is, above all else, a lot of fun. (And yes, you must stay for the post-credit scenes.) Sometimes it maybe doesn’t take itself seriously enough (after about the 50th crack you do kind of want to tell Reynolds to hold off for a minute). But in a genre that takes itself so deadly seriously, this is like a breath of fresh air.
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There's action aplenty throughout the film, but Deadpool 2 doesn't bog down in it as many overcooked comic-book sequels do. With Reynolds' charismatic irreverence at its core, the pic moves from bloody mayhem to lewd comedy and back fluidly, occasionally even making room to go warm and mushy.
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After shooting lots of people and cutting lots of throats, Deadpool tries blowing himself up, something he probably should have done first. And with that, the movie shifts. Deadpool 2 becomes less violent and a lot funnier. It becomes a much better movie than the original “Deadpool,” not an action bloodbath with laughs, but a knowing spoof of the superhero genre.
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If you’ve got comics-movie fatigue, with frequent fourth-wall breaks to point out lazy writing, blatant foreshadowing or heavy reliance on CGI for fight scenes, Deadpool 2 is here for you. That doesn’t mean those things aren’t there (they are) — but the eagerness of Deadpool to call out its own shortcomings earns this trash-talking franchise a lot of goodwill.
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In almost every respect, this sequel is an improvement on its 2016 predecessor: Sharper, grosser, more narratively coherent and funnier overall, with a few welcome new additions. It’s a film willing to throw everything — jokes, references, heads, blood, guts and even a little bit of vomit — against the wall, rarely concerned about how much of it sticks.
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Though bringing in a bona fide action-cheese aesthete like David Leitch (Atomic Blonde, John Wick) to direct counts as a minor coup, Deadpool 2’s attempts to fight superhero fatigue with self-awareness and meta shock value can become exhausting. Indulgent and uneven, but in spots gruesomely funny, the new film badly lacks the basic momentum of the original’s formulaic plot.
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RogerEbert.comMay 15, 2018
Since Deadpool 2 shows no sign of wanting to rewrite a whole genre with its audacity, we might as well concede that it does the job it apparently wants to do with professionalism and flair, and that the faster we end this piece, the faster you can go on social media and complain about it.
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The TelegraphMay 14, 2018
With its uncompromising commitment to gross-out injuries, nerdy pop culture in-jokes and inappropriate touching, Deadpool 2 was clearly made to cater to existing fans with every innuendo-filled moment (they should stay through the credits for some important story points that are very nearly thrown away).
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Deadpool 2 likes to situate itself as the subversive alternative to so many bloated X-Men films, with all their grave self-importance and bombastic action, but even more of this go-around resembles those movies than its predecessor, and if it reads to you as more than a bit hypocritical, just know you’re hardly alone.
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